Separate Spheres and the Importance of Homemaking

After 1850 the work of wives became increasingly distinct and separate from that of their husbands in all classes. The preindustrial pattern among both peasants and cottage workers, in which husbands and wives both worked and shared basic household duties, became less common. In wealthier homes, this change was particularly dramatic. The good middle-class family man earned the wages to support the household; the public world of work, education, and politics was male space. Respectable middle-class women did not work outside the home and rarely even traveled alone in public. Working-class women, including servants and prostitutes, were more visible in public places, but if a middle-class woman went out without a male escort, she might be accused of low morals or character. Thus many historians have stressed that the societal ideal in nineteenth-century Europe became a strict division of labor by gender within rigidly constructed separate spheres: the “private sphere,” where the woman acted as wife, mother, and homemaker, and the “public sphere,” where the husband acted as wage earner and family provider.

For the middle classes, the private single-family home, a symbol of middle-class status and a sanctuary from the callous outside world of competitive capitalism, was central to the notion of separate spheres. At the heart of the middle-class home stood the woman: notions of femininity, motherhood, and family life came together in the ideal of domestic space. Middle-class floor plans grew to include separate sleeping rooms for parents and each family member — unheard of among the lower classes — as well as a special drawing room (or parlor), used to entertain guests. Plump sofas, bric-a-brac, and souvenirs graced domestic interiors; curtains of heavy red velvet and colorful silks draped doors and windows. Such ostentatious displays were far too expensive for the working classes, who made up 80 percent of the population.

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Middle-class women were spared the masculine burdens of the outside working world, and lower-class servants ensured that they had free time to turn the private sphere into a domestic refuge of love and privacy. Numerous middle-class housekeeping manuals made the wife’s responsibilities quite clear, as this Swedish handbook from 1889 suggests: “A man who spends most of his day away from the family, who has to work outside the home, counts on finding a restful and refreshing atmosphere when he returns home, and sometimes even a little merriment or a surprise. . . . It is his wife’s duty to ensure that he is not disappointed in his expectation. She must do her utmost to make his stay at home as pleasant as possible; she can thus continue to keep her influence over him and retain his affection undiminished.”7

By 1900 working-class families had adopted many middle-class values, but they did not have the means to fully realize the ideal of separate spheres. Women were the primary homemakers, and, as in the upper classes, men did little or no domestic labor. But many working-class women also made a monetary contribution to family income by taking in a boarder, doing piecework at home in the sweated industries (see “The People and Occupations of the Working Classes”), or getting an outside job. While middle-class family life centered on an ample daily meal, working-class women struggled to put sufficient food on the table. Working women worked to create a homelike environment that at least resembled that of the middle class — cleaning house, collecting trinkets, and decorating domestic interiors — but working men often preferred to spend time in the local pub with workmates, rather than come home. Indeed, alcoholism and domestic violence afflicted many working-class families, even as they worked to build a relationship based on romantic love.

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Feminist historians have often criticized the middle-class ideal of separate spheres because it restricted women’s educational and employment opportunities, and the women’s rights movement that emerged in the late nineteenth century certainly challenged the limitations of the model. In recent years, however, some scholars have been rethinking gender roles within the long-term development of consumer behavior and household economies. In the era of industrialization, these scholars suggest, the “breadwinner-homemaker” household that developed from about 1850 onward was rational consumer behavior that improved the lives of all family members, especially in the working classes.8

According to this view, when husbands specialized in earning an adequate cash income — the “family wage” that labor unions demanded — and wives specialized in managing the home, the working-class wife could produce desirable benefits that could not be bought in a market, such as improved health, better eating habits, and better behavior. For example, higher wages from the breadwinner could buy more raw food, but only the homemaker’s careful selection, processing, and cooking would allow the family to benefit from increased spending on food. Running an urban household was a complicated, demanding, and valuable task. Twice-a-day food shopping, careful economizing, and fighting the growing crusade against dirt — not to mention child rearing — constituted a full-time occupation. Working yet another job for wages outside the home had limited appeal for most married women unless the earnings were essential for family survival. The homemaker’s managerial skills, however, enabled the working-class couple to maximize their personal well-being.

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Christmas and the Sentimental Pleasures of the Middle-Class Home Victorian Christmas celebrated the family values and lifestyles of the middle classes at their most expressive. This clichéd portrait of a wealthy middle-class family holiday — with holly adorning the walls, mistletoe hanging above the fireplace, children singing carols with their parents, and contented grandparents sitting by a warm fire — captures the intimacy and love that increasingly bound together middle-class and working-class families alike during the nineteenth century. Titled Home Sweet Home and released for commercial reproduction and sale around 1900, prints of this image of domestic bliss no doubt adorned the walls of many middle-class parlors like the one shown in the painting.
(Private Collection/Photo © Christie’s Images/Bridgeman Images)

The woman’s guidance of the household went hand in hand with the increased pride in the home and family and the emotional importance attached to them in working- and middle-class families alike. According to one historian, by 1900 the English song “Home, Sweet Home” had become “almost a second national anthem.”9 Domesticity and family ties were now central to the lives of millions of people of all classes.