Chapter
3. test
Introduction
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Tutorials on Reading Visuals
Reading Visuals: Framing
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Reading Visuals: Framing
Cheryl E. Ball, Wayne State University, and Kristin L. Arola, Michigan Technological University
In this tutorial, you will explore the role of framing in visual composition.
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© 2018 Macmillan Learning
Framing: Define
Framing offers a way to describe how a visual text is presented—both its literal frame, like a window or picture frame (the lines around what we see) and the sight lines within it that draw our focus. Individual frames or series of frames can be divided to achieve a particular purpose. There are several options for dividing frames to draw the audience’s attention, some of which are shown here. Focusing on how something is framed helps us think about what is important in a text.
Framing: Define
If you look at the photo “Self in Waiting,” you will see several different frames that serve to group elements, direct the viewer’s attention, and otherwise communicate the photographer’s purpose.
Both the woman and the window are framed by the black walls. How does making note of this frame affect how you understand the photo?
Framing: Define
The woman’s arm in the foreground creates a horizontal frame with the bottom of the windowsill, thus emphasizing what we see above this line.
Framing: Define
The left edge of the windowsill creates a vertical frame, with the woman on the left side and the window on the right. How does this division draw your attention to the subjects of this photo?
Framing: Define
The woman’s left arm is a diagonal line against the vertical and horizontal lines of the window and her right arm. Where these three lines come together (the horizontal, the vertical, and the diagonal) we meet the crux of her elbow, and a focal point of the image.
Framing: Analyze
Let’s analyze three posters made by the WPA between 1936 and 1941 as part of Franklin Delano Roosevelt’s New Deal. Hundreds of posters were created to publicize health and safety, education, and community programs. All three have the same outside frame: the poster, a shape and size prescribed by its function.
Framing: Analyze
This image has a strong vertical split, slightly left of the middle, reinforced by the roughly inked black cartoon penguins facing off (rather than facing us, beak first). You also see a series of horizontal splits across each row of numbers and penguins, and two frames around the border, black and blue.
Framing: Analyze
This image has a strong horizontal split that divides two statements, one that poses a problem and the other that suggests a solution. In the top half, the text describes what’s wrong: “John/is not.” In the bottom half, the image and text suggest what might make things right.
Framing: Analyze
This image has a strong diagonal split from the top of the hammer down to the bright yellow piece of metal on the anvil, a yellow matched by the text. The framing here conveys a sense of directed purpose, immediacy, and action (a split second from now, that hammer will strike home).
Framing: Respond
Work through the following questions, which ask you to examine the framing techniques used in a photo, “Sara, 19,” by Lauren Greenfield.
Framing: Respond
Use the space below to answer the following questions.
Question
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Your response has been provisionally accepted and will be graded by your instructor.
Framing: Respond
Use the space below to answer the following questions.
Question
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Your response has been provisionally accepted and will be graded by your instructor.
Framing: Respond
Use the space below to answer the following questions.
Question
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Your response has been provisionally accepted and will be graded by your instructor.
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