Han Intellectual and Cultural Life

In contrast to the Qin Dynasty, which favored Legalism, the Han came to promote Confucianism and recruit officials on the basis of their Confucian learning or Confucian moral qualities. The Han government’s efforts to recruit men trained in the Confucian classics marked the beginning of the Confucian scholar-official system, one of the most distinctive features of imperial China.

However, the Confucianism that made a comeback during the Han Dynasty was a changed Confucianism. Although Confucian texts had fed the First Emperor’s bonfires, some dedicated scholars had hidden their books, and others had memorized whole works: one ninety-year-old man was able to recite two long books almost in their entirety. The ancient books recovered in this way — called the Confucian classics — were revered as repositories of the wisdom of the past. Confucian scholars treated these classics with piety and attempted to make them more useful as sources of moral guidance by writing commentaries on them. Many Confucian scholars specialized in a single classic, and teachers passed on to their disciples their understanding of each sentence in the work. Other Han Confucians went to the opposite extreme, developing comprehensive cosmological theories that explained the world in terms of cyclical flows of yin and yang (see “Yin and Yang” in Chapter 4) and the five phases (fire, water, earth, metal, and wood). Some used these theories to elevate the role of the emperor, who alone had the capacity to link the realms of Heaven, earth, and man. Natural disasters such as floods or earthquakes were viewed as portents that the emperor had failed in his role of maintaining the proper balance among the forces of Heaven and earth.

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Bronze Mirror The backs of bronze mirrors were frequently decorated with images of deities and animals and with auspicious words. As viewers turned the mirrors, they saw different scenes. This Han mirror features an outer border with semicircles decorated with cloud patterns and squares with words written on them. In the center are deities. (Mirror Featuring Deities and Kings in Three Sections Surrounded by Rings of Squares and Semicircles [bronze]. Eastern Han Dynasty [25–220]/Cleveland Museum of Art, Ohio, U.S.A./Gift of Drs. Thomas and Martha Carter in Honor of Sherman E. Lee/The Bridgeman Art Library)

Han art and literature reveal a fascination with omens, portents, spirits, immortals, and occult forces. Emperor Wu tried to make contact with the world of gods and immortals through elaborate sacrificial offerings of food and wine, and he welcomed astrologers, alchemists, seers, and shamans to his court. He marveled at stories of deities such as the Queen Mother of the West and the Yellow Emperor, who took his entire court with him when he ascended to the realm of the immortals. Much of this interest in immortality and communicating with the spirit world was absorbed into the emerging religion of Daoism, which also drew on the PHilosophical ideas of Laozi and Zhuangzi (see “Daoism” in Chapter 4).

A major intellectual accomplishment of the Han Dynasty was history writing. Sima Qian (145–ca. 85 B.C.E. ) wrote a comprehensive history of China from the time of the mythical sage-kings of high antiquity to his own day, dividing his account into a chronology recounting political events, biographies of key individuals, and treatises on subjects such as geography, taxation, and court rituals. As an official of the emperor, he had access to important people and documents and to the imperial library. Like the Greek historians Herodotus and Thucydides (see “The Deadly Conflicts, 499-404 B.C.E.” in Chapter 5), Sima Qian believed fervently in visiting the sites where history was made, examining artifacts, and questioning people about events. He was also interested in China’s geography and local history. The result of his research, ten years or more in the making, was Records of the Grand Historian, a massive work of literary and historical genius. In the chapter devoted to moneymakers, he described how the Ping family made its fortune:

Lu people are customarily cautious and miserly, but the Ping family of Cao were particularly so. They started out by smelting iron and in time accumulated a fortune of a hundred million cash. All the members of the family from the father and elder brothers down to the sons and grandsons, however, made a promise that they would “Never look down without picking up something useful; never look up without grabbing something of value.” They traveled about to all the provinces and kingdoms, selling goods on credit, lending money and trading. It was because of their influence that so many people in Zou and Lu abandoned scholarship and turned to the pursuit of profit.2

From examples like these, Sima Qian concluded that wealth has no permanent master: “It finds its way to the man of ability like the spokes of a wheel converging upon the hub, and from the hands of the worthless it falls like shattered tiles.”3 For centuries to come, Sima Qian’s work set the standard for Chinese historical writing, although most of the histories modeled after it covered only a single dynasty. The first of these was the work of three members of the Ban family in the first century C.E. (See “Individuals in Society: The Ban Family.”)

The circulation of books like Sima Qian’s was made easier by the invention of paper, which the Chinese traditionally date to 105 C.E. Scribes had previously written on strips of bamboo and wood or rolls of silk. Cai Lun, to whom the Chinese attribute the invention of paper, worked the fibers of rags, hemp, bark, and other scraps into sheets of paper. Paper, thus, was somewhat similar to the papyrus made from pounded reeds in ancient Egypt. Though much less durable than wood, paper was far cheaper than silk and became a convenient means of conveying the written word. Compared to papyrus, it depended less on a specific source of plant fiber and so could be produced in many areas.