Communication Across Cultures: Persuading Across Borders

COMMUNICATION ACROSS CULTURES

Communication Across Cultures

Persuading Across Borders

Actress and activist Angelina Jolie, a goodwill ambassador for the United Nations Refugee Agency, speaks frequently with the desire to raise awareness of and influence policies related to the plight of refugees worldwide. This can be a particular challenge culturally, as some groups in wealthy and stable nations are rather removed from the experiences of refugees and cannot fathom what it would be like to be robbed not merely of one’s home but also of one’s sense of security, even one’s country, by political turmoil or natural disaster.

In one such speech marking World Refugee Day, Jolie explained:

I’m here today to say that refugees are not numbers. They are not even just refugees. They are mothers, and daughters, and fathers, and sons. They are farmers, teachers, doctors, engineers. They’re individuals, all. And most of all they are survivors, each one with a remarkable story that tells of resilience in the face of great loss. They are the most impressive people I have ever met. And they are also some of the world’s most vulnerable. Stripped of home and country, refugees are buffeted from every ill wind that blows across this planet (Jolie, 2009).

By evoking American values like family, individualism, and hard work in her appeal for assistance for refugees worldwide, Jolie establishes that helping refugees is an ethical goal that her American audience should commit to. By noting that refugees are mothers, daughters, doctors, teachers, and so on, she engages her audience members’ emotions and reminds them that victims are just like the rest of us—people with families, professions, and lives that matter.

Jolie follows up by detailing the kindness, generosity, and character she has seen in the refugees she has met during her charitable work. In this way, she puts a human face on the plight of refugees while also establishing her own credibility, showing she is not merely a movie star lending her face to a cause: she is on the ground working for the change she is advocating.

As a global superstar (as well as a spokesperson for an international organization), Jolie must also bear in mind that her audience is rarely culturally homogenous. Whether she is addressing a small group of world leaders (as she did when speaking at a meeting of the G8 in 2013) or a large crowd in the United States, she is aware that her message will be viewed by people all over the world. Some of them may be involved in international efforts for change and awareness; others are simply interested in what she says because she is, after all, a famous actress. Among those stargazers, her example is an inspiration: she effectively combines the important elements of persuasion to shed light on a co-culture that listeners might otherwise have ignored.

Think About This

  1. Many celebrities (including Ricky Martin, Selena Gomez, David Beckham, and Serena Williams) work with the United Nations as goodwill ambassadors for a variety of specific causes. Why do you think that the United Nations seeks their help? Why would a famous actor or singer be more persuasive than, say, a journalist or a medical doctor?

    Question

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    Many celebrities (including Ricky Martin, Selena Gomez, David Beckham, and Serena Williams) work with the United Nations as goodwill ambassadors for a variety of specific causes. Why do you think that the United Nations seeks their help? Why would a famous actor or singer be more persuasive than, say, a journalist or a medical doctor?
  2. What kinds of cultural values speak to you in a persuasive speech? Do you think that Jolie’s focus on resilience and individuals would be as crucial in a more collectivist culture?

    Question

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    What kinds of cultural values speak to you in a persuasive speech? Do you think that Jolie’s focus on resilience and individuals would be as crucial in a more collectivist culture?
  3. Do many Americans dismiss the plight of refugees as something that is not a problem? Does putting a human face on displaced people make them seem more real? How else might Jolie make a largely American audience feel more connected to refugees?

    Question

    46O/GvlXlao=
    Do many Americans dismiss the plight of refugees as something that is not a problem? Does putting a human face on displaced people make them seem more real? How else might Jolie make a largely American audience feel more connected to refugees?