LISTENING CHART 29
Tania León, Indígena
8 min., 18 sec.
| SECTION 1 (Sustained chords in strings; free solos for winds) | ||
| 0:03 | Flute | |
| 0:22 | Brief piano and percussion outburst | |
| 0:31 | Clarinet | |
| 0:47 | Piano and percussion outburst | |
| 0:51 | Bassoon | |
| SECTION 2 (Regular beat; clear meter emerges.) | ||
| 1:10 | Piano ostinato | |
| 1:27 | Ensemble begins to come together. | |
| 1:39 | Cello solo, regular beat maintained | |
| 1:57 | More solos, with regular beat: clarinet, horn, cello | |
| 2:34 | Crescendo, drum stroke, silence; regular beat resumes. | |
| 3:01 | Collapse: Beat disappears; quiet chords and buzzing sounds in strings. | |
| TRANSITION | ||
| 3:32 | Crescendo; instruments added to sustained chord; oboe solo | |
| SECTION 3 (Comparsa band approaches.) | ||
| 3:57 | G- |
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| 4:18 | Trumpet takes over: long solo. | |
| 4:48 | Percussion; others join in. | |
| 4:58 | G- |
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| 5:02 | Trumpet resumes: long solo. | |
| 5:43 | Ensemble joins in again. | |
| 5:58 | “La Jardinera,” trumpet; others respond. | |
| 6:22 | Full ensemble |
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| 6:43 | “La Jardinera” for full ensemble | |
| 6:53 | Repeated notes in strings recall G- |
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| 7:11 | “La Jardinera,” trumpet | |
| 7:25 | Trumpet’s final high note marks cadence; fade- |
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