Living in the Past: Modern Design for Everyday Use

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Modern Design for Everyday Use

E uropean design movements of the early twentieth century had a lasting impact on everyday lifestyles. Many ordinary elements of living, from apartment buildings to interior furnishings, were transformed by modernist experimentation. The Bauhaus (or House of Building), an institute founded in Germany by architect Walter Gropius in 1919, exemplified modern design at its most influential. It attracted an array of highly talented artists, designers, architects, and students, including the Russian painter Wassily Kandinsky, the Swiss artist Paul Klee, and the Hungarian-Jewish photographer and painter László Moholy-Nagy.

The instructors and students at the Bauhaus sought to revolutionize product design by unifying art, craft, and technology. They argued that everyday objects should reflect the highly rationalized, industrialized, and modern society in which — and for which — they were made. Bauhaus adherents believed that form should follow function and that, as director Ludwig Mies van der Rohe put it in a famous aphorism, “less is more.” The results were streamlined, functional designs stripped of all ornamentation that were nonetheless works of great style and lasting beauty.

No everyday item was too insignificant to be treated as an object of high design. The industrial ethos of the Bauhaus was brought to bear on textiles, typography, dishware, and furniture. The famous steel tube and canvas “Wassily chair,” created by architect and designer Marcel Breuer, exemplified Bauhaus concepts and remains an icon of modernism. Such goods were mass-produced and marketed at affordable prices, bringing high-concept design into the lives of ordinary Europeans. Bauhaus architects applied the same principles in designing buildings, from factories to working-class housing projects and private homes.

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The Bauhaus School in Dessau, Germany, designed by Walter Gropius opened in 1926. Its glass, steel, and concrete construction is typical of functionalism in modern architecture.
(imageBROKER/SuperStock)

In 1933 Adolf Hitler and the Nazi Party, zealous opponents of modern art of all kinds, shut down the Bauhaus. Many of its prominent teachers and students fled persecution. Gropius, Breuer, Mies, and numerous others moved to the United States, where they helped spread Bauhaus ideas around the world after the end of the Second World War.

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The angular, streamlined furnishings and patterns in the Bauhaus director’s office (ca. 1923) exemplify the school’s efforts to use modern materials and design to combine beautiful form and practical function, as do Marcel Breuer’s famous “Wassily chair,” made of bent tubular steel and canvas (1927), and Marianne Brandt’s striking teapot (1924).
office: © 2016 Artists Rights Society [ARS], New York/VG Bild-Kunst, Bonn/Digital Image © The Museum of Modern Art/Licensed by SCALA/Art Resource, NY)

QUESTIONS FOR ANALYSIS

  1. How do the Bauhaus designs shown here reflect the modern industrial society in which they were created?
  2. Why did Bauhaus designers work in so many different fields?
  3. Why are Bauhaus designs still influential today?