Not all was poetry and contemplation of nature in the leisure-time activities of China’s elite. Nor were men and women always so strictly segregated as the preceding visual sources may suggest. Visual Source 8.4 illustrates another side of Chinese elite life. These images are part of a long tenth-century scroll painting entitled The Night Revels of Han Xizai. Apparently, the Tang dynasty emperor Li Yu became suspicious that one of his ministers, Han Xizai, was overindulging in suspicious night-long parties in his own home. He therefore commissioned the artist Gu Hongzhong to attend these parties secretly and to record the events in a painting, which he hoped would shame his wayward but talented official into more appropriate and dignified behavior. The entire scroll shows men and women together, sometimes in flirtatious situations, while open sleeping areas suggest sexual activity.
What kinds of entertainment were featured at this gathering?
What aspects of these parties shown in the scroll paintings might have caused the emperor some concern? Refer back to the female musicians shown in Visual Source 8.2, which derives from the same painting. In what respects might these kinds of gatherings run counter to Confucian values?
How are women portrayed in these images? In what ways are they relating to the men in the paintings?