1. What made Gentile Bellini's Portrait of Mehmed II (Visual Source 12.1) a particularly rare or exotic item at the Ottoman court?
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2. Which of the following in The Venetian Ambassador Visits Damascus (Visual Source 12.2) makes it clear that this is a Muslim city?
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3. What can reasonably be concluded about attitudes towards Islamic thought in Renaissance Europe from a careful examination of “Aristotle and Averroes” (Visual Source 12.3)?
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4. Which of the following visual sources in “Islam and Renaissance Europe” is least positive in its depiction of Islamic society?
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5. Which of the following accurately reflects the depiction of Islam in St. George Baptizing the Pagans of Jerusalem (Visual Source 12.4) as compared to Giovanni da Modena, Muhammad in Hell (Visual Source 12.5)?
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