Chapter 16: Considering the Evidence Visual Sources Quiz

Question

1. What is the significance of members of all Three Estates hunting rabbits in Visual Source 16.1, “The Joyous Accord”?

A.
B.
C.
D.

Correct. The answer is c. Before the Revolution, peasants were harshly punished for hunting rabbits.
Incorrect. The answer is c. Before the Revolution, peasants were harshly punished for hunting rabbits.

Question

2. In what way are Visual Sources 16.1 and 16.2 similar?

A.
B.
C.
D.

Correct. The answer is d. These two images represent distinct pre-Revolutionary social groups primarily through dress.
Incorrect. The answer is d. These two images represent distinct pre-Revolutionary social groups primarily through dress.

Question

3. What sort of future does Visual Source 16.3 depict for the Catholic Church in France?

A.
B.
C.
D.

Correct. The answer is c. The press metaphorically removes the wealth from the church represented by the clergy; but the scene also indicates that a smaller leaner church would continue to operate, as represented by the thin priests exiting the scene following their pressing.
Incorrect. The answer is c. The press metaphorically removes the wealth from the church represented by the clergy; but the scene also indicates that a smaller leaner church would continue to operate, as represented by the thin priests exiting the scene following their pressing.

Question

4. What is an important difference between Visual Source 16.4 and the other images in this collection?

A.
B.
C.
D.

Correct. The answer is d. This image was drawn by a British artist for a British audience.
Incorrect. The answer is d. This image was drawn by a British artist for a British audience.

Question

5. Visual Sources 16.1, 16.2 and 16.3 depict which Enlightenment ideal?

A.
B.
C.
D.

Correct. The answer is a. Visual Source 16.1 depicts a social order without privilege, while Visual Sources 16.2 and 16.3 depict the struggle against privilege in society.
Incorrect. The answer is a. Visual Source 16.1 depicts a social order without privilege, while Visual Sources 16.2 and 16.3 depict the struggle against privilege in society.