VIEWPOINTS
19-2 | | Science in the Service of the State |
PETER THE GREAT AND GOTTFRIED LEIBNIZ, On The Improvement of Arts and Sciences In Russia (ca. 1712–1718) |
Peter the Great (1672–
Decree on the Acceptance of Gottfried Leibniz into Russian Service, November 1, 1712
We, Peter I, tsar and autocrat of all Russia, etcetera, etcetera, etcetera.
We have most graciously judged it right that Gottfried Wilhelm von Leibniz, privy councillor in the judicature of the elector and duke of Brunswick-
In confirmation whereof we issue these letters under our own signature and with our seal of state affixed.
Given at Karlsbad, November 1, 1712.
(Signed) Peter
(Countersigned) Count Golovkin
Draft of Leibniz’s Memorandum on the Improvement of Arts and Sciences in Russia, 1716
The improvement of arts and sciences in a great empire involves:
Equipment consists of books, museums [“curiosity collections”], instruments, and exhibits of works of nature and of human contrivance. . . .
Next to the library comes the museum [“collection of curiosities”], where one should find old and new medals, serving as a source and confirmation of history; remains of Roman, Greek, Hebrew, Chinese, and other antiquity; all kinds of rare objects from the three realms of nature, namely all sorts of mineral stones, ores, plants, insects, and strange animals; also all kinds of works of art — paintings and sculptures; as well as optical, astronomical, architectural, military, nautical, mechanical, and other inventions.
Excerpt from a Decree on “Monsters,” 1718
Ignoramuses think that such monsters are born from the action of the devil which is, however, impossible for there is only one creator of all creation, and that is God. And the Evil One has no power over any living creatures. For monsters are the result of internal damage, of fear and the thoughts of the mother during her pregnancy, of which fact there are many examples. For example, when the mother is frightened, hurt or injured in any way the child will be influenced.
A Source Book for Russian History from Early Times to 1917, ed. George Vernadsky (New Haven: Yale University Press, 1972), 2:367; copyright © 1972 Yale University. Reprinted by permission of Yale University Press. Anthony Anemone, “The Monsters of Peter the Great: The Culture of the St. Petersburg Kunstkamera in the Eighteenth Century,” Slavic and East European Journal, 44:4 (Winter 2000): 592.
READING AND DISCUSSION QUESTIONS