Although reporters have traditionally thought of themselves first and foremost as observers and recorders, some journalists have acknowledged a social responsibility. Among them was James Agee in the 1930s. In his book Let Us Now Praise Famous Men, which was accompanied by the Depression-era photography of Walker Evans, Agee regarded conventional journalism as dishonest, partly because the act of observing intruded on people and turned them into story characters that newspapers and magazines exploited for profit.

Agee also worried that readers would retreat into the comfort of his writing—his narrative—instead of confronting what for many families was the horror of the Great Depression. For Agee, the question of responsibility extended not only to journalism and to himself but to the readers of his stories as well: “The reader is no less centrally involved than the authors and those of whom they tell.”⁴⁷ Agee’s self-conscious analysis provides insights into journalism’s hidden agendas and the responsibility of all citizens to make public life better.