Reading Quiz for Chapter 18

Read Chapter 18 in your book and check your comprehension by answering the following questions. Then “submit” your work.

  1. Question

    MjVGLGkVSW3iRb7hMYndCT27MLjlvL9R3MgvLvVpOhvScurjHDaibw1aAyvpqan6rNCoBWEQTSY6QNpVdPiUqNNGdFfdFwaC6oCkiXkBoEbIzK2Ul6ReAr1usKcsya2vYsqJaXVSWuKYXhIoNmW9gbWkM9y1RQ2488R7hc6e/MFj7IDKoVGUtpEEvkT3Fv8KdXARwEhS3fu8UDWEYDoKjgSbdPcd2oMWMqHBpGINkeKo/A4xZDqFvko5zDtcM050d5FiAsvzrXRnaIC0MGb1IXlHe1wxNV58QPNzihZNFuk=
    For the plots of their operas, many Romantic composers drew from
    Correct.
    Incorrect. See the opening of Chapter 18.
  2. Question

    kh3bZGvG0itbzH6k9IJ/1XDI2OzlUD6uzdGCY+Z/gnOy6DIpTH0BGBIAhEMtKKCzn1w8mKPbS8euANhNZZulH0lZcMIQFA4YTa3XOXYGSc4/9y1FSvdpgqRZabpPI3a8w7Y2RhpN9HHgcp7L64LL9rH/fA14OAT2dRSZlY4XU4+bF+cIUtx1iTtoVUA86+I/bdDlPhVyHJjz/hM0/zv8yEq9Y08Ep3EUl2SpFofia73K7aaKz9pZDk5BVZa6lf+bgIr2nHQmPJpvZ//fXBqGqPSjjMz4muz3alMJnw==
    Romantic composers of opera viewed opera as
    Correct.
    Incorrect. See the opening of Chapter 18.
  3. Question

    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
    In what way did the orchestra’s role greatly change in nineteenth-century opera?
    Correct.
    Incorrect. See Recitative and Aria: The Role of the Orchestra in Chapter 18.
  4. Question

    DLBOxyQloedKzd5/QmaqfAk4t1e1m0Z8ztRgzxc/9o2cWUil7+o5VPqZvMBB2qWB/auw5ySROwBaaNegwZBhwbgB/WM0bNBnQfoPWbTMol4U+KrD0uK56Pv0ExgVqEm5Eme8/btWCUyZCoADnyG1Cwn0ZYqeaYOUvqLGY3x19tKbrwBXbciiCeU88Do/NqCjuQIL4Ia06u/fYSdjkS0kEHiatUM=
    The bel canto style emphasizes what?
    Correct.
    Incorrect. See Early Romantic Opera in Chapter 18.
  5. Question

    M0WKMLT+5eKRaU0lOnAjoAgbQPaOIKdr3VLGYB23+oX12c7fuZRFCnoxhPkAVdAB4W52vvLIrxgm2xCvfQ1U8N62bARoeGzlIWkyJPbU38iFzv3gmuyU0z07LRIFTD8+vndnTh2cvqFLECHfcpn4Yw==
    Who composed the opera Rigoletto?
    Correct.
    Incorrect. See Giuseppe Verdi, Rigoletto in Chapter 18.
  6. Question

    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
    Which describes the plot of Rigoletto?
    Correct.
    Incorrect. See Giuseppe Verdi, Rigoletto in Chapter 18.
  7. Question

    2AvbIzhYRm0H+IwrcnypaDXwWTY5HPifd6T/ZjFz+v0T9cAQxgEUY1RbXVhpTbHNNhpmeti7Yxs+/BgKuu8zt6C7Q6Ajs728C1ghBH5QpmtCpXepHlQbVHcUBAntD/Yi6LhhCLrYVVXrw+qEazM2vOxnQYu8+0WP6v/8XowMldAHtCOqwNnEA5h++RTkchrVucnKDITch5WtUFoDpFQlKTDDbIBmROhSSIyvN/+AAQigdVby8HgV2Q==
    Which composer complained that opera had degenerated into a concert in costume when it should be serious drama?
    Correct.
    Incorrect. See Wagner and Music Drama in Chapter 18.
  8. Question

    8muJD9COGbfCYBpu6jtSgtTEy6pwWdy3zaMK78yE2JD6r44+hpi5CqPl2qtvpc4TwE6eVeXBOoqMb1fP/VkvGV5+Ma1Kle1clEAaz9Zwmnq98h4SXiw5JsK0MEQ0EZXupYwFaTv0UtX4mMPfw/hMwzjCbinJz/NbY7CJqN/lTs3v9iG05z1uWAJ6ZAPQYYJlaSbgy1Vd8i8R5/5jTF/i7pzRUHAKSopxonlNOOvYY6TKGYVi0g+LA8/+j4lTmRUDhreQdho3oM1826nXXaRzC4nqEcKjGkcJR5dah6g+ntgge9lr
    Which composer’s operas and anti-Semitic writings were later taken up by the Nazis in the twentieth century?
    Correct.
    Incorrect. See Richard Wagner in Chapter 18.
  9. Question

    FI/qqk5IP/uxqpfKP0j3wEC9UtjxijYCI8HCMK2F+hNDDwvuxjvmRYCB0P91EKdaZ3FfXmMq/GcJqw1iO1UV6aKPEE5xe2YC+fx0KnioKCvl8XCW2AxaGgS8gjG8e9UMoPs6pFcAUPEvOBPxQ9cOSwD07xUdU3jKJd+N21l5yV0LdnYevmX+bwJVt5EyVhWNBa5W0SfgecH0rMR8fVsh5sbhAC0=
    What did Wagner call the new style of opera that he developed?
    Correct.
    Incorrect. See The Total Work of Art in Chapter 18.
  10. Question

    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
    What is Gesamtkunstwerk?
    Correct.
    Incorrect. See The Total Work of Art in Chapter 18.
  11. Question

    k3eytFK9qPKl9ZAAkVTvL/SiKSYEnc4zg8LcV7wmBS0c60bsH8N4O3U9eRKU0ri33AwN8gVnJvWQCls+Av+Zu1+KzUZZeKgWMEgINbiDu9LATefFNpFiAiRDpCSdklWpk1OHNIZQDkO1XELCr3jKMP2J4+fXSAXMNv72DHx2YPongy61JYwTgSwAuX1qyPnbJwP1mvmxvTdqfkbdCM1bk3NXpMmcejLOgzOhnY4j5CD5IEFbDPEFnEtMWydvIou7KcxF1meUDPICdWg6TLeAHRL9RYv0YKA7CsIyNLZO6izwC7mpJfF+0CNc0mPnVlRdgE62knyYQYF6qWuWcmTaN13FrDfn3uIR9L34vnQo1qovKGLMIhBkxFqtrUQ0MoBb
    A musical motive that is associated with a particular person, idea, thing, or symbol in a drama, and that helps guide the listener through the story, is called a
    Correct.
    Incorrect. See Leitmotivs in Chapter 18.
  12. Question

    CDru5mgoekXijkEN4I7fj8RyTYe8oxX9rt7PTEN+XWgJ9Al0ilWMRm7dw+7hvjViFqimR0M7qT2bJp5P8YzXLmUpi7qlWUGgEoEMgym1XJYFICK4iko39nXggei3rOipQ0rxOO2jeQ2qgowJg9U9oMNCTeMcgN7SpeQwcEdUoIYK0r5lJEO/pA+d7tMEF9oKTKdLfH+cLwMPT8y0YatsKqH2eF44tMIDSpJTkABR2QbUryVUjl22TSIzlWFW3R8ZJsLtj/xaGS0TQnbPY4i8iqD6xZtJRtYzlSTuWcPAZPH1YyUY+1wTV1sQaQD2o6jG
    Wagner’s opera The Valkyrie is one of four parts in the larger music drama called
    Correct.
    Incorrect. See The Nibelung’s Ring in Chapter 18.
  13. Question

    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
    How did opera audiences’ tastes change in the period following Verdi and Wagner?
    Correct.
    Incorrect. See Late Romantic Opera in Chapter 18.
  14. Question

    q2V6Gxzjb4i2D1grEoarMBXGC85oJiCC06MAGR+YRoBq1JXPQ+ERQhOO+pCTUyjs70S6mxti0XvdOt3msjQEkw0QXhPpKV6Zn4RHWM6QxatDHKDv2AIrGiVUehoHUfKVVP4jwpq5EmpuQH2v6puOVHj+QinrkJavWhgVgFPM3ps=
    Who was the main Italian opera composer after Verdi?
    Correct.
    Incorrect. See Giacomo Puccini in Chapter 18.
  15. Question

    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
    What is Cho-Cho-San singing about in the aria “Un bel dì”?
    Correct.
    Incorrect. See Giacomo Puccini, Madame Butterfly in Chapter 18.