THE MOST POWERFUL WOMAN IN BYZANTINE HISTORY was the daughter of a bear trainer for the circus. Theodora (ca. 497–548) grew up in what her contemporaries regarded as an undignified and morally suspect atmosphere, and she worked as a dancer and actress, both dishonorable occupations in the Roman world. Despite her background, she caught the eye of Justinian, who was then a military leader and whose uncle (and adoptive father) Justin had himself risen from obscurity to become the ruler of the Byzantine Empire. Under Justinian’s influence, Justin changed the law to allow an actress who had left her disreputable life to marry whom she liked, and Justinian and Theodora married in 525. When Justinian was proclaimed co-emperor with his uncle Justin on April 1, 527, Theodora received the rare title of augusta, empress. Thereafter her name was linked with Justinian’s in the exercise of imperial power.

Most of our knowledge of Theodora’s early life comes from the Secret History, a tell-all description of the vices of Justinian and his court written by Procopius around 550. Procopius was the official court historian and thus spent his days praising those same people. In the Secret History, however, he portrays Theodora and Justinian as demonic, greedy, and vicious, killing courtiers to steal their property. In scene after detailed scene, Procopius portrays Theodora as particularly evil, sexually insatiable, and cruel, a temptress who used sorcery to attract men, including the hapless Justinian.

In one of his official histories, The History of the Wars of Justinian, Procopius presents a very different Theodora. Riots between the supporters of two teams in chariot races had turned deadly, and Justinian wavered in his handling of the perpetrators. Both sides turned against the emperor, besieging the palace while Justinian was inside it. Shouting “Nika!” (Victory), the rioters swept through the city, burning and looting. Justinian’s counselors urged flight, but, according to Procopius, Theodora rose and declared:

For one who has reigned, it is intolerable to be an exile. . . . If you wish, O Emperor, to save yourself, there is no difficulty: we have ample funds and there are the ships. Yet reflect whether, when you have once escaped to a place of security, you will not prefer death to safety. I agree with an old saying that the purple [that is, the color worn only by emperors] is a fair winding sheet [to be buried in].

Justinian rallied, ordered more than thirty thousand men and women executed, and crushed the revolt.

Other sources describe or suggest Theodora’s influence on imperial policy. Justinian passed a number of laws that improved the legal status of women, such as allowing women to own property and to be guardians over their own children. He forbade the exposure of unwanted infants, which happened more often to girls than to boys, since boys were valued more highly. Theodora presided at imperial receptions for Arab sheiks, Persian ambassadors, Germanic princesses from the West, and barbarian chieftains from southern Russia. When Justinian fell ill from the bubonic plague in 542, Theodora took over his duties. Justinian is reputed to have consulted her every day about all aspects of state policy, including religious policy regarding the doctrinal disputes that continued throughout his reign.

Theodora’s influence over her husband and her power in the Byzantine state continued until she died, perhaps of cancer, twenty years before Justinian. Her influence may have even continued after death, for Justinian continued to pass reforms favoring women and, at the end of his life, accepted an interpretation of Christian doctrine she had favored. Institutions that she established, including hospitals and churches, continued to be reminders of her charity and piety.

Theodora has been viewed as a symbol of the use of beauty and cleverness to attain position and power, and also as a strong and capable co-ruler who held the empire together during riots, revolts, and deadly epidemics. Just as she fascinated Procopius, she continues to intrigue writers today, who make her a character not only in historical works, but also in science fiction and fantasy.

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