FileTitleManuscript Id
Chapter 22 Resourceslisten8e_ch22_1.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_1_dlap.xml54089872757a2e974c000000
Listening Quiz for Chapter 22listen8e_ch22_2.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_2_dlap.xml54089872757a2e974c000000
Reading Quiz for Chapter 22listen8e_ch22_3.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_3_dlap.xml54089872757a2e974c000000
Ravel, Piano Concerto in G, Ilisten8e_ch22_4.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_4_dlap.xml54089872757a2e974c000000
Bartók, Music for Strings, Percussion, and Celesta, IIlisten8e_ch22_5.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_5_dlap.xml54089872757a2e974c000000
Crawford, Prelude for Piano No. 6listen8e_ch22_6.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_6_dlap.xml54089872757a2e974c000000
Still, Afro-American Symphony, IV listen8e_ch22_7.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_7_dlap.xml54089872757a2e974c000000
Copland, Appalachian Spring, Sections 1, 2, 5, and 6 listen8e_ch22_8.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_8_dlap.xml54089872757a2e974c000000
Prokofiev, “The Battle on Ice,” from Alexander Nevsky Cantata listen8e_ch22_9.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_9_dlap.xml54089872757a2e974c000000
Modernism between the Warslisten8e_ch22_10.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_10_dlap.xml54089872757a2e974c000000
1 | Mixing Classical Form and Jazz: Maurice Ravellisten8e_ch22_11.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_11_dlap.xml54089872757a2e974c000000
Maurice Ravel, Piano Concerto in G (1931)listen8e_ch22_12.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_12_dlap.xml54089872757a2e974c000000
Listening Chart 22 Ravel, Piano Concerto in G, first movementlisten8e_ch22_13.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_13_dlap.xml54089872757a2e974c000000
Biography: Maurice Ravel (1875–1937)listen8e_ch22_14.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_14_dlap.xml54089872757a2e974c000000
2 | Folk Music, Nationalism, and Modernism: Béla Bartóklisten8e_ch22_15.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_15_dlap.xml54089872757a2e974c000000
Biography: Béla Bartók (1881–1945)listen8e_ch22_16.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_16_dlap.xml54089872757a2e974c000000
Béla Bartók, Music for Strings, Percussion, and Celesta (1936)listen8e_ch22_17.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_17_dlap.xml54089872757a2e974c000000
Listening Chart 23 Bartók, Music for Strings, Percussion, and Celesta, second movement (Allegro)listen8e_ch22_18.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_18_dlap.xml54089872757a2e974c000000
3 | Varieties of American Modernismlisten8e_ch22_19.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_19_dlap.xml54089872757a2e974c000000
Ruth Crawfordlisten8e_ch22_20.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_20_dlap.xml54089872757a2e974c000000
Ruth Crawford, Prelude for Piano no. 6 (Andante Mystico; 1928)listen8e_ch22_21.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_21_dlap.xml54089872757a2e974c000000
Listening Chart 24 Crawford, Prelude for Piano No. 6listen8e_ch22_22.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_22_dlap.xml54089872757a2e974c000000
Biography: Ruth Crawford (1901–1953)listen8e_ch22_23.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_23_dlap.xml54089872757a2e974c000000
William Grant Stilllisten8e_ch22_24.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_24_dlap.xml54089872757a2e974c000000
Biography: William Grant Still (1895–1978)listen8e_ch22_25.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_25_dlap.xml54089872757a2e974c000000
William Grant Still, Afro-American Symphony (1930) listen8e_ch22_26.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_26_dlap.xml54089872757a2e974c000000
Listening Chart 25 Still, Afro-American Symphony, fourth movement (Lento, con risoluzione) listen8e_ch22_27.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_27_dlap.xml54089872757a2e974c000000
Aaron Coplandlisten8e_ch22_28.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_28_dlap.xml54089872757a2e974c000000
Aaron Copland, Appalachian Spring (1945)listen8e_ch22_29.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_29_dlap.xml54089872757a2e974c000000
Biography: Aaron Copland (1900–1990)listen8e_ch22_30.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_30_dlap.xml54089872757a2e974c000000
4 | The Rise of Film Musiclisten8e_ch22_31.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_31_dlap.xml54089872757a2e974c000000
Composers for Filmlisten8e_ch22_32.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_32_dlap.xml54089872757a2e974c000000
Sergei Prokofiev, Alexander Nevsky Cantata (1938) listen8e_ch22_33.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_33_dlap.xml54089872757a2e974c000000
Listening Chart 26 Prokofiev, “The Battle on Ice” from Alexander Nevsky Cantata listen8e_ch22_34.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_34_dlap.xml54089872757a2e974c000000
Biography: Sergei Prokofiev (1891–1953)listen8e_ch22_35.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_35_dlap.xml54089872757a2e974c000000
Music and Totalitarianismlisten8e_ch22_36.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_36_dlap.xml54089872757a2e974c000000
Goals for Reviewlisten8e_ch22_37.html54089872757a2e974c000000
DLAP questionslisten8e_ch22_37_dlap.xml54089872757a2e974c000000