1. Derived from the Greek work kinema, the term “cinema” literally refers to___________.

2. In 1960s America, the countercultural impulse was reflected in the _____________ films of artists such as Andy Warhol.

3. Experimental films that explore the material basis of the film medium are often called ____________.

4. Experimental Soviet filmmakers of the 1920s were influenced by ____________, a movement that emphasized dynamic, graphic machine-age art that served a social purpose.

5. The term __________ describes both a period of history stretching from the end of the medieval era to the present and identifies an attitude toward progress and science shaped by human interaction.

6. In response to regimes of political oppression in the Third World, a film movement called _____________ rejected both commercial cinema and art cinema in order to engage directly with the people.

7. The three major experimental film organizations, according to the text, are __________.

8. In Strike (1925), Sergei Eisenstein links images of workers being shot to images of a slaughtered bull. This is an example of ______________ association.

9. _________ films use color, shape, and line to create patterns and rhythms that are non-representational.

10. Films that explore psychological or formal resonances through metaphorical images or symbolic concepts follow ____________.

11. Salvador Dalí and Luis Buñuel’s film Un chien andalou (1928) is a famous example of ____________.

12. Many experimental films are _________, meaning they lack well-defined characters or plots.

13. Films that express emotions, beliefs, or personal visions have a __________.

14. The term “avant-garde” literally means __________.

15. The use of video game engines to modify computer animation and create new narratives from game worlds is called __________.

16. Which of the following is NOT an example of a confrontational tradition in experimental media?

17. _________ traditions in experimental media are tied to notions of artistic originality, authenticity, and interiority.

18. __________ a term used to describe experimental media that incorporate experiences or elements outside of film, like live performance or computer technology.

19. The experimental style or perspective most associated with political positions is ________.

20. What did the introduction of consumer video formats in the 1980s help to foster?