Features Of The Bedford Guide, Tenth Edition, and Ancillaries

Correlated to the Writing Program Administrators (WPA) Outcomes Statement

WPA Goals and Learning Outcomes Support in The Bedford Guide, Tenth Edition
Rhetorical Knowledge: Student Outcomes
Focus on a purpose
  • Purpose and Audience
  • Chs. 414, including thesis development and revision
  • Ch. 20: Strategies for Stating a Thesis and Planning
  • Ch. 23: Strategies for Revising and Editing with revision for purpose, thesis, and audience
  • Re:Writing: Visualizing Purpose tutorial
  • VideoCentral*: videos on rhetorical purpose
For instructors

The following ancillaries contain helpful tips, strategies, and resources for teaching purpose, as well as for the other topics considered throughout this chart.

  • Instructor’s Annotated Edition of The Bedford Guide for College Writers, Tenth Edition
  • Practical Suggestions for Teaching with The Bedford Guide for College Writers, Tenth Edition
Respond to the needs of different audiences
  • Writing for Your Audience and Targeting a College Audience
  • Using Evidence to Appeal to Your Audience
  • Chs. 412, with situational consideration of audience and Peer Response questions
  • Attention to writing for specific audiences such as Messages to Your Instructor, Online Threaded Discussions, workplace, and research
  • Ch. 24: Strategies for Future Writing
  • Shaping Your Topic for Your Purpose and Audience
  • Revising for Audience, Working with a Peer Editor, and Meeting with Your Instructor
  • Re:Writing: Visualizing Audience tutorial
Respond appropriately to different kinds of rhetorical situations
  • Part Two: A Writer’s Situations with detailed advice on responding to varied rhetorical situations from recalling an experience to supporting a position with sources
  • Chs. 417 with opening “Why Writing Matters” and Chs. 3035 with “Why Research Matters” feature illustrating college, workplace, and community situations
  • Part Three: Other Writing Situations: responding to literature and visuals; writing online, under pressure, and at work
  • Ch. 24: Strategies for Future Writing
  • Re:Writing: Visualizing Context tutorial
  • e-Pages: Learning by Doing activities for Part Two
Use conventions of format and structure appropriate to the rhetorical situation
  • Examples of effective structure in Part Two (see sample annotations)
  • Ch. 15 on file management and templates
  • Chs. 36 and 37 with sample MLA and APA papers
  • Quick Format Guide
  • Quick Research Guide
  • Re:Writing: Sample student writing
Adopt appropriate voice, tone, and level of formality
  • Ch. 40: Word Choice
  • Purpose and audience coverage
  • Facing the Challenge: Finding Your Voice and Join the Academic Exchange
Understand how genres shape reading and writing
  • Part Two: A Writer’s Situations with professional and student essays, guided writing advice, and opening and closing images for analysis for a variety of rhetorical situations
  • Why Writing Matters sections opening Chs. 417 and 3035 with applications in college, at work, in the community
  • Part Three: Other Writing Situations with responding to literature and visuals and writing online, under pressure, and at work
  • Ch. 24: Strategies for Future Writing, including genre analysis
  • A Writer’s Reader with 40 readings in five thematic groups
  • A Writer’s Research Manual (Chs. 3037) and Quick Research Guide
  • Re:Writing: Sample student writing
Write in several genres
  • Rhetorical strategies for varied situations in Part Two, including student and professional examples, Why Writing Matters, Facing the Challenge, and Discovery, Revision, and Editing checklists (e.g., pp. 136–55)
  • Part Three: Other Writing Situations with responding to literature and visuals and writing online, under pressure, and at work
  • Ch. 24: Strategies for Future Writing, including disciplinary assumptions, genre analysis, and a Genre Checklist
  • A Writer’s Research Manual (Chs. 3037) and Quick Research Guide
Critical Thinking, Reading, and Writing: Student Outcomes
Use writing and reading for inquiry, learning, thinking, and communicating
  • Part One: writing, reading, and critical thinking processes
  • Parts Two, Three, and Four emphasizing the connection between reading and writing
  • A Writer’s Reader with 40 readings grouped thematically
  • Critical reading apparatus in Part Two: A Writer’s Situations and in A Writer’s Reader
  • Re:Writing: Reading Critically video
For instructors:
  • Practical Suggestions for Teaching with The Bedford Guide for College Writers, Ch. 3, Teaching Critical Thinking and Writing
  • Teaching Composition: Background Readings: Ch. 1, Teaching Writing: Key Concepts, Philosophies, Frameworks, and Experiences
Understand a writing assignment as a series of tasks, including finding, evaluating, analyzing, and synthesizing appropriate primary and secondary sources
  • Chs. 414 breaking writing assignments into guided tasks
  • Ch. 18: Strategies: A Case Study showing one student’s stages writing an essay
  • Ch. 12: Supporting a Position with Sources
  • Ch. 30: Planning Your Research Project
  • Ch. 31: Working with Sources, including capturing information and developing an annotated bibliography
  • Chs. 3234 on finding, evaluating, integrating, and synthesizing sources
  • Quick Research Guide
  • e-Pages: Additional Learning by Doing activity on finding and evaluating credible sources
  • VideoCentral*: Videos on integrating sources
  • Visual and Source Activity options in Part 1; Visual and Source Assignment options in Parts 2 and 3.
Integrate students’ own ideas with those of others
  • A Writer’s Reader with journal prompts, writing suggestions, and paired essays
  • Ch. 12: Supporting a Position with Sources
  • Chs. 3234 on finding, evaluating, integrating and synthesizing sources
  • Quick Research Guide
  • Re:Writing: Research and documentation advice and models
Understand the relationships among language, knowledge, and power
  • Ch. 40: Appropriateness and Bias
  • Purpose and Audience and audience analysis throughout
  • Selections in A Writer’s Reader on language and literacy by Tan, Rodriguez, Tannen, and others
  • Re:Writing: Why Writing Matters video
For instructors:
  • Teaching Composition: Background Readings:Ch. 4, Issues in Writing Pedagogy: Institutional Politics and the Other
Processes: Student Outcomes
Be aware that it usually takes multiple drafts to create and complete a successful text
  • Ch. 1: Writing Processes with process overview
  • Chs. 414 with situation-specific process guidance
  • Part Four writing processes in detail, including Ch. 18: Strategies: A Case Study showing one student’s stages
  • Portfolio Keeping, Third Edition,* discussing portfolio keeping as a reflection of writing processes
For instructors:
  • Teaching Composition: Background Readings: Ch. 2, Thinking about the Writing Process
Develop flexible strategies for generating ideas, revising, editing, and proofreading
  • Ch. 1: A Writer’s Processes with an overview of generating ideas, planning, drafting, developing, revising, editing, and proofreading
  • Parts Two and Three with situation-specific process strategies
  • Part Four: A Writer’s Strategies with detailed coverage of writing processes
  • Re:Writing: Getting Started video
For instructors:
  • Teaching Composition: Background Readings: Revising a Draft; Ch. 3, Responding to and Evaluating Student Writing
Understand writing as an open process that permits writers to use later invention and rethinking to revise their work
  • Ch. 20: Strategies for Revising and Editing
  • Revision coverage with examples in every Part Two chapter
  • Recurring presentation of a flexible and recursive process of writing
  • Re:Writing: Revising video
  • Portfolio Keeping, Third Edition*, discussing portfolio keeping as a reflection of writing processes
For instructors:
  • Teaching Composition: Background Readings: Ch. 2, Thinking about the Writing Process
Understand the collaborative and social aspects of writing processes
  • Learning by Doing features including collaborative activities and Peer Response guidelines (Part Two)
  • Part Two: Additional Writing Assignments with collaborative options
  • Ch. 18: Strategies: A Case Study including Rough Draft with Peer and Instructor Responses and Reflective Portfolio Letter
  • Ch. 30 advice, Planning Collaborative Research
  • Portfolio Keeping, Third Edition*, Ch. 5, Keeping Company and Working with Others, addressing community and peer response
  • Oral Presentations in the Composition Course: A Brief Guide*: Ch. 9, Presenting as a Group
For instructors:
  • Practical Suggestions for Teaching with The Bedford Guide for College Writers, Ch. 2, Creating a Writing Community
Processes: Student Outcomes
Learn to critique their own and others’ works
  • Ch. 23: Strategies for Revising and Editing with peer-editing advice
  • Peer Response sections for each chapter in Part Two
  • Self-assessment Take Action charts
  • Ch. 18: Strategies: A Case Study including Rough Draft with Peer and Instructor Responses and Reflective Portfolio Letter
  • Ch. 24: Strategies for Future Writing with Connecting Expectations and Assessments
  • Portfolio Keeping, Third Edition*, Ch. 5, Keeping Company and Working with Others, addressing community and peer response
  • Oral Presentations in the Composition Course: A Brief Guide*: Ch. 10, Evaluating Presentations
For instructors:
  • Practical Suggestions for Teaching with The Bedford Guide for College Writers, Ch. 2, Creating a Writing Community
Learn to balance the advantages of relying on others with the responsibility of doing their part
  • Face-to-face and online individual, paired, small-group, and whole-class “Learning by Doing” activities throughout
  • Ch. 30 advice, Planning Collaborative Research
  • Ethical explorations in Ch. 3: Critical Thinking Processes, Ch. 12: Supporting a Position with Sources, Ch. 15: Writing Online, Ch. 34: Integrating Sources, and the Quick Research Guide
  • Portfolio Keeping, Third Edition*, Ch. 5, Keeping Company and Working with Others, addressing community and peer response
For instructors:
  • Practical Suggestions for Teaching with The Bedford Guide for College Writers, Ch. 2, Creating a Writing Community
Use a variety of technologies to address a range of audiences
  • Visual Activities in Part 1, which also includes Reading Online and Multimodal Texts in Ch. 2
  • Visual Assignment options in Parts 2 and 3 (Chs. 417)
  • Ch. 14: Responding to Visual Representations
  • Ch. 15: Writing Online
  • Ch. 16, including oral presentations with visuals
  • A Writer’s Research Manual with online strategies throughout (Chs. 3037)
  • Quick Research Guide, including Searching for Recommended Sources
  • Quick Format Guide, including a section on integrating and crediting visuals
  • ix visualizing composition*: Interactive assignments and guided analysis offer practice with multimedia texts
  • e-Pages: Multimodal readings that integrate audio, video, visuals, and text
For instructors:
  • Practical Suggestions for Teaching with The Bedford Guide for College Writers, Part One, Writing Online
  • Teaching Composition: Background Readings: Teaching Writing with Computers; Teaching Visual Literacy
Knowledge of Conventions
Learn common formats for different kinds of texts
  • Advice on various types of assignments in Part Two and Part Three
  • Quick Format Guide with MLA and APA paper and table formats
  • Examples of varied formats for online course and business communication, portfolio letters, résumés and application letters, presentation visuals, and questionnaires
  • ix visualizing composition*: Interactive assignments and guided analysis for practice with multimedia texts
For instructors:
  • Teaching Composition: Background Readings: Teaching Visual Literacy
Develop knowledge of genre conventions ranging from structure and paragraphing to tone and mechanics
  • Part Two: A Writer’s Situations and Part Three, Other Writing Situations
  • Ch. 24: Strategies for the Future, including Genre Checklist and Learning by Doing genre analysis
  • Part Four: A Writer’s Strategies, including chapters on planning, drafting, and developing
  • Chs. 40: Word Choice, 41: Punctuation, and 42: Mechanics
  • Re:Writing: Why Proofreading Matters video
Practice appropriate means of documenting their work
  • Options for source-based activities (Chs. 13) and assignments (Chs. 417) concluding each chapter
  • Ch. 12: Supporting a Position with Sources, including The Academic Exchange
  • Take Action self-assessment and revision charts on Integrating Source Information Effectively, Integrating and Synthesizing Source, MLA style, and APA style
  • Chs. 3134 on working with, finding, evaluating, integrating, and synthesizing sources, including annotated bibliographies
  • Source Navigators
  • Ch. 36 (MLA) and Ch. 37 (APA) with sample entries and full papers
  • Quick Research Guide
  • Re:Writing: The Bedford Bibliographer for help in collecting sources and creating bibliography; exercises on MLA and APA style
Control such surface features as syntax, grammar, punctuation, and spelling
  • A Writer’s Handbook with exercises
  • Quick Editing Guide with Editing Checklist and two Take Action charts
  • Part Two revising and editing advice, including cross-references to relevant topics in the Quick Editing Guide
  • Ch. 20: Strategies for Revising and Editing
  • Re:Writing: Take Action charts
  • LearningCurve exercises on grammar and usage
For instructors:
  • Practical Suggestions for Teaching with The Bedford Guide for College Writers, Ch. 4, Providing Support for Underprepared Students
Composing in Electronic Environments
Use electronic environments for drafting, reviewing, revising, editing, and sharing texts
  • Ch. 15: Writing Online, including course or learning management systems
  • Additional Writing Assignments in Parts Two and Three with online options
  • Ch. 20: Strategies for Revising and Editing
  • Learning by Doing activities with many online options
  • Portfolio Keeping, Third Edition*, discussion of electronic presentation of portfolios
  • e-Pages: Learning by Doing: Becoming Familiar with Your Course Management System
  • e-Pages: Questions with each essay that students can answer online
For instructors:
  • Practical Suggestions for Teaching with The Bedford Guide for College Writers, Chs. 5 and 6, Teaching Writing Online and Assessing Student Writing
  • Teaching Composition: Background Readings: Teaching Writing with Computers
Locate, evaluate, organize, and use research material collected from electronic sources
  • Reading Online and Multimodal Texts
  • Ch. 12: Supporting a Position with Sources including e-Pages Research Cluster
  • Chs. 3134 on working with, finding, evaluating, and integrating sources, including annotated bibliographies
  • Quick Research Guide
  • Re:Writing: The Bedford Bibliographer for help in collecting sources and creating bibliography; research checklists
For instructors:
  • Practical Suggestions for Teaching with The Bedford Guide for College Writers, Chs. 5 and 6, Teaching Writing Online, and Assessing Student Writing
  • Teaching Composition: Background Readings: Teaching Writing with Computers
Understand and exploit the differences in the rhetorical strategies and in the affordances available for both print and electronic composing processes and texts
  • Ch. 15: Writing Online
  • Part Four: A Writer’s Strategies
  • Reading Online and Multimodal Texts
  • A Writer’s Reader, Ch. 28: Digital Living, including eight provocative essays
  • Re:Writing: tutorial on Web design
  • e-Pages: Multimodal readings that integrate audio, video, and visuals
For instructors:
  • Practical Suggestions for Teaching with The Bedford Guide for College Writers, Part One, Using Technology in Your Composition Course and Teaching Writing Online
  • Teaching Composition: Background Readings: Teaching Writing with Computers

* This resource is available packaged with the print book. See the preface for details.