Listening Quiz for Chapter 23

Read Chapter 23 in your book and practice listening by answering the following questions. Then “submit” your work.

  1. What instrument is heard in this brief excerpt from the fourth of Webern’s Five Orchestral Pieces?

    Listen

    Question

    2dp0mS2t3N21YLcB7ScGRGo+g5EH9viv085lRzuGbBPXrU4VLB7AiqwKwZmouSwqhy8RWv05Vwz+zzbC0FheJVASYIg=
    What instrument is heard in this brief excerpt from the fourth of Webern’s Five Orchestral Pieces?
    Correct.
    Incorrect. See Anton Webern, Five Orchestral Pieces in Chapter 23.
  2. This excerpt is from which work?

    Listen

    Question

    CBmnadVqX7xCkc5GUu0g5cYIPOEhHF02rmWlDVqzwx+J204+t6hSQ/4cmjXij2R4jfcZK9Pl5RIO7bwVA30L7tts/7kWLeWTrB5Cq5aHOo/ex41clmq++bslsuh01KPXBQmXGRF2y/RUQoE5RVXtXRf7uw5LGjGwxLZUw3FpOlkDcuBR+XotiITEcF70ABPiiR009sWWtYH+4tPF4AiLKeOKoOgNMddioCGZFKZlmPAlD8uQN+FLJtOHYjpFrF6obZ+C/Ezvd9OcM8Wd
    This excerpt is from which work?
    Correct.
    Incorrect. See Edgard Varèse, Poème électronique in Chapter 23.
  3. The singing in this excerpt is a good example of the composer’s use of

    Listen

    Question

    YWZFMU0QKTwNFnCrevNIskyTyR3vWh4jFMBAEr009dwa0UYC1ZRd1DNX3PkX9TzSR0PudmVWx+fVshKiLcHLUVt6bYi7W+R8Y875xvPBASLVON5zP3Ia8Akkc1UMoa5CyAidNHABjIjOLp7H9Et9+doLGCm9Gxy1hAfaHhjreIg=
    The singing in this excerpt is a good example of the composer’s use of
    Correct.
    Incorrect. See Edgard Varèse, Poème électronique in Chapter 23.
  4. In this passage from Ligeti’s Lux aeterna,

    Listen

    Question

    ArdAll0hNcZ6yIlHHB7tytc5Lrsq63NZT9VPGnw0rBBgARd0uDwcf9D98qbdsvCeNjHzbej191ggv6DHzsOWm7eniD5UKueW+O20ttVbD+t4ByFy7T6xV/UVIDZZLlxuh7t+Gm4voy+wISiF+FagPm/agzK2gM9vhC4PLhVBjyVXAjSSeWKvEqPK3IuMSoth7CZGS4ycDfwLzuHkaweZwM8KwMBCfTjoCCfmuF46aB0Y5cbk6e4mlAWMyRc6iBvvPYddwl13DWnKv1++QJmQ8Q==
    In this passage from Ligeti’s Lux aeterna,
    Correct.
    Incorrect. See György Ligeti, Lux aeterna in Chapter 23.
  5. This excerpt is from which work?

    Listen

    Question

    la7inVcEgUVBjY56NuagVpv7kEKtPaeBS8QiAmWxhhWminA2OyvyWT+x4Br501zMVKCQCAASRXTXpLPFAyEf0pkd5h5UC8RJ+7d/jUIv/RPAxB7gttf3KmH50s3OrJ+inwvoePlb4uFeFqoSlKcO/zXU3mdh3ra+vT+8dFRCxA1NT9OnwOP1W2yY6DmQVuDxUp/c6Kt2VKs8XXVBEI13vXMzkxMrbjxZRlUIji12GIOKyIDWBw7lpg==
    This excerpt is from which work?
    Correct.
    Incorrect. See Steve Reich, Music for 18 Musicians in Chapter 23.
  6. In this music, what happens each time the vibraphone plays its cue?

    Listen

    Question

    wWXBNqtT+Her9DLgwMand5nx6pcDILdpvsCOuvFbEFpDrMoWyfyYfBk5vVQ6mOok/mysadv/rHCS0vhys0ApSUDw3GKXEnIMLUj+/rG7zWaruWMpEZ0+OEx+SIk8gmYgpXbFziin8JYy7CBvWOSN5x+m9eCfgQ4+hEgGFj3PMRqladSOwXfWZsoyFHuUMKMovHNVibCq0sK6ALwmFMUjEjWTdIo=
    In this music, what happens each time the vibraphone plays its cue?
    Correct.
    Incorrect. See Steve Reich, Music for 18 Musicians in Chapter 23.
  7. This excerpt is from which work?

    Listen

    Question

    Q9oRACldQRmzQpKjIt5vpLkvDhGLVmJ6qMogWj9/TGkEgvQbQ03UMNKx2mbh5bRVu4cpf1LpHDD5IyEDeOrLKlvW5D+G05vU/FyE0TSt4D7zkzgM5W26c4oCdAT46R/Z468GGPgPgAXv5mBo0/ysTS0thpcxoII5kRqJROONER9CJAF6wT189s2chFHGnMutvDOugBCS30ZCjnox13Dt2I9ZjHA4vXfFPo8ONh3z681/lCaVCos3KRKe4NqaL3lYCCwYpSx5pBwxebNeTG9Fhzfl7wETDHTC
    This excerpt is from which work?
    Correct.
    Incorrect. See George Crumb, American Songbook V: Voices from a Forgotten World in Chapter 23.
  8. This excerpt is from which work?

    Listen

    Question

    V8EsNA6Py2Ol7pNjKt/f9kPWYJ1gPePQ33givuCf2TLDX3UjqbCKaR7wh66aiZz6Qb4Klptbs8/j7qYX/tBcZbI1KG8vNuVOmNybiU0dFCj7kazLD1ZvTjP3vTbS7jfvcF8cv3FDYpofCfgLjcKqllLaEnbtOETqoh3icEP4rKg+cIDBmCluy8eGPkvYB1HMKfMck4SE27OXySa/YwPSPHrsB5L84FxJpsChdQKb3sCf1f7Go9nlKnWNiV7LtamNyIc9pMyb01/V7uxwtaSFdIQHwdwp4DBlmViY1Q==
    This excerpt is from which work?
    Correct.
    Incorrect. See Tania León, Indígena in Chapter 23.
  9. What do you hear in this passage?

    Listen

    Question

    9YJ97n6uExqQe1KaXdhtKwyBeywF46agMxs2rOu+fxG08gdcpwYHONxeHahE88BkLGB+0L7QvFCLVLCVSQ4K8B0ymJ2vm9Zl8bq9I+nxLnrVIV9PxhaDR21SNZ8igIzQALFdtTBCB9HgPMHeYFeoqNy5NU8MuNb2YHSndzzSR2RXxLWCCVTcimMQMGmzeO52jc9RoovCZ/t5k78bejYem8xAv80wrwo3VtAsFjJid89oimSu5A/QTDCC82NI7OTA8SOs6I5jFqSBP5RbWzKKpULxxkVvHQNAi28zT1Nd3duK6nwfA2zhbJoo3hpYwn4/hcYum+f8nxM3pdjj2dJrmtQ+QxzwWlBvOWvbKWHbnRbnyeq+ywaCU1lYzOFKwtL2oXhTQ1hKu8DxUKamebZFVBRlvrKfRHQAnFbUiuanEbr+xn7+LWRmQDN4qOK6iqoIEcMisuX8KixT5YVJAGLULFjroigCY7WZ1BibbxweD0a5QCWX
    What do you hear in this passage?
    Correct.
    Incorrect. See Tania León, Indígena in Chapter 23.
  10. In this excerpt from George Crumb’s setting of “The House of the Rising Sun,” the vibraphone’s music can be described as

    Listen

    Question

    afV/JmT2+DD7cSwFA2lIvnKwh1erZ3iclC9D/Die0ZI6kQPiNZRV1tX8ijQUAXid3qJbkLxfrUebkhwjSSgNVMqDSPLSt/H4R8U2svxok7lpxKHVpIShdQ==
    In this excerpt from George Crumb’s setting of “The House of the Rising Sun,” the vibraphone’s music can be described as
    Correct.
    Incorrect. See George Crumb, American Songbook V: Voices from a Forgotten World in Chapter 23.