Questions

1. How does Evelyn Toynton compare the way Jackson Pollock paints to the way a jazz musician plays? How does she qualify the comparison?

   Question

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   Questions: - How does Evelyn Toynton compare the way Jackson Pollock paints to the way a jazz musician plays? How does she qualify the comparison?
2. Toynton quotes several experts in this selection. Which one do you find most convincing or interesting? Explain your answer.

   Question

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   Questions: - Toynton quotes several experts in this selection. Which one do you find most convincing or interesting? Explain your answer.
3. Toynton makes the point that Pollock’s work is compared to bebop, the most progressive jazz of his time period, though he liked the music of more traditional jazz artists, such as Louis Armstrong and Duke Ellington. Listen to some of the jazz that came after bebop—free jazz, for example. In what way might that genre have been influenced by Pollock’s work?

   Question

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   Questions: - Toynton makes the point that Pollock’s work is compared to bebop, the most progressive jazz of his time period, though he liked the music of more traditional jazz artists, such as Louis Armstrong and Duke Ellington. Listen to some of the jazz that came after bebop—free jazz, for example. In what way might that genre have been influenced by Pollock’s work?
4. What elements of jazz do you see in Pollock’s One: Number 31, 1950?

   Question

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   Questions: - What elements of jazz do you see in Pollock’s One: Number 31, 1950?