Music Preferences across Generations
We make judgments about music all the time. Older generations don’t like some of the music younger people prefer, and young people often dismiss some of the music of previous generations. Even among our peers, we have different tastes in music and often reject certain kinds of music that have become too popular or that don’t conform to our own preferences. The following exercise aims to understand musical tastes beyond our own individual choices. Always include yourself in this project.
1 DESCRIPTION. Arrange to interview four to eight friends or relatives of different ages about their musical tastes and influences. Devise questions about what music they listen to and have listened to at different stages of their lives. What music do they buy or collect? What’s the first album (or single) they acquired? What’s the latest album? What stories or vivid memories do they relate to particular songs or artists? Collect demographic and consumer information: age, gender, occupation, educational background, place of birth, and current place of residence.
2 ANALYSIS. Chart and organize your results. Do you recognize any patterns emerging from the data or stories? What kinds of music did your interview subjects listen to when they were younger? What kinds of music do they listen to now? What formed/influenced their musical interests? If their musical interests changed, what happened? (If they stopped listening to music, note that and find out why.) Do they have any associations between music and their everyday lives? Are these music associations and lifetime interactions with songs and artists important to them?
3 INTERPRETATION. Based on what you have discovered and the patterns you have charted, determine what the patterns mean. Does age, gender, geographic location, or education matter in musical tastes? Over time, are the changes in musical tastes and buying habits significant? Why or why not? What kind of music is most important to your subjects? Finally, and most important, why do you think their music preferences developed as they did?
4 EVALUATION. Determine how your interview subjects came to like particular kinds of music. What constitutes “good” and “bad” music for them? Did their ideas change over time? How? Are they open- or closed-minded about music? How do they form judgments about music? What criteria did your interview subjects offer for making judgments about music? Do you think their criteria are a valid way to judge music?
5 ENGAGEMENT. To expand on your findings, consider the connections of music across generations, geography, and genres. Take a musical artist you like and input the name at www.music-map.com. Use the output of related artists to discover new bands. Input favorite artists for the people you interviewed in Step 1, and share the results with them. Expand your musical tastes.