from Don Quixote

Miguel de Cervantes

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Real Academia de la Historia, Madrid, Spain/Index/Bridgeman Images

Translated by Samuel Putnam

Miguel de Cervantes (1547–1616) was a Spanish poet, playwright, and novelist. His masterpiece, Don Quixote (1605), had significant influence on Western literature and established Cervantes as one of the most important Spanish writers of all time. He is held in the same high regard in the Spanish literary tradition as Shakespeare is in the English tradition. Cervantes joined the Spanish military and eventually became a soldier known for his bravery on the battlefield, receiving grievous wounds while fighting against the Ottoman Empire. Even with two serious chest wounds and a left hand that was completely maimed, Cervantes remained undaunted and continued to fight until he was captured and imprisoned for five years. He returned to his homeland after a ransom secured his release. Cervantes went on to write plays but did not find success as a playwright. His greatest literary achievement, Don Quixote, is widely regarded as the first modern novel. Translated into over sixty languages, it eventually became a global best seller

KEY CONTEXT Fully titled The Ingenious Gentleman Don Quixote of La Mancha, Don Quixote (pronounced Kee-ho-tay) was originally intended to satirize the chivalric romantic fiction of Cervantes’s time — grand adventures that focused on quests by heroic knights. The novel’s protagonist, Don Quixote, is an elderly knight who has read many of these chivalric romances and decides that he too will seek adventure. He sets out with his squire, Sancho Panza, and the result is a series of comic encounters that poke fun at the overblown adventures described in the popular romances.

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In the following selection, which includes one of the most famous scenes from the novel, Sancho and Don Quixote encounter a set of windmills that Don Quixote believes are great giants that he must vanquish. He believes that a magician named Frestón, who actually is a figment of his own imagination, has stolen his books and enchanted the windmills. That scene is followed by an encounter with a group of friars from the Order of St. Benedict, who Don Quixote believes are “enchanters” he must engage in battle.

Of the Good Fortune Which the Valorous Don Quixote Had in the Terrifying and Never-Before-Imagined Adventure of the Windmills, along with Other Events That Deserve to Be Suitably Recorded

At this point they caught sight of thirty or forty windmills which were standing on the plain there, and no sooner had Don Quixote laid eyes upon them than he turned to his squire and said, “Fortune is guiding our affairs better than we could have wished; for you see there before you, friend Sancho Panza, some thirty or more lawless giants with whom I mean to do battle. I shall deprive them of their lives, and with the spoils from this encounter we shall begin to enrich ourselves; for this is righteous warfare, and it is a great service to God to remove so accursed a breed from the face of the earth.”

“What giants?” said Sancho Panza.

“Those that you see there,” replied his master, “those with the long arms some of which are as much as two leagues in length.”

“But look, your Grace, those are not giants but windmills; and what appear to be arms are their wings which, when whirled in the breeze, cause the millstone to go.”

5 “It is plain to be seen,” said Don Quixote, “that you have had little experience in this matter of adventures. If you are afraid, go off to one side and say your prayers while I am engaging them in fierce, unequal combat.”

Saying this, he gave spurs to his steed Rocinante, without paying any heed to Sancho’s warning that these were truly windmills and not giants that he was riding forth to attack. Nor even when he was close upon them did he perceive what they really were, but shouted at the top of his lungs, “Do not seek to flee, cowards and vile creatures that you are, for it is but a single knight with whom you have to deal!”

At that moment a little wind came up and the big wings began turning.

“Though you flourish as many arms as did the giant Briareus,” said Don Quixote when he perceived this, “you still shall have to answer to me.”

He thereupon commended himself with all his heart to his lady Dulcinea, beseeching her to succor him in this peril; and, being well covered with his shield and with his lance at rest, he bore down upon them at a full gallop and fell upon the first mill that stood in his way, giving a thrust at the wing, which was whirling at such a speed that his lance was broken into bits and both horse and horseman went rolling over the plain, very much battered indeed. Sancho upon his donkey came hurrying to his master’s assistance as fast as he could, but when he reached the spot, the knight was unable to move, so great was the shock with which he and Rocinante had hit the ground.

10 “God help us!” exclaimed Sancho, “did I not tell your Grace to look well, that those were nothing but windmills, a fact which no one could fail to see unless he had other mills of the same sort in his head?”

“Be quiet, friend Sancho,” said Don Quixote. “Such are the fortunes of war, which more than any other are subject to constant change. What is more, when I come to think of it, I am sure that this must be the work of that magician Frestón, the one who robbed me of my study and my books, and who has thus changed the giants into windmills in order to deprive me of the glory of overcoming them, so great is the enmity that he bears me; but in the end his evil arts shall not prevail against this trusty sword of mine.”

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“May God’s will be done,” was Sancho Panza’s response. And with the aid of his squire the knight was once more mounted on Rocinante, who stood there with one shoulder half out of joint. And so, speaking of the adventure that had just befallen them, they continued along the Puerto Lápice highway; for there, Don Quixote said, they could not fail to find many and varied adventures, this being a much traveled thoroughfare. The only thing was, the knight was exceedingly downcast over the loss of his lance.

“I remember,” he said to his squire, “having read of a Spanish knight by the name of Diego Pérez de Vargas, who, having broken his sword in battle, tore from an oak a heavy bough or branch and with it did such feats of valor that day, and pounded so many Moors, that he came to be known as Machuca, and he and his descendants from that day forth have been called Vargas y Machuca. I tell you this because I too intend to provide myself with just such a bough as the one he wielded, and with it I propose to do such exploits that you shall deem yourself fortunate to have been found worthy to come with me and behold and witness things that are almost beyond belief.”

“God’s will be done,” said Sancho. “I believe everything that your Grace says; but straighten yourself up in the saddle a little, for you seem to be slipping down on one side, owing, no doubt, to the shaking-up that you received in your fall.”

15 “Ah, that is the truth,” replied Don Quixote, “and if I do not speak of my sufferings, it is for the reason that it is not permitted knights-errant to complain of any wound whatsoever, even though their bowels may be dropping out.”

“If that is the way it is,” said Sancho, “I have nothing more to say; but, God knows, it would suit me better if your Grace did complain when something hurts him. I can assure you that I mean to do so, over the least little thing that ails me — that is, unless the same rule applies to squires as well.”

Don Quixote laughed long and heartily over Sancho’s simplicity, telling him that he might complain as much as he liked and where and when he liked, whether he had good cause or not; for he had read nothing to the contrary in the ordinances of chivalry. Sancho then called his master’s attention to the fact that it was time to eat. The knight replied that he himself had no need of food at the moment, but his squire might eat whenever he chose. Having been granted this permission, Sancho seated himself as best he could upon his beast, and, taking out from his saddlebags the provisions that he had stored there, he rode along leisurely behind his master, munching his victuals and taking a good, hearty swig now and then at the leather flask in a manner that might well have caused the biggest-bellied tavernkeeper of Málaga to envy him. Between draughts he gave not so much as a thought to any promise that his master might have made him, nor did he look upon it as any hardship, but rather as good sport, to go in quest of adventures however hazardous they might be.

The short of the matter is, they spent the night under some trees, from one of which Don Quixote tore off a withered bough to serve him as a lance, placing it in the lance head from which he had removed the broken one. He did not sleep all night long for thinking of his lady Dulcinea; for this was in accordance with what he had read in his books, of men of arms in the forest or desert places who kept a wakeful vigil, sustained by the memory of their ladies fair. Not so with Sancho, whose stomach was full, and not with chicory water. He fell into a dreamless slumber, and had not his master called him, he would not have been awakened either by the rays of the sun in his face or by the many birds who greeted the coming of the new day with their merry song.

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Consider the artist’s rendering of Don Quixote’s imaginary world and the reality that Sancho Panza sees.
In what ways does this painting illustrate the “disconnect” between Don Quixote’s perception of the world and reality?
Charles-Antoine Coypel, Don Quixote Being Led by Folly, 1714–1734. Oil on canvas, 48.5˝ x 48.5˝. Chateau, Compiègne, France.
Photo: Daniel Arnaudet/Jean Schormans. © RMN-Grand Palais/Art Resource, NY

Upon arising, he had another go at the flask, finding it somewhat more flaccid than it had been the night before, a circumstance which grieved his heart, for he could not see that they were on the way to remedying the deficiency within any very short space of time. Don Quixote did not wish any breakfast; for, as has been said, he was in the habit of nourishing himself on savorous memories. They then set out once more along the road to Puerto Lápice, and around there in the afternoon they came in sight of the pass that bears that name.

20 “There,” said Don Quixote as his eyes fell upon it, “we may plunge our arms up to the elbow in what are known as adventures. But I must warn you that even though you see me in the greatest peril in the world, you are not to lay hand upon your sword to defend me, unless it be that those who attack me are rabble and men of low degree, in which case you may very well come to my aid; but if they be gentlemen, it is in no wise permitted by the laws of chivalry that you should assist me until you yourself shall have been dubbed a knight.”

“Most certainly, sir,” replied Sancho, “your Grace shall be very well obeyed in this; all the more so for the reason that I myself am of a peaceful disposition and not fond of meddling in the quarrels and feuds of others. However, when it comes to protecting my own person, I shall not take account of those laws of which you speak, seeing that all laws, human and divine, permit each one to defend himself whenever he is attacked.”

“I am willing to grant you that,” assented Don Quixote, “but in this matter of defending me against gentlemen you must restrain your natural impulses.”

“I promise you I shall do so,” said Sancho. “I will observe this precept as I would the Sabbath day.”

As they were conversing in this manner, there appeared in the road in front of them two friars of the Order of St. Benedict, mounted upon dromedaries — for the she-mules they rode were certainly no smaller than that. The friars wore travelers’ spectacles and carried sunshades, and behind them came a coach accompanied by four or five men on horseback and a couple of muleteers on foot. In the coach, as was afterwards learned, was a lady of Biscay, on her way to Seville to bid farewell to her husband, who had been appointed to some high post in the Indies. The religious were not of her company although they were going by the same road.

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25 The instant Don Quixote laid eyes upon them he turned to his squire. “Either I am mistaken or this is going to be the most famous adventure that ever was seen; for those black-clad figures that you behold must be, and without any doubt are, certain enchanters who are bearing with them a captive princess in that coach, and I must do all I can to right this wrong.”

“It will be worse than the windmills,” declared Sancho. “Look you, sir, those are Benedictine friars and the coach must be that of some travelers. Mark well what I say and what you do, lest the devil lead you astray.”

“I have already told you, Sancho,” replied Don Quixote, “that you know little where the subject of adventures is concerned. What I am saying to you is the truth, as you shall now see.”

With this, he rode forward and took up a position in the middle of the road along which the friars were coming, and as soon as they appeared to be within earshot he cried out to them in a loud voice, “O devilish and monstrous beings, set free at once the highborn princesses whom you bear captive in that coach, or else prepare at once to meet your death as the just punishment of your evil deeds.”

The friars drew rein and sat there in astonishment, marveling as much at Don Quixote’s appearance as at the words he spoke. “Sir Knight,” they answered him, “we are neither devilish nor monstrous but religious of the Order of St. Benedict who are merely going our way. We know nothing of those who are in that coach, nor of any captive princesses either.”

30 “Soft words,” said Don Quixote, “have no effect on me. I know you for what you are, lying rabble!” And without waiting for any further parley he gave spur to Rocinante and, with lowered lance, bore down upon the first friar with such fury and intrepidity that, had not the fellow tumbled from his mule of his own accord, he would have been hurled to the ground and either killed or badly wounded. The second religious, seeing how his companion had been treated, dug his legs into his she-mule’s flanks and scurried away over the countryside faster than the wind.

Seeing the friar upon the ground, Sancho Panza slipped lightly from his mount and, falling upon him, began stripping him of his habit. The two mule drivers accompanying the religious thereupon came running up and asked Sancho why he was doing this. The latter replied that the friar’s garments belonged to him as legitimate spoils of the battle that his master Don Quixote had just won. The muleteers, however, were lads with no sense of humor, nor did they know what all this talk of spoils and battles was about; but, perceiving that Don Quixote had ridden off to one side to converse with those inside the coach, they pounced upon Sancho, threw him to the ground, and proceeded to pull out the hair of his beard and kick him to a pulp, after which they went off and left him stretched out there, bereft at once of breath and sense.

Without losing any time, they then assisted the friar to remount. The good brother was trembling all over from fright, and there was not a speck of color in his face, but when he found himself in the saddle once more, he quickly spurred his beast to where his companion, at some little distance, sat watching and waiting to see what the result of the encounter would be. Having no curiosity as to the final outcome of the fray, the two of them now resumed their journey, making more signs of the cross than the devil would be able to carry upon his back.

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seeing connections

In an interview with the Paris Review, William Faulkner said the following about Cervantes’s Don Quixote:

Life is not interested in good and evil. Don Quixote was constantly choosing between good and evil, but then he was choosing in his dream state. He was mad. He entered reality only when he was so busy trying to cope with people that he had no time to distinguish between good and evil. Since people exist only in life, they must devote their time simply to being alive. Life is motion, and motion is concerned with what makes man move — which is ambition, power, pleasure. What time a man can devote to morality, he must take by force from the motion of which he is a part. He is compelled to make choices between good and evil sooner or later, because moral conscience demands that from him in order that he can live with himself tomorrow. His moral conscience is the curse he had to accept from the gods in order to gain from them the right to dream.

Respond to Faulkner’s ideas about “motion” versus “morality” using relevant quotes from Don Quixote. What does Faulkner’s interpretation add to your understanding of Quixote?

Meanwhile Don Quixote, as we have said, was speaking to the lady in the coach.

“Your beauty, my lady, may now dispose of your person as best may please you, for the arrogance of your abductors lies upon the ground, overthrown by this good arm of mine; and in order that you may not pine to know the name of your liberator, I may inform you that I am Don Quixote de la Mancha, knight-errant and adventurer and captive of the peerless and beauteous Doña Dulcinea del Toboso. In payment of the favor which you have received from me, I ask nothing other than that you return to El Toboso and on my behalf pay your respects to this lady, telling her that it was I who set you free.”

35 One of the squires accompanying those in the coach, a Biscayan, was listening to Don Quixote’s words, and when he saw that the knight did not propose to let the coach proceed upon its way but was bent upon having it turn back to El Toboso, he promptly went up to him, seized his lance, and said to him in bad Castilian and worse Biscayan, “Go, caballero, and bad luck go with you; for by the God that created me, if you do not let this coach pass, me kill you or me no Biscayan.”

Don Quixote heard him attentively enough and answered him very mildly, “If you were a caballero, which you are not, I should already have chastised you, wretched creature, for your foolhardiness and your impudence.”

“Me no caballero?” cried the Biscayan. “Me swear to God, you lie like a Christian. If you will but lay aside your lance and unsheath your sword, you will soon see that you are carrying water to the cat! Biscayan on land, gentleman at sea, but a gentleman in spite of the devil, and you lie if you say otherwise.”

“‘You shall see as to that presently,” said Agrajes’, ” Don Quixote quoted. He cast his lance to the earth, drew his sword, and, taking his buckler on his arm, attacked the Biscayan with intent to slay him. The latter, when he saw his adversary approaching, would have liked to dismount from his mule, for she was one of the worthless sort that are let for hire and he had no confidence in her; but there was no time for this, and so he had no choice but to draw his own sword in turn and make the best of it. However, he was near enough to the coach to be able to snatch a cushion from it to serve him as a shield; and then they fell upon each other as though they were mortal enemies. The rest of those present sought to make peace between them but did not succeed, for the Biscayan with his disjointed phrases kept muttering that if they did not let him finish the battle then he himself would have to kill his mistress and anyone else who tried to stop him.

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The lady inside the carriage, amazed by it all and trembling at what she saw, directed her coachman to drive on a little way; and there from a distance she watched the deadly combat, in the course of which the Biscayan came down with a great blow on Don Quixote’s shoulder, over the top of the latter’s shield, and had not the knight been clad in armor, it would have split him to the waist.

40 Feeling the weight of this blow, Don Quixote cried out, “O lady of my soul, Dulcinea, flower of beauty, succor this your champion who out of gratitude for your many favors finds himself in so perilous a plight!” To utter these words, lay hold of his sword, cover himself with his buckler, and attack the Biscayan was but the work of a moment; for he was now resolved to risk everything upon a single stroke.

As he saw Don Quixote approaching with so dauntless a bearing, the Biscayan was well aware of his adversary’s courage and forthwith determined to imitate the example thus set him. He kept himself protected with his cushion, but he was unable to get his she-mule to budge to one side or the other, for the beast, out of sheer exhaustion and being, moreover, unused to such childish play, was incapable of taking a single step. And so, then, as has been stated, Don Quixote was approaching the wary Biscayan, his sword raised on high and with the firm resolve of cleaving his enemy in two; and the Biscayan was awaiting the knight in the same posture, cushion in front of him and with uplifted sword. All the bystanders were trembling with suspense at what would happen as a result of the terrible blows that were threatened, and the lady in the coach and her maids were making a thousand vows and offerings to all the images and shrines in Spain, praying that God would save them all and the lady’s squire from this great peril that confronted them.

But the unfortunate part of the matter is that at this very point the author of the history breaks off and leaves the battle pending, excusing himself upon the ground that he has been unable to find anything else in writing concerning the exploits of Don Quixote beyond those already set forth. It is true, on the other hand, that the second author of this work could not bring himself to believe that so unusual a chronicle would have been consigned to oblivion, nor that the learned ones of La Mancha were possessed of so little curiosity as not to be able to discover in their archives or registry offices certain papers that have to do with this famous knight. Being convinced of this, he did not despair of coming upon the end of this pleasing story, and Heaven favoring him, he did find it, as shall be related in the second part.

Understanding and Interpreting

  1. After realizing that the windmills are not giants, Don Quixote explains his mistake to Sancho by claiming that it was a trick that turned them from giants into windmills (par. 11). This is the first of a number of examples in which Don Quixote bends reality to fit his delusions rather than admitting that he was mistaken. How do Don Quixote’s repeated failures to see the world as it really is rather than as he wishes to see it develop a theme over the course of the chapter as a whole?

  2. Don Quixote acts “in accordance with what he had read in his books” (par. 18) during his adventure. Based on the choices that Don Quixote makes, what are the ideals that he is trying to uphold? In what ways do these ideals lead him to consistently misunderstand the situations in which he finds himself?

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  3. Don Quixote takes this quest very seriously and often references the importance of the journey. Sancho Panza is loyal to Don Quixote but seems to have a slightly different attitude concerning their quest. Describe Sancho’s attitude using specific examples from the text.

  4. Sancho claims that “all laws, human and divine, permit each one to defend himself whenever he is attacked” (par. 21). Explain Sancho’s reasoning and discuss how it might conflict with Don Quixote’s high ideals.

  5. Before he challenges the friars of St. Benedict, Don Quixote dismisses Sancho’s attempt to explain the reality of the situation (par. 27). How does Don Quixote’s continued insistence that he is right and Sancho is deluded contribute to the point that Cervantes is making?

  6. Describe the encounter with the friars of the Order of St. Benedict. What is Don Quixote’s perception and how does that contrast with the reality?

  7. Cervantes uses humor to develop serious ideas. What is one of his main ideas and why is humor an effective way to communicate this idea?

Analyzing Language, Style, and Structure

  1. This chapter from Don Quixote exemplifies the humor in Cervantes’s satire. Discuss the ways in which Don Quixote’s language exaggerates the battles he is involved in and lends humor to the scenes.

  2. After his lance is broken during his encounter with the windmills, Don Quixote makes a new lance using the branch of a tree (par. 18). In what ways does his new “weapon” further emphasize the ridiculousness of Don Quixote’s quest, and how does Cervantes’s continued use of hyperbole make a larger point?

  3. Even though Sancho knows that Don Quixote has mistaken the friars for knights, he attempts to take a gown from one of the friars who has been knocked off of his mule (par. 31). What purpose does Cervantes’s use of understatement to describe Sancho’s treatment by the mule drivers serve at this point in the story?

  4. This chapter concludes with a detailed description of the fight between Don Quixote and a Biscayan. Which details create a scene of a fierce battle and which details create a more comic scene?

  5. The story of Don Quixote’s encounter with the Biscayan abruptly ends without divulging the outcome of the fight. What effect does Cervantes achieve by ending the chapter in this way?

Connecting, Arguing, and Extending

  1. In Don Quixote, Cervantes uses humor to address serious ideas. Although it can sometimes be challenging to explain why something is humorous, consider other pieces you have read that you found funny and speculate about the reasons why you found those pieces humorous. In general, do you think that using humor is an effective way to make more serious points or do you find that humor conflicts with the goal of raising important questions?

  2. Comedies like The Simpsons, a show that has been running for more than twenty-five years, will often use satire to comment on some aspect of American culture. Choose an example of television satire that you have seen lately. Discuss how the satire raises serious cultural questions or concerns.

  3. Choose a shortcoming in education that you believe needs to change and discuss how you could use satire to point out that shortcoming to others. First think about the specific problem, and then decide which audience could most directly address the problem you have identified. In what ways could you humorously bring up the problems that you believe need to be addressed to that specific audience?

  4. In Don Quixote, Cervantes wishes to call important aspects of contemporary culture into question. Mark Twain’s novel Huckleberry Finn is another example of a novel that challenged notions that were held at the time by certain groups of people. Both novels use humor to address serious concerns. Write an argument in which you discuss how using humor to critique a serious problem can be a particularly effective approach. You may use Don Quixote or another satirical novel of literary merit as the source for your argument.