Charlotte Perkins Gilman

Charlotte Perkins Gilman (1860–1935) came from a long line of feminists and suffragists, including her grandaunt, Harriet Beecher Stowe, the author of Uncle Tom’s Cabin. Born in Hartford, Connecticut, Gilman was educated mostly at home and briefly at the Rhode Island School of Design. She wrote her famous short story, “The Yellow Wallpaper” (1892), as an indictment of the rest cure prescribed to her for postpartum depression after the birth of her daughter. Following is an excerpt from Gilman’s book Women and Economics, in which she makes the argument that “the economic independence and specialization of women is essential to the improvement of marriage, motherhood, domestic industry, and racial improvement.” She promoted the social reform and change in cultural identity that would make women full economic partners with men by allowing them to work outside of the home.

When we make plain to ourselves that a pure, lasting, monogamous sex-union can exist without bribe or purchase, without the manacles of economic dependence, and that men and women so united in sex-relation will still be free to combine with others in economic relation, we shall not regard devotion to humanity as an unnatural sacrifice, nor collective prosperity as a thing to fear.

Besides this maintenance of primeval individualism in the growing collectivity of social economic process and the introduction of the element of sex-combat into the narrowing field of industrial competition, there is another side to the evil influence of the sexuo-economic relation upon social development. This is in the attitude of woman as a non-productive consumer.

In the industrial evolution of the human race, that marvellous and subtle drawing out and interlocking of special functions which constitute the organic life of society, we find that production and consumption go hand in hand; and production comes first. One cannot consume what has not been produced. Economic production is the natural expression of human energy,—not sex-energy at all, but race-energy,—the unconscious functioning of the social organism. Socially organized human beings tend to produce, as a gland to secrete: it is the essential nature of the relation. The creative impulse, the desire to make, to express the inner thought in outer form, “just for the work’s sake, no use at all i’ the work!” this is the distinguishing character of humanity. “I want to mark!” cries the child, demanding the pencil. He does not want to eat. He wants to mark. He is not seeking to get something into himself, but to put something out of himself. He generally wants to do whatever he sees done,—to make pie-crust or to make shavings, as it happens. The pie he may eat, the shavings not; but he likes to make both. This is the natural process of production, and is followed by the natural process of consumption, where practicable. But consumption is not the main end, the governing force. Under this organic social law, working naturally, we have the evolution of those arts and crafts in the exercise of which consists our human living, and on the product of which we live. So does society evolve within itself—secrete as it were—the social structure with all its complex machinery; and we function therein as naturally as so many glands, other things being equal.

But other things are not equal. Half the human race is denied free productive expression, is forced to confine its productive human energies to the same channels as its reproductive sex-energies. Its creative skill is confined to the level of immediate personal bodily service, to the making of clothes and preparing of food for individuals. No social service is possible. While its power of production is checked, its power of consumption is inordinately increased by the showering upon it of the “unearned increment” of masculine gifts. For the woman there is, first, no free production allowed; and, second, no relation maintained between what she does produce and what she consumes. She is forbidden to make, but encouraged to take. Her industry is not the natural output of creative energy, not the work she does because she has the inner power and strength to do it; nor is her industry even the measure of her gain. She has, of course, the natural desire to consume; and to that is set no bar save the capacity or the will of her husband.

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Thus we have painfully and laboriously evolved and carefully maintain among us an enormous class of non-productive consumers,—a class which is half the world, and mother of the other half. We have built into the constitution of the human race the habit and desire of taking, as divorced from its natural precursor and concomitant of making. We have made for ourselves this endless array of “horse-leech’s daughters, crying, Give! give!” To consume food, to consume clothes, to consume houses and furniture and decorations and ornaments and amusements, to take and take and take forever,—from one man if they are virtuous, from many if they are vicious, but always to take and never to think of giving anything in return except their womanhood,—this is the enforced condition of the mothers of the race. What wonder that their sons go into business “for what there is in it”! What wonder that the world is full of the desire to get as much as possible and to give as little as possible! What wonder, either, that the glory and sweetness of love are but a name among us, with here and there a strange and beautiful exception, of which our admiration proves the rarity!

Between the brutal ferocity of excessive male energy struggling in the market-place as in a battlefield and the unnatural greed generated by the perverted condition of female energy, it is not remarkable that the industrial evolution of humanity has shown peculiar symptoms. One of the minor effects of this last condition—this limiting of female industry to close personal necessities, and this tendency of her over-developed sex-nature to overestimate the so-called “duties of her position”—has been to produce an elaborate devotion to individuals and their personal needs,—not to the understanding and developing of their higher natures, but to the intensification of their bodily tastes and pleasure. The wife and mother, pouring the rising tide of racial power into the same old channels that were allowed her primitive ancestors, constantly ministers to the physical needs of her family with a ceaseless and concentrated intensity. They like it, of course. But it maintains in the individuals of the race an exaggerated sense of the importance of food and clothes and ornaments to themselves, without at all including a knowledge of their right use and value to us all. It developes personal selfishness.

Again, the consuming female, debarred from any free production, unable to estimate the labor involved in the making of what she so lightly destroys, and her consumption limited mainly to those things which minister to physical pleasure, creates a market for sensuous decoration and personal ornament, for all that is luxurious and enervating, and for a false and capricious variety in such supplies, which operates as a most deadly check to true industry and true art. As the priestess of the temple of consumption, as the limitless demander of things to use up, her economic influence is reactionary and injurious. Much, very much, of the current of useless production in which our economic energies run waste—man’s strength poured out like water on the sand—depends on the creation and careful maintenance of this false market, this sink into which human labor vanishes with no return. Woman, in her false economic position, reacts injuriously upon industry, upon art, upon science, discovery, and progress. The sexuo-economic relation in its effect on the constitution of the individual keeps alive in us the instincts of savage individualism which we should otherwise have well outgrown… .

(1898)