Slave Labor and African American Culture

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Colonial Slave Drum An African in Virginia made this drum sometime around the beginning of the eighteenth century. The drum combines deerskin and cedarwood from North America with African workmanship and designs. During rare moments of respite from their work, slaves played drums to accompany dances learned in Africa. They also drummed out messages from plantation to plantation.
© The Trustees of the British Museum/Art Resource, NY.

Southern planters expected slaves to work from sunup to sundown and beyond. George Washington wrote that his slaves should “be at their work as soon as it is light, work til it is dark, and be diligent while they are at it.” The conflict between the masters’ desire for maximum labor and the slaves’ reluctance to do more than necessary made the threat of physical punishment a constant for eighteenth-century slaves. Masters preferred black slaves to white indentured servants, not just because slaves served for life but also because colonial laws did not limit the force masters could use against slaves. Slaves often resisted their masters’ demands, one traveler noted, because of their “greatness of soul”—their stubborn unwillingness to conform to their masters’ definition of them as merely slaves.

Some slaves escalated their acts of resistance to direct physical confrontation with the master, the mistress, or an overseer. But a hoe raised in anger, a punch in the face, or a desperate swipe with a knife led to swift and predictable retaliation by whites. Throughout the southern colonies, the balance of physical power rested securely in the hands of whites.

Rebellion occurred, however, at Stono, South Carolina, in 1739. A group of about twenty slaves attacked a country store, killed the two storekeepers, and confiscated the store’s guns, ammunition, and powder. Enticing other slaves to join, the group plundered and burned more than half a dozen plantations and killed more than twenty white men, women, and children. A mounted force of whites quickly suppressed the rebellion. They placed the rebels’ heads atop mileposts along the main road, grim reminders of the consequences of rebellion. The South Carolina legislature enacted a draconian slave code in 1740 to punish with the utmost severity enslaved “negroes from the coast of Africa who are generally of a barbarous and savage disposition.” The Stono Rebellion illustrated that eighteenth-century slaves had no chance of overturning slavery and very little chance of defending themselves in any bold strike for freedom. No other similar uprisings occurred during the colonial period.

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Slaves maneuvered constantly to protect themselves and to gain a measure of autonomy within the boundaries of slavery. In Chesapeake tobacco fields, most slaves were subject to close supervision by whites. In the lower South, the task system gave slaves some control over the pace of their work and some discretion in the use of the rest of their time. A “task” was typically defined as a certain area of ground to be cultivated or a specific job to be completed. A slave who completed the assigned task might use the remainder of the day, if any, to work in a garden, fish, hunt, spin, weave, sew, or cook. When masters sought to boost productivity by increasing tasks, slaves did what they could to defend their customary work assignments.

Eighteenth-century slaves also planted the roots of African American lineages that branch out to the present. Slaves valued family ties, and, as in West African societies, kinship structured slaves’ relations with one another. Slave parents often gave a child the name of a grandparent, aunt, or uncle. In West Africa, kinship identified a person’s place among living relatives and linked the person to ancestors in the past and to descendants in the future. Newly imported African slaves usually arrived alone, like Equiano, without kin. Often slaves who had traversed the Middle Passage on the same ship adopted one another as “brothers” and “sisters.” Likewise, as new Negroes were seasoned and incorporated into existing slave communities, established families often adopted them as fictive kin.

When possible, slaves expressed many other features of their West African origins in their lives on New World plantations. They gave their children African names such as Cudjo or Quash, Minda or Fuladi. They grew food crops they had known in Africa, such as yams and okra. They constructed huts with mud walls and thatched roofs similar to African residences. They fashioned banjos, drums, and other musical instruments, held dances, and observed funeral rites that echoed African practices. In these and many other ways, slaves drew upon their African heritages as much as the oppressive circumstances of slavery permitted.