Source 6.4: The Ball Game

Among the most well-known and intriguing features of Maya life was a ball game in which teams of players, often two on a side, sought to control a rubber ball, using only their thighs, torsos, and upper arms to make it hit a marker or ring. Deeply rooted in Maya mythology, the game had long been popular throughout the Maya territory and elsewhere in Mesoamerica. On one level, it was sport, often played simply for entertainment and recreation. But the game also reflected and symbolized the prevalence of warfare among Maya cities. As one recent account put it: “The game re-enacted the paradigms for war and sacrifice, where the skillful and blessed triumph and the weak and undeserving are vanquished.”3 The ball game was yet another occasion for the shedding of blood, as losing players, often war captives, were killed, sometimes bound in ball-like fashion and rolled down the steps of the court to their death. Thus the larger mythic context of the ball game was the eternal struggle of life and death, so central to Maya religious thinking.

Source 6.4, a rollout of a vase dating from the seventh or eighth century C.E., depicts the ball game in action. Notice the heavy protective padding around the waist as well as the wrappings around one knee, foot, and upper arm of the two lead players. This equipment helped protect participants from the ball, which typically weighed seven to eight pounds. The two players on each side echo the Hero Twins of Maya mythology, famous ball players who triumphed over the lords of the underworld in an extended game and who were later transformed triumphantly into the sun and moon. The glyphs accompanying this image name two kings of adjacent cities, suggesting that the game may have been played on occasion as a substitute for warfare between rival cities.

Questions to consider as you examine the source:

The Ball Game

image
The Ball GameRollout Photograph © Justin Kerr, File no. K 2803

Notes

  1. Mary Miller and Simon Martin, Courtly Art of the Ancient Maya (New York: Thames and Hudson, 2004), 63.