Exploring the Text: - English poet and critic F. S. Flint (par. 5) put forth three rules to write good poetry: (1) to directly treat the “thing,” whether subjectively or objectively; (2) to use absolutely no word that does not contribute to the presentation; and (3) with regard to rhythm, to compose in sequence of the musical phrase, not in sequence of the metronome. What other rules does Pound lay out in this essay? In what ways do they support Flint’s rules and in what ways do they run counter to them?