1. Mise-en-scène is French for _________.
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2. Recognizable actors associated with particular character types or minor roles are sometimes called ___________.
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3. Acting that employs highly emphatic and self-conscious gestures and vocalization is best described as ____________.
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4. A shadowy lighting style with sharp contrasts between light and dark is referred to as ______________.
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5. What development in film production helped bring about the introduction of sound?
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6. The dominant style of mise-en-scène immediately following WWII can best be described as __________.
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7. Mise-en-scène where props, sets, and settings take on an emotional or spiritual life is best described as ___________.
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8. Which development in theatrical mise-en-scène did NOT happen in the early nineteenth century?
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9. In which decade was mercury-vapor artificial lighting developed to allow indoor filming without natural sunlight?
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10. Which of the following is an example of scenic realism?
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11. Primary functions of costumes and make-up include ___________.
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12. Key lighting refers to ____________.
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13. According to your textbook, a film’s setting can be created using which of the following?
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14. Objects displayed and used according to their common functions are called_______.
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15. Which of the following statements about naturalistic mise-en-scène is NOT correct?
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16. Individuals who, because of their cultural celebrity, bring a powerful aura to their performance are known as __________.
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17. Two primary elements of an actor’s performance are ___________.
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18. Films in which the magnitude and detail of the mise-en-scène share equal emphasis with or even overpower the story and actors are called ___________.
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19. The arrangement and movement of actors in relation to each other and the space of the mise-en-scène is called __________.
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20. Which two traditions are associated with theatrical mise-en-scène?
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