Click on the MLA in-text citation that is handled correctly.
For help with this exercise, see MLA in-text citations.
Example
1 of 10
◯ | Als describes Cat Power as “a storyteller . . . [who] cares more about how she says something than about what she says.” (148) |
◯ | Als describes Cat Power as “a storyteller . . . [who] cares more about how she says something than about what she says” (148). |
2 of 10
◯ | Kerman and Tomlinson assert that punk rockers “reacted against the commercial flashiness of much rock with what we might call an anti-aesthetic: All expression was possible, including no expression. All musical expertise was acceptable, including none” (420). |
◯ | Kerman asserts that punk rockers “reacted against the commercial flashiness of much rock with what we might call an anti-aesthetic: All expression was possible, including no expression. All musical expertise was acceptable, including none” (420). |
3 of 10
◯ | In his album The Rising, Bruce Springsteen elevates his typical working-class subjects to the status of heroes in the post-September 11 world (Gates; Santoro). |
◯ | In his album The Rising, Bruce Springsteen elevates his typical working-class subjects to the status of heroes in the post-September 11 world (Gates and Santoro). |
4 of 10
◯ | One startling description of fiddler Ashley MacIsaac begins, “Although wrecking a hotel room is standard rock-star behavior, it is unusual for the instrument of destruction to be a bucketful of freshly cooked lobsters” (Mead 281). |
◯ | One startling description of fiddler Ashley MacIsaac begins, “Although wrecking a hotel room is standard rock-star behavior, it is unusual for the instrument of destruction to be a bucketful of freshly cooked lobsters” (Guralnick and Wolk 281). |
5 of 10
◯ | Bangs argues that he sees Elvis Presley not “as a tragic figure . . . [but] more like the Pentagon, a giant armored institution nobody knows anything about except that its power is legendary” (623). |
◯ | Bangs argues that he sees Elvis Presley not “as a tragic figure . . . [but] more like the Pentagon, a giant armored institution nobody knows anything about except that its power is legendary” (“Where Were You” 623). |
6 of 10
◯ | The Wiggin sisters grew up in Fremont, New Hampshire. Orlean notes that a town historian once wrote about Fremont that “for the most part, death, sickness, disease, accidents, bad weather, loneliness, strenuous hard work, insect-infested foods, prowling predatory animals, and countless inconveniences marked day-to-day existence” (136). |
◯ | The Wiggin sisters grew up in Fremont, New Hampshire. Orlean notes that a town historian once wrote about Fremont that “for the most part, death, sickness, disease, accidents, bad weather, loneliness, strenuous hard work, insect-infested foods, prowling predatory animals, and countless inconveniences marked day-to-day existence” (qtd. in Orlean 136). |
7 of 10
◯ | Ratliff notes that Lincoln Center’s jazz concerts have been held at Alice Tully Hall and Avery Fisher Hall, “respectable cultural landmarks that are nevertheless physically hostile to the sound of jazz percussion” (E5). |
◯ | Ratliff notes that Lincoln Center’s jazz concerts have been held at Alice Tully Hall and Avery Fisher Hall, “respectable cultural landmarks that are nevertheless physically hostile to the sound of jazz percussion” (E1+). |
8 of 10
◯ | Wyman maintains that “if you were a rock-loving youth in America’s . . . Sun Belt in the mid-1970s, the Ramones gave you your first taste of what a sensation was.” |
◯ | Wyman maintains that “if you were a rock-loving youth in America’s . . . Sun Belt in the mid-1970s, the Ramones gave you your first taste of what a sensation was” (“Joey Ramone”). |
9 of 10
◯ | While U2’s music is infused with religious imagery and explicitly embraces Christian themes, the band’s hard-living lifestyle makes “some pietistic Christians . . . question the band’s beliefs” (Christian Century 12). |
◯ | While U2’s music is infused with religious imagery and explicitly embraces Christian themes, the band’s hard-living lifestyle makes “some pietistic Christians . . . question the band’s beliefs” (“U2’s Spiritual Journey” 12). |
10 of 10
◯ | Wikipedia notes that the term riot grrl “became an almost meaningless media catchphrase” that was rarely used by artists themselves (Anonymous). |
◯ | Wikipedia notes that the term riot grrl “became an almost meaningless media catchphrase” that was rarely used by artists themselves (“Riot Grrl”). |