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Media Professionals Speak about Jobs in the Film Industry
Jeff White, Visual Effects Supervisor, Industrial Light & Magic
I was always interested in computer graphics and their application to visual effects. At the time I was going to college, there were very few formal programs in CG. I ended up studying cinema and photography with a minor in computer science. It actually turned out to be a nice combination of skills for a job in the field. I am terrible at drawing, so that route was not going to get me in, but studying film production, lighting, camera work, editing, was all very relevant to the job I do today.
Hossein Amini, Screenwriter (Drive, The Wings of the Dove, Snow White and the Huntsman)
I think you learn from doing lots and lots of stuff, but also you have to be quite tough about rejection and not getting breaks. I mean, I had tons of stuff. I kept on sending scripts out and getting rejection letters, often probably from people who sometimes hadn’t even read them, I assume. I think that persistence and toughness are just so important. And I think everyone gets better; I don’t think it’s something you’re born with. I do think it’s something that hard work gets you further and further, and I think you improve.
Robert Rodriguez, Filmmaker (Sin City, Spy Kids), to the Graduating Class at the University of Texas
I didn’t know that it was impossible to go make a movie for such a low budget with no film crew. . . . How did I figure it out? I’m from a big family. I can’t waste money. It’s against my genetic makeup. So I had to substitute money with creativity, and that’s what made all the difference. So I had to make a movie in a way that broke the traditional mold and learn not to be a slave to tradition. Traditional thinking will hold you back.
Jennifer Lee, Filmmaker (Frozen), to the Graduating Class at the University of New Hampshire
When you are free from self-