9.4 The Destruction of the Idols
In 630, just six years after the battle at Badr, Muhammad and some 10,000 soldiers triumphantly entered Mecca, almost completely without violence, and in a posture of reconciliation rather than revenge. In sharp contrast to traditional Arab practice, Muhammad issued a general amnesty for those who had opposed him. Then he turned his attention to the religious rationale of his entire movement. Riding his favorite camel, Muhammad circled the Kaaba seven times, shouting “Allahu Akbar” (God is greater), thus declaring the triumph of the Believer’s Movement. Refusing to enter the Kaaba until it had been purified from its idolatry, Muhammad ordered its 360 idols and paintings removed. He then smashed each one, reciting a Quranic verse: “The truth has come and falsehood has vanished away.” Muslim sources record that the Prophet invited his cousin and son-in-law Ali, the first male convert to the new faith, to stand on his shoulders to strike down the highest idols. Thus the Kaaba was cleansed and, in Muslim thinking, restored to its original purpose as a focal point for the worship of Allah alone.
Source 9.4, a fifteenth-century Persian image, portrays this dramatic event, showing Muhammad with Ali on his shoulders, both enveloped in holy fire, smashing the offensive idols while their followers look on.
- What view of pre-Islamic Arab religion do the images of the idols suggest?
- What fundamental religious teachings or spiritual truths does this painting seek to convey? How might you understand the Muslim concern with idolatry?
- Some traditions suggest that Muhammad ordered pictures of Mary and Jesus within the Kaaba to be left intact. What purpose might this tradition serve?
Source 9.4 The Destruction of the Idols Miniature from “Raudat as-Safa” (“Garden of Purity”), by Mir Havand (d. 1489), Iran: Shiraz, ca. 1590/bpk, Berlin/Museum für Islamische Kunst, Staatliche Museen, Berlin, Germany/Photo: Wolfgang Selbach/Art Resource, NY