The Southern Lady and Feminine Virtues.

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The Southern Lady and Feminine Virtues. Like their northern counterparts, southern ladies were expected to possess the feminine virtues of piety, purity, chastity, and obedience within the context of marriage, motherhood, and domesticity. Countless toasts praised the southern lady as the perfect complement to her husband, the commanding patriarch. She was physically weak, "formed only for the less laborious occupations," and thus dependent on male protection. To gain this protection, she exhibited modesty and delicacy, possessed beauty and grace, and cultivated refinement and charm.

Chivalry — the South's romantic ideal of male-female relationships — glorified the lady while it subordinated her. Chivalry's underlying assumptions about the weakness of women and the protective authority of men resembled the paternalistic defense of slavery. Just as the slaveholder's mastery was written into law, so too were the paramount rights of husbands. Married women lost almost all their property rights to their husbands. Women throughout the nation found divorce difficult, but southern women found it almost impossible.

chivalry

The South's romantic ideal of male-female relationships. Chivalry's underlying assumptions about the weakness of white women and the protective authority of men resembled the paternalistic defense of slavery.

Daughters of planters confronted chivalry's demands at an early age. At their private boarding schools, they learned to be southern ladies, reading literature, learning languages, and studying the appropriate drawing-room arts. Elite women began courting young and married early. Kate Carney exaggerated only slightly when she despaired in her diary: "Today, I am seventeen, getting quite old, and am not married." Yet marriage meant turning their fates over to their husbands and making enormous efforts to live up to their region's lofty ideal.

Proslavery advocates claimed that slavery freed white women from drudgery. Surrounded "by her domestics," declared Thomas R. Dew, "she ceases to be a mere beast of burden" and "becomes the cheering and animating center of the family circle." In reality, however, having servants required the plantation mistress to work long hours. She managed the big house, directly supervising as many as a dozen slaves. But unlike her husband, the mistress had no overseer. All house servants answered directly to her. She assigned them tasks each morning, directed their work throughout the day, and punished them when she found fault.

Whereas masters used their status as slaveholders as a springboard into public affairs, mistresses' lives were circumscribed by the plantation. Masters left when they pleased, but mistresses needed chaperones to travel. When they could, they went to church, but women spent most days at home, where they often became lonely. In 1853, Mary Kendall wrote how much she enjoyed her sister's letter: "For about three weeks I did not have the pleasure of seeing one white female face, there being no white family except our own upon the plantation."

No feature of plantation life generated more anguish among mistresses than miscegenation. Mary Boykin Chesnut of Camden, South Carolina, confided in her diary, "Ours is a monstrous system, a wrong and iniquity. Like the patriarchs of old, our men live all in one house with their wives and their concubines; and the mulattos one sees in every family partly resemble the white children. Any lady is ready to tell you who is the father of all the mulatto children in everybody's household but her own. Those, she seems to think drop from the clouds."

Visual Activity

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THE PRICE OF BLOOD
This 1868 painting by T. S. Noble depicts a transaction between a slave trader and a rich planter. The trader nervously pretends to study the contract, while the planter waits impatiently for the completion of the sale. The planter's mulatto son, who is being sold, looks away. The children of white men and slave women were property and could be sold by the father/master. Morris Museum of Art, Augusta, GA.
READING THE IMAGE: Who is absent from the painting, and what does this suggest about the tragedy of miscegenation?
CONNECTIONS: The white, male planter represented the pinnacle of southern society. How did white women, black men, and black women fit into this strict hierarchy?

But most planters' wives, including Chesnut, accepted slavery. After all, the privileged life of a mistress rested on slave labor as much as a master's did. Mistresses enjoyed the rewards of their class and race. But these rewards came at a price. Still, the heaviest burdens of slavery fell not on those who lived in the big house, but on those who toiled to support them.