xBookUtils.terms['fn_lualdi4e_ch23-p031'] = '1. Lobengula: The Ndebele chieftain. [Ed.]';
xBookUtils.terms['fn_lualdi4e_ch23-p032'] = '2. Lobengula signed an agreement with Cecil Rhodes in 1888 in which the British government guaranteed that there would be no English settlers on Ndebele land or an intrusion on Lobengula’s authority. When Lobengula failed to press the English to uphold the agreement, many of his warriors began to agitate for war against the Europeans. [Ed.]';
xBookUtils.terms['fn_lualdi4e_ch23-p033'] = '3. Mashona: Fellow pastoralists who lived under Ndebele control. [Ed.]';
xBookUtils.terms['fn_lualdi4e_ch23-p035'] = '4. kraal: A rural village, typically encircled by a stockade, where the king resided. [Ed.]';
xBookUtils.terms['fn_lualdi4e_ch23-p038'] = '5. The Maxim gun was an early version of a machine gun. [Ed.]';
xBookUtils.terms['fn_lualdi4e_ch23-p042'] = '6. rinderpest: A highly infectious disease of cattle. [Ed.]';
xBookUtils.terms['fn_lualdi4e_ch23-p078'] = '1. According to French poet and Degas admirer Paul Valéry (1871–1945), in this statement Degas “meant to distinguish what he called the mise en place, or the conventional representation of objects, from what he called the ‘drawing’ or the alteration which this exact representation . . . undergoes from a particular artist’s way of seeing and working.”';
xBookUtils.terms['fn_lualdi4e_ch23-p082'] = '2. trompe-l’oeil: French for “deceive the eye.” A style of painting intended to look photographically realistic. [Ed.]';