VIEWPOINTS
31-2 | | A Poet Reflects on Economic Exploitation |
PABLO NERUDA, From Canto General: “Standard Oil Co.” and “United Fruit Co.” (1950) |
The Chilean poet, politician, and Nobel laureate Pablo Neruda (1904–
Standard Oil Co.1
1. Standard Oil Co.: A major U.S. oil and energy company at the end of the nineteenth century, considered a prime example of monopoly capitalism.
When the drill bored down
toward the stony fissures
and plunged its implacable intestine
into the subterranean estates,
and dead years, eyes
of the ages, imprisoned
plants’ roots
and scaly systems
became strata of water,
fire shot up through the tubes
transformed into cold liquid,
in the customs house of the heights,
issuing from its world
of sinister depth,
it encountered a pale engineer
and a title deed.
However entangled the petroleum’s
arteries may be, however the layers
may change their silent site
and move their sovereignty
amid the earth’s bowels,
when the fountain gushes
its paraffin foliage,
Standard Oil arrived beforehand
with its checks and its guns,
with its governments and its prisoners.
Their obese emperors
from New York are suave
smiling assassins
who buy silk, nylon, cigars,
petty tyrants and dictators.
They buy countries, people, seas,
police, county councils,
distant regions where
the poor hoard their corn
like misers their gold:
Standard Oil awakens them,
clothes them in uniforms, designates
which brother is the enemy.
The Paraguayan fights its war,
and the Bolivian wastes away2
in the jungle with its machine gun.
A President assassinated
for a drop of petroleum,
a million-
mortgage, a swift
execution on a morning
mortal with light, petrified,
a new prison camp for
subversives, in Patagonia,
a betrayal, scattered shots
beneath a petroliferous moon,
a subtle change of ministers
in the capital, a whisper
like an oil tide,
and zap, you’ll see
how Standard Oil’s letters
shine above the clouds,
above the seas, in your home,
illuminating their dominions.
United Fruit Co.3
3. United Fruit Co.: An American producer of bananas, founded in 1899, that became a massive commercial and political presence in Central and South America. The company’s influence on host governments — sometimes in cooperation with the U.S. government — inspired American author H. L. Mencken to coin the term “banana republic.”
When the trumpet blared everything
on earth was prepared
and Jehovah [God] distributed the world
to Coca-
Ford Motors and other entities:
United Fruit Inc.
reserved for itself the juiciest,
the central seaboard of my land,
America’s sweet waist.
It rebaptized its lands
the “Banana Republics,”4
and upon the slumbering corpses,
upon the restless heroes
who conquered renown,
freedom and flags,
it established the comic opera:
it alienated self-
regaled Caesar’s crowns,
unsheathed envy, drew
the dictatorship of flies:
Trujillo flies, Tacho flies,
Carías flies, Martínez flies,
Ubico flies,5 flies soaked
in humble blood and jam,
drunk flies that drone
over the common graves,
circus flies, clever flies
versed in tyranny.
Among the bloodthirsty flies
the Fruit Co. disembarks,
ravaging coffee and fruits
for its ships that spirit away
our submerged lands’ treasures
like serving trays.
Meanwhile, in the seaports’
sugary abysses,
Indians collapsed, buried
in the morning mist:
a body rolls down, a nameless
thing, a fallen number,
a bunch of lifeless fruit
dumped in the rubbish heap.
Pablo Neruda, Canto General, trans. Jack Schmitt (Berkeley: University of California Press, 1991), 176–
READING AND DISCUSSION QUESTIONS