3. Which of the following features of Clothing and Status in Colonial Mexico (Source 14.4) may have been included because it helped to identify the casta of the figure?
4. What detail in Tea and Porcelain in Europe (Source 14.1) provides evidence that Chinese manufacturers were producing porcelain specifically for the European market?
5. Which of the following is evidence that the artist who drew An Ottoman Coffeehouse (Source 14.3) intended to convey a positive image of such establishments?