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CHAPTER 5 // TIMELINE | |
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The first experiments in sound recording are conducted using a hog’s-hair bristle as a needle; de Martinville can record sound but is unable to play it back. |
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Edison invents the phonograph by figuring out how to play back sound. |
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Berliner invents the flat disk and develops the gramophone to play it. The disks are easily mass-produced, and sound recording becomes a mass medium. |
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Music players enter living rooms as elaborate pieces of furniture, replacing pianos as musical entertainment. |
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“Free” music can be heard over the airwaves. |
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Developed in Germany, the audiotape enables multitrack recording. |
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As television threatens radio, radio turns to the music industry for salvation and becomes a marketing arm for the sound recording industry. |
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This new music form challenges class, gender, race, geographic, and religious norms in the United States. |
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This is established at 331/3 rpm for long-playing albums (LPs), 45 rpm for two-sided singles. |
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This new format makes music portable. |
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This musical art form emerges. |
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The first format to incorporate digital technology hits the market. |
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A new format compressing music into digital files shakes up the industry as millions of Internet users share music files on Napster. |
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A host of new peer-to-peer Internet services make music file-sharing more popular than ever. |
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Apple’s iTunes becomes the No. 1 retailer of music in the United States. |