CREDITS

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Chinua Achebe, “Civil Peace” from GIRLS AT WAR, copyright © 1972, 1973 by Chinua Achebe. Used by permission of Doubleday, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved. Any third party use of this material, outside of this publication, is prohibited. Interested parties must apply directly to Penguin Random House LLC for permission. Rights in Canada by permission of The Wylie Agency LLC.

Chimamanda Ngozi Adichie, “Cell One” from THE THING AROUND YOUR NECK. Copyright © 2009 by Chimamanda Ngozi Adichie. Used by permission of The Wylie Agency LLC. Rights in Canada by permission of Alfred A. Knopf Canada, a division of Penguin Random House Canada Limited, a Penguin Random House Company.

Marjorie Agosín, “Inglés,” in Spanish with an English translation by Monica Bruno. Reprinted by permission of Marjorie Agosín.

Brian Aldiss, “Flight 063” first published in AT THE CALIGULA HOTEL AND OTHER POEMS (Sinclair Stevenson 1995) is reprinted with permission of Curtis Brown, London on behalf of Brian Aldiss. Copyright © by Brian Aldiss.

Sherman Alexie, “The Facebook Sonnet” first published in The New Yorker, May 16, 2011. Reprinted by permission of Nancy Stauffer & Associates.

Brad Allenby, “Is Human Enhancement Cheating?” from Slate, May 9, 2013. Copyright © 2013 by The Slate Group. All rights reserved. Used by permission and protected by the Copyright Laws of the United States. The printing, copying, redistribution, or retransmission of this Content without express written permission is prohibited.

Janna Anderson and Lee Rainie, excerpt from “The Future of Social Relationships” July 2, 2010, http://www.pewinternet.org/2010/07/02/the-future-of-social-relations/. Reprinted by permission of the Pew Research Center.

Maya Angelou, excerpts from I KNOW WHY THE CAGED BIRD SINGS. Copyright © 1969 and renewed 1997 by Maya Angelou. Used by permission of Random House, an imprint and division of Penguin Random House LLC. All rights reserved. Any third party use of this material, outside of this publication, is prohibited. Interested parties must apply directly to Penguin Random House LLC for permission.

W. H. Auden, “Musée des Beaux Arts,” copyright © 1940 and renewed 1968 by W. H. Auden from W. H. AUDEN COLLECTED POEMS. Used by permission of Random House, an imprint and division of Penguin Random House LLC. All rights reserved. Any third party use of this material, outside of this publication, is prohibited. Interested parties must apply directly to Penguin Random House LLC for permission. Electronic rights by permission of Curtis Brown, Ltd.

James Barrat, specified excerpts from OUR FINAL INVENTION: ARTIFICIAL INTELLIGENCE AND THE END OF THE HUMAN ERA. Copyright © 2013 by James Barrat. All rights reserved. Reprinted by permission of St. Martin’s Press.

Charles M. Blow, “Eye-for-an-Eye Incivility” from The New York Times, May 4, 2014. Copyright © 2014 by The New York Times. All rights reserved. Used by permission and protected by the Copyright Laws of the United States. The printing, copying, redistribution, or retransmission of this Content without express written permission is prohibited.

Daniel Bowen and Collin Hitt, from “High School Sports Aren’t Killing Academics” as first published in The Atlantic, Oct. 2, 2013. Copyright © 2013 by The Atlantic Media Co. All rights reserved. Distributed by Tribune Content Agency, LLC. Reprinted by permission.

Rosa Brooks, “In Defense of Killer Robots” first published in Foreign Policy, May 18, 2015 is reprinted by permission of the publisher.

David Callahan, excerpts from THE CHEATING CULTURE: WHY MORE AMERICANS ARE DOING WRONG TO GET AHEAD. Copyright © 2004 by David Callahan. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company. All rights reserved.

Raymond Carver: Raymond Carver, “Popular Mechanics” from WHAT WE TALK ABOUT WHEN WE TALK ABOUT LOVE: STORIES, copyright © 1974, 1976, 1978, 1980, 1981 by Tess Gallagher. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved. Any third party use of this material, outside of this publication, is prohibited. Interested parties must apply directly to Penguin Random House LLC for permission.

Cervantes, from DON QUIXOTE by Miguel de Cevantes Saaveddra, trans. by Samuel Putnam, translation copyright 1949 by The Viking Press, Inc. Used by permission of Viking Books, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC.

Sandra Cisneros, “No Speak English” from THE HOUSE ON MANGO STREET. Copyright © 1984 by Sandra Cisneros. Published by Vintage Books, a division of Penguin Random House, and in hardcover by Alfred A. Knopf in 1984. By permission of Susan Bergholz Literary Services, New York, NY, and Lamy, NM. All rights reserved.

Mia Consalvo, “Cheating Is Good for You” from Forbes, Dec. 14, 2006. Copyright © 2006 by Forbes LLC. All rights reserved. Used by permission and protected by the Copyright Laws of the United States. The printing, copying, redistribution, or retransmission of this Content without express written permission is prohibited.

Robbie Cooper, from ALTER EGOS: AVATARS AND THEIR CREATORS published by Chris Boot Ltd. in 2009. Text and photographs by Robbie Cooper are reproduced by permission of Robbie Cooper.

Emily Dickinson, “My river runs to thee” from THE POEMS OF EMILY DICKINSON, ed. by Thomas H. Johnson, Cambridge, Mass: The Belknap Press of Harvard University Press, copyright © 1951, 1955, 1979, 1983 by the President and Fellows of Harvard College.

Annie Dillard, pages 45–49 from AN AMERICAN CHILDHOOD. Copyright © 1987 by Annie Dillard. Reprinted by permission of HarperCollins Publishers. Electronic rights by permission of Russell & Volkening as agents for the author.

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Owen Dirkse, excerpt from “Full-time cop not needed in UA Schools,” published in The Columbus Dispatch, Feb. 22, 2014. Reprinted by permission of Owen Dirkse.

Cory Doctorow, “My name is Cory” on mynameisme.org is reprinted by permission of the author.

Firoozeh Dumas, “Hot Dogs and Wild Geese” from FUNNY IN FARSI: A MEMOIR OF GROWING UP IRANIAN IN AMERICA. Copyright © 2003 by Firoozeh Dumas. Used by permission of Villard Books, an imprint of Random House, a division of Penguin Random House LLC. All rights reserved. Any third party use of this material, outside of this publication, is prohibited. Interested parties must apply directly to Penguin Random House LLC for permission.

Timothy Egan, “The Hoax of Digital Life,” from The New York Times, Jan. 17, 2013. Copyright © 2013 by The New York Times. All rights reserved. Used by permission and protected by the Copyright Laws of the United States. The printing, copying, redistribution, or retransmission of this Content without express written permission is prohibited.

Nathan Englander, “Free Fruit for Young Widows” from WHAT WE TALK ABOUT WHEN WE TALK ABOUT ANNE FRANK: STORIES, copyright © 2012 by Nathan Englander. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved. Any third party use of this material, outside of this publication, is prohibited. Interested parties must apply directly to Penguin Random House LLC for permission.

Richard Fisher, “Is It OK to Torture or Murder a Robot?” first published on BBC.com, Nov. 27, 2013 is reprinted by permission of BBC Worldwide Ltd. http://www.bbc.com/future

Jonathan Safran Foer, from “Let Them Eat Dog: A Modest Proposal for Tossing Fido in the Oven” from The Wall Street Journal, Oct. 31, 2009. Reprinted with permission of The Wall Street Journal. Copyright © 2009 Dow Jones & Company, Inc. All rights reserved.

Francis Fukuyama, “Transhumanism” from Foreign Policy online, Oct. 23, 2009, is reprinted by permission of the publisher.

Gabriel García Márquez, “A Very Old Man with Enormous Wings” from LEAF STORM AND OTHER STORIES by Gabriel García Márquez, translated by Gregory Rabassa. Copyright © 1971 by Gabriel García Márquez. Reprinted by permission of HarperCollins Publishers. Electronic rights by permission of Agencia Literaria Carmen Balcells. “Un senor muy viejo con unas alas enormes,” from LA INCREIBLE Y TRISTE HISTORIA DE LA CANDIDA ERENDIRA Y SU ABUELA DESALMADA, copyright © Gabriel García Márquez, 1972, y heredos de Gabriel García Márquez.

John Taylor Gatto, “Against School: How Pubic Education Cripples Our Kids and Why” from Harper’s, Sept. 2003. Reprinted by permission of the author.

Lorraine Hansberry, excerpt from A RAISIN IN THE SUN, copyright © 1958 by Robert Nemiroff as an unpublished work. Copyright © 1959, 1966, 1984 by Robert Nemiroff. Used by permission of Random House, an imprint and division of Random House LLC. All rights reserved. Any third party use of this material, outside of this publication, is prohibited. Interested parties must apply directly to Penguin Random House LLC for permission.

Jason Harrington, “Do You Like Me? Click Yes or No” is reprinted by permission of the author.

Faith Erin Hicks, from FRIENDS WITH BOYS, copyright © 2012 by Faith Erin Hicks. Reprinted by permission of First Second, an imprint of Roaring Brook Press, a division of Holtzbrinck Publishing Holdings Limited Partnership. All rights reserved.

Allan Hope (Mutabaruka), “Dis Poem” published in THE FIRST POEMS/THE NEXT POEMS (Paul Issa Publications, 2005) is reprinted by permission of the author.

Caitlin Horrocks, “Zolaria” from THIS IS NOT YOUR CITY: STORIES. Copyright © 2011 by Catilin Horrocks. Reprinted with the permission of The Permissions Company, Inc., on behalf of Sarabande Books, www.sarabandebooks.org.

Pico Iyer, “The Joy of Less” from The New York Times, June 7, 2009, copyright © 2009 by The New York Times. All rights reserved. Used by permission and protected by the Copyright Laws of the United States. The printing, copying, redistribution, or retransmission of this Content without express written permission is prohibited.

Ha Jin, “Children as Enemies” from A GOOD FALL: STORIES, copyright © 2009 by Ha Jin. Used by permission of Pantheon Books, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved. Any third party use of this material, outside of this publication, is prohibited. Interested parties must apply directly to Penguin Random House LLC for permission.

Nola Kambanda, “My New World Journey” from BECOMING AMERICAN: PERSONAL ESSAYS BY FIRST GENERATION IMMIGRANT WOMEN ed. by Meri Nan-Ama Danquah (2000). Reprinted by permission of Nola Kambanda.

Kevin Kelly, “Better Than Human: Why Robots Will—and Must—Take Our Jobs” from Wired, Dec. 24, 2012. Reprinted by permission of the publisher, Condé Nast.

Karim Ben Khelifa, “My Enemy, Myself” from Foreign Policy, Jan./Feb. 2013 issue is reprinted by permission of the author.

Martin Luther King, Jr., “I Have Been to the Mountaintop” is reprinted by arrangement with The Heirs of the Estate of Martin Luther King Jr., c/o Writers House as agent for the proprietor, New York, NY. Copyright © 1968 by Dr. Martin Luther King, Jr., copyright © renewed 1996 by Coretta Scott King.

Jeffrey Kluger, “Ambition: Why Some People Are Most Likely to Succeed,” by Jeffrey Kluger, with reporting by Dan Cray, Eric Ferkenhoff, Noah Isackson, and Leslie Whitaker, from Time, July 8, 2013. Copyright © 2013 Time Inc. All rights reserved. Reprinted from TIME and published with permission of Time Inc. Reproduction in any manner in any language in whole or in part without written permission is prohibited. TIME and the TIME logo are registered trademarks of Time Inc.

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Robert Kolker, “Cheating Upwards” from New York magazine, Sept. 16, 2012. Reprinted by permission of the publisher.

Jon Krakauer, “Devils Thumb” from EIGER DREAMS (1990) is reprinted by permission of The Rowman & Littlefield Publishing Group.

Charles Krauthammer, from “Redskins and Reasons” from The Washington Post, Oct. 17, 2013. Copyright © 2013 by the Washington Post Company. All rights reserved. Used by permission and protected by the Copyright Laws of the United States. The printing, copying, redistribution, or retransmission of this Content without express written permission is prohibited.

George Lakoff and Elisabeth Wehling, excerpt from “Appreciating Undocumented Americans” is reprinted from The Little Blue Blog, July 8, 2012, online by permission of the authors.

Li Young Lee, “For a New Citizen of These United States” from THE CITY IN WHICH I LOVE YOU. Copyright © 1990 by Li-Young Lee. Reprinted with the permission of The Permissions Company, Inc., on behalf of BOA Editions, Ltd., www.boaeditions.org.

Priscilla Lee, “China” by Priscilla Lee, published in WISHBONE (Roundhouse Press, 2000) is reprinted by permission of the author.

Ursula K. Le Guin, “The Ones Who Walk Away from Omelas,” first appeared in New Dimensions, 3 in 1973 and then in THE WIND’S TWELVE QUARTERS, published by HarperCollins, 1975. Reprinted by permission of Curtis Brown, Ltd.

Genny Lim, lines from “Winter Place” (1989) are reprinted by permission of the author.

Mary Madden and Amanda Lenhart, excerpts from the Pew Research Center May 2013 Commentary, “What Teens Said about Social Media, Privacy, and Online Identity.” Reprinted by permission of Pew Research Center. http://www.pewinternet.org/

Alexis Madrigal, from “Why Facebook and Google’s Concept of ‘Real Names’ Is Revolutionary” as first published in The Atlantic, Aug. 5, 2011. Copyright © 2011 The Atlantic Media Co. All rights reserved. Distributed by Tribune Content Agency, LLC.

Nelson Mandela, excerpts from “Second Court Statement 1964” from “The Rivonia Trial, 1963–1964” from NELSON MANDELA: THE STRUGGLE IS MY LIFE (1986) are reprinted by permission of the Nelson Mandela Foundation.

Jon Meacham, “Free to Be Happy” from Time, July 8, 2013 issue. Copyright © 2013 Time Inc. All rights reserved. Reprinted from TIME and published with permission of Time Inc. Reproduction in any manner in any language in whole or in part without written permission is prohibited. TIME and the TIME logo are registered trademarks of Time Inc. used under License.

W. S. Merwin, “Losing a Language” from THE RAIN IN THE TREES. Copyright © 1988 by W. S. Merwin. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved. Any third party use of this material, outside of this publication, is prohibited. Interested parties must apply directly to Penguin Random House LLC for permission. Electronic rights by permission of The Wylie Agency LLC.

Horace Miner, from “Body Ritual among the Nacirema” as published in the American Anthropologist, Vol. 58, Issue 3, June 1956.

Dwight Okita, “In Response to Executive Order 9066: All Americans of Japanese Descent Must Report to Relocation Centers” from CROSSING WITH THE LIGHT. Reprinted by permission of the publisher Tia Chucha Press.

Sharon Olds, “My Son the Man” from THE WELLSPRING: POEMS by Sharon Olds. Copyright © 1996 by Sharon Olds. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved. Any third party use of this material, outside of this publication, is prohibited. Interested parties must apply directly to Penguin Random House LLC for permission. “The Possessive” from SATAN SAYS. Copyright © 1980. All rights are controlled by the University of Pittsburgh Press, Pittsburgh, PA 15260. Used by permission of the University of Pittsburgh Press.

George Orwell, Excerpt from ANIMAL FARM. Copyright 1946 by Sonia Brownell Orwell. Copyright © renewed 1974 by Sonia Orwell. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company. All rights reserved.

— — — “Shooting an Elephant” from A COLLECTION OF ESSAYS. Copyright 1950 by Sonia Brownell Orwell. Copyright © renewed 1978 by Sonia Pitt-Rivers. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company. All rights reserved.

Julie Otsuka, from WHEN THE EMPEROR WAS DIVINE, copyright © 2002 by Julie Otsuka, Inc. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved. Any third party use of this material, outside of this publication, is prohibited. Interested parties must apply directly to Penguin Random House LLC for permission.

Leonard Pitts, “The Anonymous Back-Stabbing of Internet Message Boards” from The Miami Herald, March 31, 2010. Copyright © 2010 by McClatchy. All rights reserved. Used by permission and protected by the Copyright Laws of the United States. The printing, copying, redistribution, or retransmission of this Content without express written permission is prohibited.

Amanda Ripley, from “The Case against High-School Sports” as first published in The Atlantic, Sept. 18, 2013. Copyright © 2013 by The Atlantic Media Co. All rights reserved. Distributed by Tribune Content Agency, LLC. Reprinted by permission.

Alexandra Robbins, from THE GEEKS SHALL INHERIT THE EARTH: POPULARITY, QUIRK THEORY, AND WHY OUTSIDERS THRIVE AFTER HIGH SCHOOL. Copyright © 2011 by Alexandra Robbins. Reprinted with the permission of Hachette Books.

Alexandra Samuel, from “10 Reasons to Stop Apologizing for Your Online Life” from Harvard Business Review, July 5, 2010, https://hbr.org/2010/07/10-reasons-to-stop-apologizing. Reprinted by permission.

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Michael Sandel, from “The Case against Perfection,” from The Atlantic, April 2004. For a fuller version of this essay, see Michael J. Sandel, “The Case against Perfection: Ethics in the Age of Genetic Engineering,” Harvard University Press, 2007. Reprinted with permission of the author.

Kai Sato, from “The Case for High School Sports” first published in The Huffington Post, Sept. 23, 2013. Reprinted by permission of the author.

Marjane Satrapi, “The Lesson” from PERSEPOLIS: THE STORY OF A CHILDHOOD. Translation copyright © 2003 by L’Association, Paris, France. Used by permission of Pantheon Books, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved. Any third party use of this material, outside of this publication, is prohibited. Interested parties must apply directly to Penguin Random House LLC for permission.

Katey Schultz, “Deuce Out” from FLASHES OF WAR (2014). Used by permission of Apprentice House Press.

William Shakespeare, selected annotations by David Bevington, editor, to AS YOU LIKE IT from THE COMPLETE WORKS OF SHAKESPEARE, updated 4th ed. Copyright © 1997. Complete annotations to MACBETH from THE COMPLETE WORKS OF SHAKESPEARE, updated 4th ed. Copyright © 1997. Selected annotations to HENRY VIII from THE COMPLETE WORKS OF SHAKESPEARE, updated 4th ed. Copyright © 1997. Selected annotations to THE LIFE OF HENRY V, from THE COMPLETE WORKS OF SHAKESPEARE, updated 4th ed. Copyright © 1997. Reprinted by permission of Pearson Education, Inc., New York, NY.

Kamila Shamsie, excerpt from “The Storytellers of Empire” from Guernica, Feb. 1, 2012, is reprinted by permission of the publisher.

Jane Shore, “Happy Family” from HAPPY FAMILY: POEMS (Picador 2000) is reprinted by permission of the author.

Kevin Sites, with edits approved, text from pp. 5–7, 8–11, 13–23, 24–27 from IN THE HOT ZONE: ONE MAN, ONE YEAR, TWENTY WARS. Copyright © 2007 by Kevin Sites. Reprinted by permission of HarperCollins Publishers.

Lenore Skenazy, “Why I Let My 9-Year-Old Ride the Subway Alone” from The Sun, April 1, 2008, is reprinted by permission of the author.

William Stafford, “Traveling through the Dark” from ASK ME: 100 ESSENTIAL POEMS. Copyright © 2014 by the Estate of William Stafford. Reprinted with the permission of The Permissions Company, Inc. on behalf of Graywolf Press, Minneapolis, Minnesota, www.graywolfpress.org.

Kory Stamper, “Slang for the Ages” from The New York Times, Oct. 3, 2014. Copyright © 2014 by The New York Times. All rights reserved. Used by permission and protected by the Copyright Laws of the United States. The printing, copying, redistribution, or retransmission of this Content without express written permission is prohibited.

John Stossel, from “What’s Fair?” published on Townhall.com, March 11, 2015. Reprinted by permission of Creators Syndicate.

Mark Strand, “Eating Poetry” from SELECTED POEMS by Mark Strand, copyright © 1979, 1980 by Mark Strand. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved. Any third party use of this material, outside of this publication, is prohibited. Interested parties must apply directly to Penguin Random House LLC for permission.

Wisława Szymborska, “A Contribution to Statistics” and “Utopia” from POEMS NEW AND COLLECTED 1957–1997 by Wisława Szymborska, translated from the Polish by Stanislaw Baranczak and Claire Cavanagh. English translation copyright © 1998 by Houghton Mifflin Harcourt Publishing Company. Reprinted by permission of Houghton Mifflin Harcourt Publishing Company. All rights reserved.

Amy Tan, “Rules of the Game” from THE JOY LUCK CLUB, copyright © 1989 by Amy Tan. Used by permission of G. P. Putnam’s Sons, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC.

Clive Thompson, “Brave New World of Digital Intimacy” from The New York Times Magazine, Sept. 7, 2008 is reprinted by permission of Featurewell.com.

John Updike, “Ex-Basketball Player” from COLLECTED POEMS, 1953–1993. Copyright © 1993 by John Updike. “A & P” from PIGEON FEATHERS AND OTHER STORIES, COPYRIGHT © 1962, copyright renewed 1990 by John Updike. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved. Any third party use of this material, outside of this publication, is prohibited. Interested parties must apply directly to Penguin Random House LLC for permission.

Kurt Vonnegut, “Harrison Bergeron” copyright © 1961 by Kurt Vonnegut, Jr. from WELCOME TO THE MONKEY HOUSE. Used by permission of Dell Publishing, an imprint of Random House, a division of Penguin Random House LLC. All rights reserved. Any third party use of this material, outside of this publication, is prohibited. Interested parties must apply directly to Penguin Random House LLC for permission.

Vu Bao, “The Man Who Stained His Soul,” translated by Ho Ahn Thai, edited by Wayne Karlin from THE OTHER SIDE OF HEAVEN: POSTWAR FICTION BY VIETNAMESE AND AMERICAN WRITERS, ed. by Wayne Karlin, Le Minh Khue and Truong Vu. Copyright © 1995 by Wayne Karlin, Le Minh Khue and Truong Vu. Reprinted by permission of Wayne Karlin c/o Harold Ober Associates.

William Carlos Williams, “Landscape with the Fall of Icarus” from THE COLLECTED POEMS: VOLUME 11, 1939–1962. Copyright © 1962 by William Carlos Williams. Reprinted by permission of New Directions Publishing Corp.