AP-Style Multiple-Choice Quiz (David Denby, “High-School Confidential: Notes on Teen Movies”)
AP-Style Multiple Choice Quiz
David Denby, “High-School Confidential: Notes on Teen Movies”
After reading the selection from “High-School Confidential: Notes on Teen Movies,” choose the best answer to each question. Click the submit button when finished. The following questions refer to paragraphs 1–5.
Question
11.1 Which of the following best summarizes Denby’s argument in this excerpt?
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
Question
11.2 The first two paragraphs of the piece present portraits of high school villains drawn in broad strokes. Which of the following quotations represents an appeal to logos by qualifying Denby’s argument?
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
Question
11.3 In which of the following examples does Denby directly call on the audience’s prior experiences and perceptions?
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
Question
11.4 The following sentence appears at the end of paragraph 3: “And they may have been figures in the minds of the Littleton shooters, Eric Harris and Dylan Klebold, who imagined they were living in a school like the one in so many of these movies — a poisonous system of status, snobbery, and exclusion.” From Denby’s perspective, which word in the sentence implies false thinking on the part of the shooters?
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
Question
11.5 Which of the following best describes the shift in tone from the beginning to the end of the fifth paragraph?
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
Question
11.6 Which of the following does Denby NOT assume about his audience?
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
Question
11.7 In context, what does the word “benevolent” mean in the second half of paragraph 5?
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
Question
11.8 What risk does Denby assume by beginning the essay with such a scathing description of the social queen and the jock?
EEn/fdYY/YazK0nL/MXlFoFgz50VeKwLkIulmemAkCjRbP5lmSU9UBs4fCzjdCCkZRTUTTg2I0yMZ4YrVMYFuMriBUWereBl5H74ETc3mDP1aVb5NY+y3npbRxr7L9GJKNSWtcUOyxPxCPTPCs1KGU6eD6R9xBxVWRECb3bh9U2CNDBmCaRqs7LnIxtnOp7m9svN1X3g3P9QnFjP1bS4W6rtLeMJsLR4Vuk74ZOpAcsHNrrXGbnhv0Bxxgnl3sSpNYMDJ+9wM0DnHvKI2/ZsiPSuF20gO/+yHylB3G56rta8qq0EvyaYEKgIP+0yauXlUFT3A+vXZlY9HErdIFiYBVMXbp8Qu9W/BXgbh4U5SQaJKhckdWLZSBx/F8XjjGOL+T08hF9/3Z3Clv04QV+DgweGxnBRLAfiZGRe9rkAgEYly3W3rlACG1o9MzrtiudpUJzUA6/65KFt8+GstdibBM9+/2QkF11L88oUuTbx8eSBPQr5xsIC6vZnLcyMdG2vJuAlx1cxsAO2oJ4gfvuj/lD3WKXzLymE0JUa/nDqA1ydqMhSxsKNYq0jETnzkmhi+rkxQGzhC54lzW96tG2Dzn6OovZ/gLj3lNy40bvSHkRL52zr7iu20/MRNpJBZ3eVrSlGPCW6DSIeDWMqeeqarx6O8Px+LbtoCb5p058k0PGs5SXNgvhPk0ftxw1PqxjdGnY1CWkwygkRAAunUHxqXG73csXhNFoPLKX/wQowuBiGjafMxfu1IQgCPYE/nBdyaU7CX4/X3GqnhgF+tSh0Oyx1/hONsNEYwBwwjbfU0+HTP4qQNn1lkEVGZlRLu6Js/zG11aGyiWwrLHhDrmH9u33+UBLhvQlSTitUdXHSJ5EpFtOrlgmlTAxKQNjp5Gvgd0OnTmnKLk5r+lZZZoFY2f5/k7NJoW+L71sCduGp0NpRQHS+i3eWtJK8anmkvlth4yNnVuf6d9uop00YgbDjrUSYAPr4tGo3t619ZSpxP9b4DiM0JbhQZXprO9JcYgmWaGZln74srFCiCshjkxEjdfmy3unDleLy9HSCw20khwuWttRoU6SCUhU8MS+D2i+DOkBZp0qu18XtU1kP0yqw8K2Aiz8l3eN8r4A7o263uZz+BGLLXyrspdYuAVOFpj2NYPaF/SR2PS89ZtykT5QWFMFtCg+cmaOJCgZEE6Qd8hGrPOws8FHaKGN0NxvoONN8q/q1yz96033r0lUOhiktnThUh2GmSTnHlDKbwtaNPnzUHgKq+zuO/r9Zp6EJg/MyaJpKvrSO6TKKQvTECU/7MfjXbb6eRLZKDIsaPFf6RJM013tuvKVtc745lXrNwHloECLeN1yerIbsvY6juHdD8rqHgzqSkXR1n396uYo7XDVEZNriFGEi9guy0TJiFfrdDRQznhLGrY9CPbGBN/2OfsJYmIuXCJT/p00eUOrbAomGK8CYNL1XAS+/jTcKFktMeUwGiAHZdDTT5/mc
Question
11.9 In the passage, Denby equates popularity in the world of high school movies with
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