In both the coastal and highland regions of Peru, archeologists have uncovered numerous local ceremonial centers or temple complexes, dating to between 2000 and 1000 B.C.E. Then around 900 B.C.E., one of them, situated in the Andean highlands at a village called Chavín (cha-
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What kind of influence did Chavín exert in the Andes region?
By perhaps 750 B.C.E., this small center had become a town of 2,000 to 3,000 people, with clear distinctions between an elite class, who lived in stone houses, and ordinary people, with adobe dwellings. An elaborate temple complex included numerous galleries, hidden passageways, staircases, ventilation shafts, drainage canals, and distinctive carvings. Chavín artwork suggests influences from both the desert coastal region and the rain forests. Major deities were represented as jaguars, crocodiles, and snakes, all of them native to the Amazon basin. Shamans or priests likely made use of the San Pedro cactus, native to the Andes Mountains, employing its hallucinogenic properties to penetrate the supernatural world. Some of the fantastic artwork of this civilization—
Over the next several centuries, this blended religious movement proved attractive across much of Peru and beyond, as Chavín-