Advertising & Effects on Children
Agenda Setting & Gatekeeping
Alternative Strategies for Music Marketing
Analyzing Text
Anne Rice, On Becoming a Writer
Anne Rice, On Dialogue in Fiction
Anne Rice, On Research and the Novel
Anne Rice, On the Novel
Anne Rice, On Transition in Fiction
Argument and Persuasion: Academic Writers
Argument and Persuasion: Opposing Viewpoints
Argument and Persuasion: Real-World Writers
Argument & the Ad Hominem Fallacy
Based On: Making Books into Movies
Bloggers & Legal Rights
Books in the New Millennium
Carl Hiaasen, On Analyzing His Novels
Carl Hiaasen, On Character and Writing from Observation
Carl Hiaasen, On Creating Fictional Characters
Carl Hiaasen, On Crime, Novels, and Satire
Carl Hiaasen, On Drafting and Revising His Novels
Carl Hiaasen, On Pacing the Action in Crime Novels
Changes in Prime-Time
Chitra Banerjee Divakaruni, On Character and Dialogue in Fiction
Chitra Banerjee Divakaruni, On Simile in Fiction
Chitra Banerjee Divakaruni, On the American Dream as a Theme in Fiction
Chitra Banerjee Divakaruni, On Voice in Academic and Creative Writing
Chitra Banerjee Divakaruni, On Voice in Fiction
Collaboration: Real-World Writers
Collaboration: Student Writers
Compare and Contrast
Comparison and Contrast: Real-World Writers
Definition: Real-World Writers
Definition: Student Writers
Description: Academic Writers
Discourse Communities: Academic Writers
Double Play: The New Era of Sports Reporting
Ethos, Logos and Pathos: Academic Writers
Everything's An Argument
Fake News/Real News: A Fine Line
Filling the News Hole: Video News Releases
Frank McCourt, On Getting Started as a Writer
Frank McCourt, On Voice and Storytelling
Frank McCourt's Voice in Angela's Ashes
Getting Feedback: Real-World Writers
Getting Feedback: Student Writers
Getting Started: Freewriting
Getting Started: Real-World Writers
Getting Started: Student Writers
Give and Take: Public Relations and Journalism
Giving Feedback: Student Writers
Ha Jin, On Character in Fiction
Ha Jin, On Comedy and Meaning in Fiction
Ha Jin, On Description and Detail in Fiction
Ha Jin, On Persistence and Writing Fiction
Ha Jin, On Tension and Conflict in Fiction
Highlighting and Annotating
Humor and Persuasion: Real-World Writers
I Don't Like Reading
I Don't Really Want to Join a Group
I Think I May Drop Out
Jane Smiley, On Character and Point of View in Fiction
Jane Smiley, On Her Novel Horse Heaven
Jane Smiley, On the Challenges of Writing Fiction
Jane Smiley, On the Structure of the Novel
Jane Smiley, On Two Types of Novelists
Journalism Ethics: What News Is Fit to Print?
Magazine Specialization Today
Media Effects Research
Mike Rose, On Blogging
Mike Rose, On Creativity, Mixing Genres, and Lives on the Boundary
Mike Rose, On Writing Non-Fiction
Mike Rose, On Writing Poetry and Poetic Prose
More than a Movie: Social Issues and Film
Murky Waters: Debating the Role of Citizen Journalism
Narration & Description: Real-World Writers
Narration & Description: Student Writers
Narration: Real-World Writers
Narrative Structure
Narrowcasting in Magazines
Net Neutrality
Newspapers and the Internet: Convergence
Organizing Your Writing: Clustering
Organizing Your Writing: Outlines
Plagiarism in the Remix Culture
Point of View: Real-World Writing
Proofreading an Essay Exam: Student Writers
Radio: Yesterday, Today, and Tomorrow
Reading Critically: Real-World Writers
Reading Critically: Student Writers
Recording Music Today
Researched Writing: Choosing a Topic
Researched Writing: Citing Sources
Researched Writing: Fact vs. Opinion
Researched Writing: Finding Sources
Researched Writing: Integrating Sources
Researched Writing: Summarizing and Paraphrasing
Revising Is Dumb
Revising: Real-World Writers
Revising: Student Writers
Robert Olen Butler, On Becoming a Fiction Writer
Robert Olen Butler, On Reading Literature as a Writer
Robert Olen Butler, On Responding to Literature
Robert Olen Butler, On Voice and Narrators in Fiction
Robert Olen Butler, On Writing Fiction and Creating Characters
Studying for an Essay Exam: Student Writers
Sue Grafton, On Conducting Research for Her Novels
T.Coraghessan Boyle, On Beginning to Write Fiction
T. Coraghessan Boyle, On Comedy in Fiction
T. Coraghessan Boyle, On Creativity and Writing
T.Coraghessan Boyle, On Research and Historical Fiction
T.Coraghessan Boyle, On Style in Fiction
T. Coraghessan Boyle, On What Literature Does
Tablets, Technology, and the Classroom
Television Networks Evolve: Cable, Satellite, Broadband
The Contemporary Journalist: Pundit or Reporter?
The Money Behind The Media
The Power of Images: Amy Goodman on Emmett Till
The Thesis Statement: Real-World Writers
Thinking Critically
Turning the Page: Books Go Digital
User Generated Content
Voice: Academic Writers
Voice: Real-World Writers
Voice: Student Writers
Wally Lamb, On Becoming a Writer
Wally Lamb, On Character and Theme
Wally Lamb, On Creating Plot and Character in Fiction
Wally Lamb, On Revising Fiction
Wally Lamb, On Storytelling
Why Proofreading Matters
Why Research Matters
Why Research Matters: Real-World Writers
Why Writing Matters: Real-World Writers
William Gibson, On Becoming a Science Fiction Writer
William Gibson, On Collaboration and Science Fiction
William Gibson, On Creating Characters and Plot
William Gibson, On Creating Tension in Science Fiction
William Gibson, On How He Writes a Novel
William Gibson, On Inventing the Word Cyberspace
William Gibson, On Inventing Words and His Early Science Fiction
William Gibson, On Research and Science Fiction
William Gibson, On Writing Narrative and Science Fiction
Word Choice: Real-World Writers
Writer's Block
Write Yourself or Be Written
Writing Beyond the English Classroom
Writing Doesn't Matter
Writing for a Deadline: Real-World Writers
Writing for an Essay Exam: Student Writers
Writing in the Disciplines
Writing to Explain: Academic Writers
Writing to Explain: Real-World Writers