5.4

The Devils Thumb

Jon Krakauer

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John Storey/The LIFE Images Collection/Getty Images

Writer Jon Krakauer (b. 1954) has been a risk taker and adventurer most of his life. The author of the highly acclaimed account of a disastrous attempt to climb Mount Everest, Into Thin Air, Krakauer spent much of his own youth climbing various mountains around the world, the accounts of which were collected in Eiger Dreams: Ventures among Men and Mountains, from which this narrative is taken. Krakauer is also the author of Into the Wild, the true story of the life and death of Chris McCandless, a young man who tried to live on his own in the backcountry of Alaska, and died as a result. Rather than simply celebrating the accomplishments of adventurers, Krakauer examines the risks and contradictions of trying to find yourself by going toe-to-toe with nature, concluding in Into the Wild that “mountains make poor receptacles for dreams.”

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By the time I reached the interstate I was having trouble keeping my eyes open. I’d been okay on the twisting two-lane blacktop between Fort Collins and Laramie, but when the Pontiac eased onto the smooth, unswerving pavement of I-80, the soporific hiss of the tires began to gnaw at my wakefulness like ants in a dead tree.

That afternoon, after nine hours of humping 2 X 10s and pounding recalcitrant nails, I’d told my boss I was quitting: “No, not in a couple of weeks, Steve; right now was more like what I had in mind.” It took me three more hours to clear my tools and other belongings out of the rust-stained construction trailer that had served as my home in Boulder. I loaded everything into the car, drove up Pearl Street to Tom’s Tavern, and downed a ceremonial beer. Then I was gone.

At 1 a.m., thirty miles east of Rawlins, the strain of the day caught up to me. The euphoria that had flowed so freely in the wake of my quick escape gave way to overpowering fatigue; suddenly I felt tired to the bone. The highway stretched straight and empty to the horizon and beyond. Outside the car the night air was cold, and the stark Wyoming plains glowed in the moonlight like Rousseau’s painting of the sleeping gypsy. I wanted very badly just then to be that gypsy, conked out on my back beneath the stars. I shut my eyes — just for a second, but it was a second of bliss. It seemed to revive me, if only briefly. The Pontiac, a sturdy behemoth from the Eisenhower years, floated down the road on its long-gone shocks like a raft on an ocean swell. The lights of an oil rig twinkled reassuringly in the distance. I closed my eyes a second time, and kept them closed a few moments longer. The sensation was sweeter than sex.

A few minutes later I let my eyelids fall again. I’m not sure how long I nodded off this time — it might have been for five seconds, it might have been for thirty — but when I awoke it was to the rude sensation of the Pontiac bucking violently along the dirt shoulder at seventy miles per hour. By all rights, the car should have sailed off into the rabbitbrush and rolled. The rear wheels fishtailed wildly six or seven times, but I eventually managed to guide the unruly machine back onto the pavement without so much as blowing a tire, and let it coast gradually to a stop. I loosened my death grip on the wheel, took several deep breaths to quiet the pounding in my chest, then slipped the shifter back into drive and continued down the highway.

5 Pulling over to sleep would have been the sensible thing to do, but I was on my way to Alaska to change my life, and patience was a concept well beyond my twenty-three-year-old ken.

Sixteen months earlier I’d graduated from college with little distinction and even less in the way of marketable skills. In the interim an off-again, on-again four-year relationship — the first serious romance of my life — had come to a messy, long-overdue end; nearly a year later, my love life was still zip. To support myself I worked on a house-framing crew, grunting under crippling loads of plywood, counting the minutes until the next coffee break, scratching in vain at the sawdust stuck in perpetuum to the sweat on the back of my neck. Somehow, blighting the Colorado landscape with condominiums and tract houses for three-fifty an hour wasn’t the sort of career I’d dreamed of as a boy.

Late one evening I was mulling all this over on a barstool at Tom’s, picking unhappily at my existential scabs, when an idea came to me, a scheme for righting what was wrong in my life. It was wonderfully uncomplicated, and the more I thought about it, the better the plan sounded. By the bottom of the pitcher its merits seemed unassailable. The plan consisted, in its entirety, of climbing a mountain in Alaska called the Devils Thumb.

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The Devils Thumb is a prong of exfoliated diorite that presents an imposing profile from any point of the compass, but especially so from the north: its great north wall, which had never been climbed, rises sheer and clean for six thousand vertical feet from the glacier at its base. Twice the height of Yosemite’s El Capitan, the north face of the Thumb is one of the biggest granitic walls on the continent; it may well be one of the biggest in the world. I would go to Alaska, ski across the Stikine Icecap to the Devils Thumb, and make the first ascent of its notorious nordwand. It seemed, midway through the second pitcher, like a particularly good idea to do all of this solo.

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Henri Rousseau, The Sleeping Gypsy, 1897. Oil on canvas.
Why do you think Krakauer refers to this particular painting in his narrative?
Digital Image © The Museum of Modern Art/Licensed by SCALA/Art Resource, NY

Writing these words more than a dozen years later, it’s no longer entirely clear just how I thought soloing the Devils Thumb would transform my life. It had something to do with the fact that climbing was the first and only thing I’d ever been good at. My reasoning, such as it was, was fueled by the scattershot passions of youth, and a literary diet overly rich in the works of Nietzsche, Kerouac, and John Menlove Edwards — the latter a deeply troubled writer/psychiatrist who, before putting an end to his life with a cyanide capsule in 1958, had been one of the preeminent British rock climbers of the day.

10 Dr. Edwards regarded climbing as a “psycho-neurotic tendency” rather than sport; he climbed not for fun but to find refuge from the inner torment that characterized his existence. I remember, that spring of 1977, being especially taken by a passage from an Edwards short story titled “Letter From a Man”:

So, as you would imagine, I grew up exuberant in body but with a nervy, craving mind: It was wanting something more, something tangible. It sought for reality intensely, always if it were not there . . .

But you see at once what I do. I climb.

To one enamored of this sort of prose, the Thumb beckoned like a beacon. My belief in the plan became unshakeable. I was dimly aware that I might be getting in over my head, but if I could somehow get to the top of the Devils Thumb, I was convinced, everything that followed would turn out all right. And thus did I push the accelerator a little closer to the floor and, buoyed by the jolt of adrenaline that followed the Pontiac’s brush with destruction, speed west into the night.

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. . .

You can’t actually get very close to the Devils Thumb by car. The peak stands in the Boundary Ranges on the Alaska–British Columbia border, not far from the fishing village of Petersburg, a place accessible only by boat or plane. There is regular jet service to Petersburg, but the sum of my liquid assets amounted to the Pontiac and two hundred dollars in cash, not even enough for one-way airfare, so l took the car as far as Gig Harbor, Washington, then hitched a ride on a north-bound seine boat that was short on crew. Five days out, when the Ocean Queen pulled into Petersburg to take on fuel and water, I jumped ship, shouldered my backpack, and walked down the dock in a steady Alaskan rain.

Back in Boulder, without exception, every person with whom I’d shared my plans about the Thumb had been blunt and to the point: I’d been smoking too much pot, they said; it was a monumentally bad idea. I was grossly overestimating my abilities as a climber, I’d never be able to hack a month completely by myself, I would fall into a crevasse and die.

The residents of Petersburg reacted differently. Being Alaskans, they were accustomed to people with screwball ideas; a sizeable percentage of the state’s population, after all, was sitting on half-baked schemes to mine uranium in the Brooks Range, or sell icebergs to the Japanese, or market mail-order moose droppings. Most of the Alaskans I met, if they reacted at all, simply asked how much money there was in climbing a mountain like the Devils Thumb.

15 In any case, one of the appealing things about climbing the Thumb — and one of the appealing things about the sport of mountain climbing in general — was that it didn’t matter a rat’s ass what anyone else thought. Getting the scheme off the ground didn’t hinge on winning the approval of some personnel director, admissions committee, licensing board, or panel of stern-faced judges; if I felt like taking a shot at some unclimbed alpine wall, all I had to do was get myself to the foot of the mountain and start swinging my ice axes.

Petersburg sits on an island, the Devils Thumb rises from the mainland. To get myself to the foot of the Thumb it was first necessary to cross twenty-five miles of salt water. For most of a day I walked the docks, trying without success to hire a boat to ferry me across Frederick Sound. Then I bumped into Bart and Benjamin.

Bart and Benjamin were ponytailed constituents of a Woodstock Nation tree-planting collective called the Hodads. We struck up a conversation. I mentioned that I, too, had once worked as a tree planter. The Hodads allowed that they had chartered a floatplane to fly them to their camp on the mainland the next morning. “It’s your lucky day, kid,” Bart told me. “For twenty bucks you can ride over with us. Get you to your [. . .] mountain in style.” On May 3, a day and a half after arriving in Petersburg, I stepped off the Hodads’ Cessna, waded onto the tidal flats at the head of Thomas Bay, and began the long trudge inland.


The Devils Thumb pokes up out of the Stikine Icecap, an immense, labyrinthine network of glaciers that hugs the crest of the Alaskan panhandle like an octopus, with myriad tentacles that snake down, down to the sea from the craggy uplands along the Canadian frontier. In putting ashore at Thomas Bay I was gambling that one of these frozen arms, the Baird Glacier, would lead me safely to the bottom of the Thumb, thirty miles distant.

An hour of gravel beach led to the tortured blue tongue of the Baird. A logger in Petersburg had suggested I keep an eye out for grizzlies along this stretch of shore. “Them bears over there is just waking up this time of year,” he smiled. “Tend to be kinda cantankerous after not eatin’ all winter. But you keep your gun handy, you shouldn’t have no problem.” Problem was, I didn’t have a gun. As it turned out, my only encounter with hostile wildlife involved a flock of gulls who dive-bombed my head with Hitchcockian fury. Between the avian assault and my ursine anxiety, it was with no small amount of relief that I turned my back to the beach, donned crampons, and scrambled up onto the glacier’s broad, lifeless snout.

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20 After three or four miles I came to the snowline, where I exchanged crampons for skis. Putting the boards on my feet cut fifteen pounds from the awful load on my back and made the going much faster besides. But now that the ice was covered with snow, many of the glacier’s crevasses were hidden, making solitary travel extremely dangerous.

In Seattle, anticipating this hazard, I’d stopped at a hardware store and purchased a pair of stout aluminum curtain rods, each ten feet long. Upon reaching the snowline, I lashed the rods together at right angles, then strapped the arrangement to the hip belt on my backpack so the poles extended horizontally over the snow. Staggering slowly up the glacier with my overloaded backpack, bearing the queer tin cross, I felt like some kind of strange Penitente. Were I to break through the veneer of snow over a hidden crevasse, though, the curtain rods would — I hoped mightily — span the slot and keep me from dropping into the chilly bowels or the Baird.

The first climbers to venture onto the Stikine Icecap were Bestor Robinson and Fritz Wiessner, the legendary German-American alpinist, who spent a stormy month in the Boundary Ranges in 1937 but failed to reach any major summits. Wiessner returned in 1946 with Donald Brown and Fred Beckey to attempt the Devils Thumb, the nastiest looking peak in the Stikine. On that trip Fritz mangled a knee during a fall on the hike in and limped home in disgust, but Beckey went back that same summer with Bob Craig and Cliff Schmidtke. On August 25, after several aborted tries and some exceedingly hairy climbing on the peak’s east ridge, Beckey and company sat on the Thumb’s wafer-thin summit tower in a tired, giddy daze. It was far and away the most technical ascent ever done in Alaska, an important milestone in the history of American mountaineering.

In the ensuing decades three other teams also made it to the top of the Thumb, but all steered clear of the big north face. Reading accounts of these expeditions, I had wondered why none of them had approached the peak by what appeared, from the map at least, to be the easiest and most logical route, the Baird. I wondered a little less after coming across an article by Beckey in which the distinguished mountaineer cautioned, “Long, steep icefalls block the route from the Baird Glacier to the icecap near Devils Thumb,” but after studying aerial photographs I decided that Beckey was mistaken, that the icefalls weren’t so big or so bad. The Baird, I was certain, really was the best way to reach the mountain.

For two days I slogged steadily up the glacier without incident, congratulating myself for discovering such a clever path to the Thumb. On the third day, I arrived beneath the Stikine Icecap proper, where the long arm of the Baird joins the main body of ice. Here, the glacier spills abruptly over the edge of a high plateau, dropping seaward through the gap between two peaks in a phantasmagoria of shattered ice. Seeing the icefall in the flesh left a different impression than the photos had. As I stared at the tumult from a mile away, for the first time since leaving Colorado the thought crossed my mind that maybe this Devils Thumb trip wasn’t the best idea I’d ever had.

25 The icefall was a maze of crevasses and teetering seracs1. From afar it brought to mind a bad train wreck, as if scores of ghostly white boxcars had derailed at the lip of the icecap and tumbled down the slope willy-nilly. The closer I got, the more unpleasant it looked. My ten-foot curtain rods seemed a poor defense against crevasses that were forty feet across and two hundred fifty feet deep. Before I could finish figuring out a course through the icefall, the wind came up and snow began to slant hard out of the clouds, stinging my face and reducing visibility to almost nothing.

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In my impetuosity, I decided to carry on anyway. For the better part of the day I groped blindly through the labyrinth in the whiteout, retracing my steps from one dead end to another. Time after time I’d think I’d found a way out, only to wind up in a deep blue cul de sac, or stranded atop a detached pillar of ice. My efforts were lent a sense of urgency by the noises emanating underfoot. A madrigal of cracks and sharp reports — the sort of protests a large fir limb makes when it’s slowly bent to the breaking point — served as a reminder that it is the nature of glaciers to move, the habit of seracs to topple.

As much as I feared being flattened by a wall of collapsing ice, I was even more afraid of falling into a crevasse, a fear that intensified when I put a foot through a snow bridge over a slot so deep I couldn’t see the bottom of it. A little later I broke through another bridge to my waist; the poles kept me out of the hundred-foot hole, but after I extricated myself I was bent double with dry heaves thinking about what it would be like to be lying in a pile at the bottom of the crevasse, waiting for death to come, with nobody even aware of how or where I’d met my end.

Night had nearly fallen by the time I emerged from the top of the serac slope onto the empty, wind-scoured expanse of the high glacial plateau. In shock and chilled to the core, I skied far enough past the icefall to put its rumblings out of earshot, pitched the tent, crawled into my sleeping bag, and shivered myself to a fitful sleep.

Although my plan to climb the Devils Thumb wasn’t fully hatched until the spring of 1977, the mountain had been lurking in the recesses of my mind for about fifteen years — since April 12, 1962, to be exact. The occasion was my eighth birthday. When it came time to open birthday presents, my parents announced that they were offering me a choice of gifts: According to my wishes, they would either escort me to the new Seattle World’s Fair to ride the Monorail and see the Space Needle, or give me an introductory taste of mountain climbing by taking me up the third highest peak in Oregon, a long-dormant volcano called the South Sister that, on clear days, was visible from my bedroom window. It was a tough call. I thought the matter over at length, then settled on the climb.

30 To prepare me for the rigors of the ascent, my father handed over a copy of Mountaineering: The Freedom of the Hills, the leading how-to manual of the day, a thick tome that weighed only slightly less than a bowling ball. Thenceforth I spent most of my waking hours poring over its pages, memorizing the intricacies of pitoncraft and bolt placement, the shoulder stand and the tension traverse. None of which, as it happened, was of any use on my inaugural ascent, for the South Sister turned out to be a decidedly less than extreme climb that demanded nothing more in the way of technical skill than energetic walking, and was in fact ascended by hundreds of farmers, house pets, and small children every summer.

Which is not to suggest that my parents and I conquered the mighty volcano: From the pages and pages of perilous situations depicted in Mountaineering: The Freedom of the Hills, I had concluded that climbing was a life-and-death matter, always. Halfway up the South Sister I suddenly remembered this. In the middle of a twenty-degree snow slope that would be impossible to fall from if you tried, I decided that I was in mortal jeopardy and burst into tears, bringing the ascent to a halt.

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Perversely, after the South Sister debacle my interest in climbing only intensified. I resumed my obsessive studies of Mountaineering. There was something about the scariness of the activities portrayed in those pages that just wouldn’t leave me alone. In addition to the scores of line drawings — most of them cartoons of a little man in a jaunty Tyrolean cap — employed to illustrate arcana like the boot-axe belay and the Bilgeri rescue, the book contained sixteen black-and-white plates of notable peaks in the Pacific Northwest and Alaska. All the photographs were striking, but the one on page 147 was much, much more than that: it made my skin crawl. An aerial photo by glaciologist Maynard Miller, it showed a singularly sinister tower of ice-plastered black rock. There wasn’t a place on the entire mountain that looked safe or secure; I couldn’t imagine anyone climbing it. At the bottom of the page the mountain was identified as the Devils Thumb.

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A view of the still-unclimbed northwest face of the Devils Thumb. Krakauer ascended from the left side, the eastern ascent. The sharp, slightly shorter peak just to the right of the Devils Thumb is called the Cat Ear Spire.
How does the language Krakauer uses to describe this mountain compare with this picture of it?
John Scurlock

From the first time I saw it, the picture — a portrait of the Thumb’s north wall — held an almost pornographic fascination for me. On hundreds — no, make that thousands — of occasions over the decade and a half that followed I took my copy of Mountaineering down from the shelf, opened it to page 147, and quietly stared. How would it feel, I wondered over and over, to be on that thumbnail-thin summit ridge, worrying over the storm clouds building on the horizon, hunched against the wind and dunning cold , contemplating the horrible drop on either side? How could anyone keep it together? Would I, if I found myself high on the north wall, clinging to that frozen rock, even attempt to keep it together? Or would I simply decide to surrender to the inevitable straight away, and jump?

I had planned on spending between three weeks and a month on the Stikine Icecap. Not relishing the prospect of carrying a four-week load of food, heavy winter camping gear, and a small mountain of climbing hardware all the way up the Baird on my back, before leaving Petersburg I paid a bush pilot a hundred and fifty dollars — the last of my cash — to have six cardboard cartons of supplies dropped from an airplane when I reached the foot of the Thumb. I showed the pilot exactly where, on his map, I intended to be, and told him to give me three days to get there; he promised to fly over and make the drop as soon thereafter as the weather permitted.

35 On May 6 I set up a base camp on the Icecap just northeast of the Thumb and waited for the airdrop. For the next four days it snowed, nixing any chance for a flight. Too terrified of crevasses to wander far from camp, I occasionally went out for a short ski to kill time, but mostly I lay silently in the tent — the ceiling was too low to sit upright — with my thoughts, fighting a rising chorus of doubts.

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As the days passed, I grew increasingly anxious. I had no radio, nor any other means of communicating with the outside world. It had been many years since anyone had visited this part of the Stikine Icecap, and many more would likely pass before anyone did so again. I was nearly out of stove fuel, and down to a single chunk of cheese, my last package of ramen noodles, and half a box of Cocoa Puffs. This, I figured, could sustain me for three or four more days if need be, but then what would I do? It would only take two days to ski back down the Baird to Thomas Bay, but then a week or more might easily pass before a fisherman happened by who could give me a lift back to Petersburg (the Hodads with whom I’d ridden over were camped fifteen miles down the impassable, headland-studded coast, and could be reached only by boat or plane).

When I went to bed on the evening of May 10 it was still snowing and blowing hard. I was going back and forth on whether to head for the coast in the morning or stick it out on the icecap, gambling that the pilot would show before I starved or died of thirst, when, just for a moment, I heard a faint whine, like a mosquito. I tore open the tent door. Most of the clouds had lifted, but there was no airplane in sight. The whine returned, louder this time. Then I saw it: a tiny red-and-white speck, high in the western sky, droning my way.

A few minutes later the plane passed directly overhead. The pilot, however, was unaccustomed to glacier flying and he’d badly misjudged the scale of the terrain. Worried about winding up too low and getting nailed by unexpected turbulence, he flew a good thousand feet above me — believing all the while he was just off the deck — and never saw my tent in the flat evening light. My waving and screaming were to no avail; from that altitude l was indistinguishable from a pile of rocks. For the next hour he circled the icecap, scanning its barren contours without success. But the pilot, to his credit, appreciated the gravity of my predicament and didn’t give up. Frantic, I tied my sleeping bag to the end of one of the crevasse poles and waved it for all I was worth. When the plane banked sharply and began to fly straight at me, I felt tears of joy well in my eyes.

The pilot buzzed my tent three times in quick succession, dropping two boxes on each pass, then the airplane disappeared over a ridge and I was alone. As silence again settled over the glacier I felt abandoned, vulnerable, lost. I realized that I was sobbing. Embarrassed, I halted the blubbering by screaming obscenities until I grew hoarse.

40 I awoke early on May 11 to clear skies and the relatively warm temperature of twenty degrees Fahrenheit. Startled by the good weather, mentally unprepared to commence the actual climb, I hurriedly packed up a rucksack nonetheless, and began skiing toward the base of the Thumb. Two previous Alaskan expeditions had taught me that, ready or not, you simply can’t afford to waste a day of perfect weather if you expect to get up anything.

A small hanging glacier extends out from the lip of the icecap, leading up and across the north face of the Thumb like a catwalk. My plan was to follow this catwalk to a prominent rock prow in the center of the wall, and thereby execute an end run around the ugly, avalanche-swept lower half of the face.

The catwalk turned out to be a series of fifty-degree ice fields blanketed with knee-deep powder snow and riddled with crevasses. The depth of the snow made the going slow and exhausting; by the time I front-pointed up the overhanging wall of the uppermost bergschrund,2 some three or four hours after leaving camp, I was whipped. And I hadn’t even gotten to the “real” climbing yet. That would begin immediately above, where the hanging glacier gave way to vertical rock.

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The rock, exhibiting a dearth of holds and coated with six inches of crumbly rime, did not look promising, but just left of the main prow was an inside corner — what climbers call an open book — glazed with frozen melt water. This ribbon of ice led straight up for two or three hundred feet, and if the ice proved substantial enough to support the picks of my ice axes, the line might go. I hacked out a small platform in the snow slope, the last flat ground I expected to feel underfoot for some time, and stopped to eat a candy bar and collect my thoughts. Fifteen minutes later I shouldered my pack and inched over to the bottom of the corner. Gingerly, I swung my right axe into the two-inch-thick ice. It was solid, plastic — a little thinner than I would have liked but otherwise perfect. I was on my way.

The climbing was steep and spectacular, so exposed it made my head spin. Beneath my boot soles, the wall fell away for three thousand feet to the dirty, avalanche-scarred cirque of the Witches Cauldron Glacier. Above, the prow soared with authority toward the summit ridge, a vertical half-mile above. Each time I planted one of my ice axes, that distance shrank by another twenty inches.

45 The higher I climbed, the more comfortable I became. All that held me to the mountainside, all that held me to the world, were six thin spikes of chrome-molybdenum stuck half an inch into a smear of frozen water, yet I began to feel invincible, weightless, like those lizards that live on the ceilings of cheap Mexican hotels. Early on a difficult climb, especially a difficult solo climb, you’re hyperaware of the abyss pulling at your back. You constantly feel its call, its immense hunger. To resist takes a tremendous conscious effort; you don’t dare let your guard down for an instant. The siren song of the void puts you on edge, it makes your movements tentative, clumsy, herky-jerky. But as the climb goes on, you grow accustomed to the exposure, you get used to rubbing shoulders with doom, you come to believe in the reliability of your hands and feet and head. You learn to trust your self-control.

By and by, your attention becomes so intensely focused that you no longer notice the raw knuckles, the cramping thighs, the strain of maintaining nonstop concentration. A trance-like state settles over your efforts, the climb becomes a clear-eyed dream. Hours slide by like minutes. The accrued guilt and clutter of day-to-day existence — the lapses of conscience, the unpaid bills, the bungled opportunities, the dust under the couch, the festering familial sores, the inescapable prison of your genes — all of it is temporarily forgotten, crowded from your thoughts by an overpowering clarity of purpose, and by the seriousness of the task at hand.

At such moments, something like happiness actually stirs in your chest, but it isn’t the sort of emotion you want to lean on very hard. In solo climbing, the whole enterprise is held together with little more than chutzpa, not the most reliable adhesive. Late in the day on the north face of the Thumb, I felt the glue disintegrate with a single swing of an ice axe.

I’d gained nearly seven hundred feet of altitude since stepping off the hanging glacier, all of it on crampon front-points and the picks of my axes. The ribbon of frozen melt water had ended three hundred feet up, and was followed by a crumbly armor of frost feathers. Though just barely substantial enough to support body weight, the rime was plastered over the rock to a thickness of two or three feet, so I kept plugging upward. The wall, however, had been growing imperceptibly steeper, and as it did so the frost feathers became thinner. I’d fallen into a slow, hypnotic rhythm — swing, swing; kick, kick; swing, swing; kick, kick — when my left ice axe slammed into a slab of diorite a few inches beneath the rime.

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I tried left, then right, but kept striking rock. The frost feathers holding me up, it became apparent, were maybe five inches thick and had the structural integrity of stale cornbread. Below was thirty-seven hundred feet of air, and I was balanced atop a house of cards. Waves of panic rose in my throat. My eyesight blurred, I began to hyperventilate, my calves started to vibrate. I shuffled a few feet farther to the right, hoping to find thicker ice, but managed only to bend an ice axe on the rock.

50 Awkwardly, stiff with fear, I started working my way back down. The rime gradually thickened, and after descending about eighty feet I got back on reasonably solid ground. I stopped for a long time to let my nerves settle, then leaned back from my tools and stared up at the face above, searching for a hint of solid ice, for some variation in the underlying rock strata, for anything that would allow passage over the frosted slabs. I looked until my neck ached, but nothing appeared. The climb was over. The only place to go was down.

Heavy snow and incessant winds kept me inside the tent for most of the next three days. The hours passed slowly. In the attempt to hurry them along I chain-smoked for as long as my supply of cigarettes held out, and read. I’d made a number of bad decisions on the trip, there was no getting around it, and one of them concerned the reading matter I’d chosen to pack along: three back issues of The Village Voice, and Joan Didion’s latest novel, A Book of Common Prayer. The Voice was amusing enough — there on the icecap, the subject matter took on an edge, a certain sense of the absurd, from which the paper (through no fault of its own) benefited greatly — but in that tent, under those circumstances, Didion’s necrotic take on the world hit a little too close to home.

Near the end of Common Prayer, one of Didion’s characters says to another, “You don’t get any real points for staying here, Charlotte.” Charlotte replies, “I can’t seem to tell what you do get real points for, so I guess I’ll stick around here for awhile.”

When I ran out of things to read, I was reduced to studying the ripstop pattern woven into the tent ceiling. This I did for hours on end, flat on my back, while engaging in an extended and very heated self-debate: Should I leave for the coast as soon as the weather broke, or stay put long enough to make another attempt on the mountain? In truth, my little escapade on the north face had left me badly shaken, and I didn’t want to go up on the Thumb again at all. On the other hand, the thought of returning to Boulder in defeat — of parking the Pontiac behind the trailer, buckling on my tool belt, and going back to the same brain-dead drill I’d so triumphantly walked away from just a month before — that wasn’t very appealing, either. Most of all, I couldn’t stomach the thought of having to endure the smug expressions of condolence from all the chumps and nimrods who were certain I’d fail right from the get-go.

By the third afternoon of the storm I couldn’t stand it any longer: the lumps of frozen snow poking me in the back, the clammy nylon walls brushing against my face, the incredible smell drifting up from the depths of my sleeping bag. I pawed through the mess at my feet until I located a small green stuff sack, in which there was a metal film can containing the makings of what I’d hoped would be a sort of victory cigar. I’d intended to save it for my return from the summit, but what the hey, it wasn’t looking like I’d be visiting the top any time soon. I poured most of the can’s contents into a leaf of cigarette paper, rolled it into a crooked, sorry looking joint, and promptly smoked it down to the roach.

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55 The reefer, of course, only made the tent seem even more cramped, more suffocating, more impossible to bear. It also made me terribly hungry. I decided a little oatmeal would put things right. Making it, however, was a long, ridiculously involved process: a potful of snow had to be gathered outside in the tempest, the stove assembled and lit, the oatmeal and sugar located, the remnants of yesterday’s dinner scraped from my bowl. I’d gotten the stove going and was melting the snow when I smelled something burning. A thorough check of the stove and its environs revealed nothing. Mystified, I was ready to chalk it up to my chemically enhanced imagination when I heard something crackle directly behind me.

I whirled around in time to see a bag of garbage, into which I’d tossed the match I’d used to light the stove, flare up into a conflagration. Beating on the fire with my hands, I had it out in a few seconds, but not before a large section of the tent’s inner wall vaporized before my eyes. The tent’s built-in rainfly escaped the flames, so the shelter was still more or less weatherproof; now, however, it was approximately thirty degrees cooler inside. My left palm began to sting. Examining it, I noticed the pink welt of a burn. What troubled me most, though, was that the tent wasn’t even mine — I’d borrowed the shelter from my father. An expensive Early Winters Omnipo Tent, it had been brand new before my trip — the hang-tags were still attached — and had been loaned reluctantly. For several minutes I sat dumbstruck, staring at the wreckage of the shelter’s once-graceful form amid the acrid scent of singed hair and melted nylon. You had to hand it to me, I thought: I had a real knack for living up to the old man’s worst expectations.

The fire sent me into a funk that no drug known to man could have alleviated. By the time I’d finished cooking the oatmeal my mind was made up: the moment the storm was over, I was breaking camp and booking for Thomas Bay.

Twenty-four hours later, I was huddled inside a bivouac sack under the lip of the bergschrund on the Thumb’s north face. The weather was as bad as I’d seen it. It was snowing hard, probably an inch every hour. Spindrift avalanches hissed down from the wall above and washed over me like surf, completely burying the sack every twenty minutes.

The day had begun well enough. When I emerged from the tent, clouds still clung to the ridge tops but the wind was down and the icecap was speckled with sunbreaks. A patch of sunlight, almost blinding in its brilliance, slid lazily over the camp. I put down a foam sleeping mat and sprawled on the glacier in my long johns. Wallowing in the radiant heat, I felt the gratitude of a prisoner whose sentence has just been commuted.

60 As I lay there, a narrow chimney that curved up the east half of the Thumb’s north face, well to the left of the route I’d tried before the storm, caught my eye. I twisted a telephoto lens onto my camera. Through it I could make out a smear of shiny grey ice — solid, trustworthy, hard-frozen ice — plastered to the back of the cleft. The alignment of the chimney made it impossible to discern if the ice continued in an unbroken line from top to bottom. If it did, the chimney might well provide passage over the rime-covered slabs that had foiled my first attempt. Lying there in the sun, I began to think about how much I’d hate myself a month hence if I threw in the towel after a single try, if I scrapped the whole expedition on account of a little bad weather. Within the hour I had assembled my gear and was skiing toward the base of the wall.

The ice in the chimney did in fact prove to be continuous, but it was very, very thin — just a gossamer film of verglas. Additionally, the cleft was a natural funnel for any debris that happened to slough off the wall; as I scratched my way up the chimney I was hosed by a continuous stream of powder snow, ice chips, and small stones. One hundred twenty feet up the groove the last remnants of my composure flaked away like old plaster, and I turned around.

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Instead of descending all the way to base camp, I decided to spend the night in the ’schrund beneath the chimney, on the off chance that my head would be more together the next morning. The fair skies that had ushered in the day, however, turned out to be but a momentary lull in a five-day gale. By midafternoon the storm was back in all its glory, and my bivouac site became a less than pleasant place to hang around. The ledge on which I couched was continually swept by small spindrift avalanches. Five times my bivvy sack — a thin nylon envelope, shaped exactly like a Baggies brand sandwich bag, only bigger — was burried up to the level of the breathing slit. After digging myself out the fifth time, I decided I’d had enough. I threw all my gear in my pack and made a break for base camp.

The descent was terrifying. Between the clouds, the ground blizzard, and the flat, fading light, I couldn’t tell snow from sky, nor whether a slope went up or down. I worried, with ample reason, that I might step blindly off the top of a serac and end up at the bottom of the Witches Cauldron, a half-mile below. When I finally arrived on the frozen plain of the icecap, I found that my tracks had long since drifted over. I didn’t have a clue how to locate the tent on the featureless glacial plateau. I skied in circles for an hour or so, hoping I’d get lucky and stumble across camp, until I put a foot into a small crevasse and realized I was acting like an idiot — that I should hunker down right where I was and wait out the storm.

I dug a shallow hole, wrapped myself in the bivvy bag, and sat on my pack in the swirling snow. Drifts piled up around me. My feet became numb. A damp chill crept down my chest from the base of my neck, where spindrift had gotten inside my parka and soaked my shirt. If only I had a cigarette, I thought, a single cigarette, l could summon the strength of character to put a good face on this [messed]-up situation, on the whole [messed]-up trip. “If we had some ham, we could have ham and eggs, if we had some eggs.” I remembered my friend Nate uttering that line in a similar storm, two years before, high on another Alaskan peak, the Mooses Tooth. It had struck me as hilarious at the time; I’d actually laughed out loud. Recalling the line now, it no longer seemed funny. I pulled the bivvy sack tighter around my shoulders. The wind ripped at my back. Beyond shame, I cradled my head in my arms and embarked on an orgy of self-pity.

65 I knew that people sometimes died climbing mountains. But at the age of twenty-three personal mortality — the idea of my own death — was still largely outside my conceptual grasp; it was as abstract a notion as non-Euclidian geometry or marriage. When I decamped from Boulder in April, 1977, my head swimming with visions of glory and redemption on the Devils Thumb, it didn’t occur to me that I might be bound by the same cause-effect relationships that governed the actions of others. I’d never heard of hubris. Because I wanted to climb the mountain so badly, because l had thought about the Thumb so intensely for so long, it seemed beyond the realm of possibility that some minor obstacle like the weather or crevasses or rime-covered rock might ultimately thwart my will.

At sunset the wind died and the ceiling lifted a hundred fifty feet off the glacier, enabling me to locate base camp. I made it back to the tent intact, but it was no longer possible to ignore the fact that the Thumb had made hash of my plans. I was forced to acknowledge that volition alone, however powerful, was not going to get me up the north wall. I saw, finally, that nothing was.

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There still existed an opportunity for salvaging the expedition, however. A week earlier I’d skied over to the southeast side of the mountain to take a look at the route Fred Beckey had pioneered in 1946 — the route by which I’d intended to descend the peak after climbing the north wall. During that reconnaissance I’d noticed an obvious unclimbed line to the left of the Beckey route — a patchy network of ice angling across the southeast face — that struck me as a relatively easy way to achieve the summit. At the time, I’d considered this route unworthy of my attentions. Now, on the rebound from my calamitous entanglement with the nordwand, I was prepared to lower my sights.

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A view of the eastern route up the Devils Thumb, the route that Krakauer ultimately took.
Comparing this to the north face of the mountain, would you ultimately call Krakauer’s trip a success or a failure?
Matthias Breiter/Getty Images

On the afternoon of May 15, when the blizzard finally petered out, I returned to the southeast face and climbed to the top of a slender ridge that abutted the upper peak like a flying buttress on a gothic cathedral. I decided to spend the night there, on the airy, knife-edged ridge crest, sixteen hundred feet below the summit. The evening sky was cold and cloudless. I could see all the way to tidewater and beyond. At dusk I watched, transfixed, as the house lights of Petersburg blinked on in the west. The closest thing I’d had to human contact since the airdrop, the distant lights set off a flood of emotion that caught me completely off guard. I imagined people watching the Red Sox on the tube, eating fried chicken in brightly lit kitchens, drinking beer, making love. When I lay down to sleep I was overcome by a soul-wrenching loneliness. I’d never felt so alone, ever.

That night I had troubled dreams, of cops and vampires and a gangland-style execution. I heard someone whisper, “He’s in there. As soon as he comes out, waste him.” I sat bolt upright and opened my eyes. The sun was about to rise. The entire sky was scarlet. It was still clear, but wisps of high cirrus were streaming in from the southwest, and a dark line was visible just above the horizon. I pulled on my boots and hurriedly strapped on my crampons. Five minutes after waking up, I was front-pointing away from the bivouac.

70 I carried no rope, no tent or bivouac gear, no hardware save my ice axes. My plan was to go ultralight and ultrafast, to hit the summit and make it back down before the weather turned. Pushing myself, continually out of breath, I scurried up and to the left across small snowfields linked by narrow runnels of verglas and short rock bands. The climbing was almost fun — the rock was covered with large, in-cut holds, and the ice, though thin, never got steep enough to feel extreme — but I was anxious about the bands of clouds racing in from the Pacific, covering the sky.

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seeing connections

In 1993, Krakauer wrote an article for Outside magazine about Chris McCandless, a twenty-four-year old who made headlines when he tried to live off the land by himself in the backcountry of Alaska and died in the attempt. Many people suggested that the young man was suicidal. Krakauer’s article was later expanded into the book Into the Wild, which was then made into a movie of the same name directed by Sean Penn. In the original Outside magazine article, Krakauer draws a connection between McCandless and himself and reflects on the similarities and differences in their motivations for going to Alaska, saying,

In 1977, when I was 23—a year younger than McCandless at the time of his death—I [. . .] set off alone into the backcountry to attempt an ascent of a malevolent stone digit called the Devils Thumb. [. . .] By choice I had no radio, no way of summoning help, no safety net of any kind.

When I decided to go to Alaska that April, I was an angst-ridden youth who read too much Nietzsche, mistook passion for insight, and functioned according to an obscure gap-ridden logic. I thought climbing the Devils Thumb would fix all that was wrong with my life. In the end it changed almost nothing, of course. I came to appreciate, however, that mountains make poor receptacles for dreams. And I lived to tell my tale.

As a young man, I was unlike Chris McCandless in many important respects—most notably I lacked his intellect and his altruistic leanings—but I suspect we had a similar intensity, a similar heedlessness, a similar agitation of the soul.

The fact that I survived my Alaskan adventure and McCandless did not survive his was largely a matter of chance; had I died on the Stikine Icecap in 1977 people would have been quick to say of me, as they now say of him, that I had a death wish. Fifteen years after the event, I now recognize that I suffered from hubris, perhaps, and a monstrous innocence, certainly, but I wasn’t suicidal.

Read the excerpt below from the screenplay of Into the Wild, and comment on whether McCandless and Krakauer do in fact share a similar “agitation of the soul.” Compare Krakauer’s motivations with those ascribed to McCandless in the following scene from the movie, in which he talks about his trip to Alaska with his friend Wayne Westberg.

CHRIS

I’m thinking about going to Alaska.

WAYNE

Alaska, Alaska? Or city Alaska? The city Alaska does have markets.

CHRIS

(with a drunken, excited energy)

No, Alaska, Alaska. I want to be all the way out there. On my own. No map. No watch. No axe. Just out there. Big mountains, rivers, sky. Game. Just be out there in it. In the wild.

WAYNE

In the wild.

CHRIS

Yeah. Maybe write a book about my travels. About getting out of this sick society.

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WAYNE

(coughing)

Society, right.

CHRIS

Because you know what I don’t understand? I don’t understand why, why people are so bad to each other, so often. It just doesn’t make any sense to me. Judgment. Control. All that.

WAYNE

Who “people” we talking about?

CHRIS

You know, parents and hypocrites. Politicians and [jerks].

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A frame from the movie Into the Wild showing Chris McCandless leaving the road behind and entering the Alaskan wilderness.

How is this setting and situation similar to that of Krakauer in Alaska? What effect is created by the overhead point of view of this shot?


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A frame from the movie Into the Wild showing Chris McCandless burning his wallet and heading out into the Arizona desert. In the movie, Chris’s sister comments: “Chris began to see ‘careers’ as a diseased invention of the twentieth century and to resent money and the useless priority people made of it in their lives.”

Do you think a young Krakauer would have agreed with this sentiment?

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In what seemed like no time (I didn’t have a watch on the trip) I was on the distinctive final ice field. By now the sky was completely overcast. It looked easier to keep angling to the left, but quicker to go straight for the top. Paranoid about being caught by a storm high on the peak without any kind of shelter, I opted for the direct route. The ice steepened, then steepened some more, and as it did so it grew thin. I swung my left ice axe and struck rock. I aimed for another spot, and once again it glanced off unyielding diorite with a dull, sickening clank. And again, and again: It was a reprise of my first attempt on the north face. Looking between my legs, I stole a glance at the glacier, more than two thousand feet below. My stomach churned. I felt my poise slipping way like smoke in the wind.

Forty-five feet above the wall eased back onto the sloping summit shoulder. Forty-five more feet, half the distance between third base and home plate, and the mountain would be mine. I clung stiffly to my axes, unmoving, paralyzed with fear and indecision. I looked down at the dizzying drop to the glacier again, then up, then scraped away the film of ice above my head. I hooked the pick of my left axe on a nickel-thin lip of rock, and weighted it. It held. I pulled my right axe from the ice, reached up, and twisted the pick into a crooked half-inch crack until it jammed. Barely breathing now, I moved my feet up, scrabbling my crampon points across the verglas. Reaching as high as I could with my left arm, I swung the axe gently at the shiny, opaque surface, not knowing what I’d hit beneath it. The pick went in with a heartening THUNK! A few minutes later I was standing on a broad, rounded ledge. The summit proper, a series of slender fins sprouting a grotesque meringue of atmospheric ice, stood twenty feet directly above.

The insubstantial frost feathers ensured that those last twenty feet remained hard, scary, onerous. But then, suddenly, there was no place higher to go. It wasn’t possible, I couldn’t believe it. I felt my cracked lips stretch into a huge, painful grin. I was on top of the Devils Thumb.

Fittingly, the summit was a surreal, malevolent place, an improbably slender fan of rock and rime no wider than a filing cabinet. It did not encourage loitering. As I straddled the highest point, the north face fell away beneath my left boot for six thousand feet; beneath my right boot the south face dropped off for twenty-five hundred. I took some pictures to prove I’d been there, and spent a few minutes trying to straighten a bent pick. Then I stood up, carefully turned around, and headed for home.

75 Five days later I was camped in the rain beside the sea, marveling at the sight of moss, willows, mosquitoes. Two days after that, a small skiff motored into Thomas Bay and pulled up on the beach not far from my tent. The man driving the boat introduced himself as Jim Freeman, a timber faller from Petersburg. It was his day off, he said, and he’d made the trip to show his family the glacier, and to look for bears. He asked me if I’d “been huntin’, or what?”

“No,” I replied sheepishly. “Actually, I just climbed the Devils Thumb. I’ve been over here twenty days.”

Freeman kept fiddling with a cleat on the boat, and didn’t say anything for a while. Then he looked at me real hard and spat, “You wouldn’t be givin’ me double talk now, wouldja, friend?” Taken aback, I stammered out a denial. Freeman, it was obvious, didn’t believe me for a minute. Nor did he seem wild about my snarled shoulder-length hair or the way I smelled. When I asked if he could give me a lift back to town, however, he offered a grudging, “I don’t see why not.”

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The water was choppy, and the ride across Frederick Sound took two hours. The more we talked, the more Freeman warmed up. He still didn’t believe I’d climbed the Thumb, but by the time he steered the skiff into Wrangell Narrows he pretended to. When we got off the boat, he insisted on buying me a cheeseburger. That night he even let me sleep in a derelict step-van parked in his backyard.

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Taking the western route, climber Mikey Schaefer ascends the Cat Ear Spire on his way to the top of the Devils Thumb.
How does this image change your perspective of Krakauer’s ascent?
Colin Haley

I lay down in the rear of the old truck for a while but couldn’t sleep, so I got up and walked to a bar called Kito’s Kave. The euphoria, the overwhelming sense of relief, that had initially accompanied my return to Petersburg faded, and an unexpected melancholy took its place. The people I chatted with in Kito’s didn’t seem to doubt that I’d been to the top of the Thumb, they just didn’t much care. As the night wore on the place emptied except for me and an Indian at a back table. I drank alone, putting quarters in the jukebox, playing the same five songs over and over, until the barmaid yelled angrily, “Hey! Give it a [. . .] rest, kid! If I hear ‘Fifty Ways to Lose Your Lover’ one more time, I’m gonna be the one who loses it.” I mumbled an apology, quickly headed for the door, and lurched back to Freeman’s step-van. There, surrounded by the sweet scent of old motor oil, I lay down on the floorboards next to a gutted transmission and passed out.

80 It is easy, when you are young, to believe that what you desire is no less than what you deserve, to assume that if you want something badly enough it is your God-given right to have it. Less than a month after sitting on the summit of the Thumb I was back in Boulder, nailing up siding on the Spruce Street Townhouses, the same condos I’d been framing when I left for Alaska. I got a raise, to four dollars an hour, and at the end of the summer moved out of the job-site trailer to a studio apartment on West Pearl, but little else in my life seemed to change. Somehow, it didn’t add up to the glorious transformation I’d imagined in April.

Climbing the Devils Thumb, however, had nudged me a little further away from the obdurate innocence of childhood. It taught me something about what mountains can and can’t do, about the limits of dreams. I didn’t recognize that at the time, of course, but I’m grateful for it now.

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Understanding and Interpreting

  1. Much of Krakauer’s motivation to successfully climb the mountain seems to come from his need to impress others. Locate at least two places in the text where this appears to be true and explain how those passages illustrate this aspect of Krakauer.

  2. There are several places in the narrative in which Krakauer demonstrates an appalling lack of planning or forethought, and there are others where he does successfully make plans. Identify examples of both and explain which trait is more prevalent in the narrative.

  3. Make an argumentative claim about Krakauer’s decision-making and reasoning skills. Then, support that claim with direct evidence from the text.

  4. Trace the numerous setbacks Krakauer faces in trying to scale the Devils Thumb. Select one setback, and explain what his response to that setback reveals about his character.

  5. What purpose does the history lesson about the previous climbs and attempts on the Devils Thumb (pars. 22 and 23) serve in the narrative? Why does Krakauer include it?

  6. What role has the Devils Thumb played in Krakauer’s imagination since he started looking at it in the book he received when he was eight? How does this role influence his later decisions?

  7. Reread paragraph 46. What effect does the physical act of climbing have on Krakauer?

  8. What is the connection that the reader is expected to draw between Krakauer and the character in the Joan Didion novel (par. 52)?

  9. In terms of Krakauer’s own personal development, there is probably no other passage from the narrative that is as important as his statement, “At the time, I’d considered this route unworthy of my attentions. Now . . . I was prepared to lower my sights” (par. 67). In what way does this revelation signal a significant change in Krakauer?

  10. To what extent is Krakauer satisfied or disappointed with his climb? What evidence from the text supports your position?

  11. Krakauer writes at the end that climbing the Devils Thumb taught him “something about what mountains can and can’t do, about the limits of dreams” (par. 81). What is this “something” that he learned?

Analyzing Language, Structure, and Style

  1. What is the effect that Krakauer achieves by starting his narrative with his drive up to Alaska?

  2. Krakauer includes two flashbacks in his narrative—in paragraphs 6–7 and then paragraphs 29–33. Analyze those two structural choices, examining why each flashback is placed where it is, and what effect it has on the reader’s knowledge about and impressions of Krakauer.

  3. It is clear that Krakauer is writing this narrative as an older man looking back on an event that happened to him when he was younger (“Writing these words more than a dozen years later. . . .” [par. 9]). How would you describe the tone Krakauer takes toward his younger self? What specific words or phrases communicate this tone? How does this tone help Krakauer to create a theme of the narrative?

  4. In paragraphs 13 and 14, Krakauer constructs a contrast between Coloradans and Alaskans in their attitudes toward his plans to climb the Devils Thumb. What is the purpose of this contrast?

  5. Reread paragraph 18, paying attention to the imagery Krakauer uses. How does it help illustrate the conflict Krakauer is facing?

  6. Reread the following lines from the essay and explain what the word choice reveals about Krakauer:

    1. “I’d never heard of hubris” (par. 65).

    2. “and the mountain would be mine” (par. 72)

    3. “my head swimming with visions of glory and redemption” (par. 65)

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Connecting, Arguing, and Extending

  1. In the last paragraph, Krakauer says that this experience moved him “a little further away from the obdurate innocence of childhood.” The word “obdurate” means “stubborn,” and it often has a negative connotation. Tell a story about a time when you, perhaps unwillingly, had to give up some of the innocence of your own childhood. In what ways was your childhood innocence “obdurate” like Krakauer’s?

  2. You may recall reading about the Evil Queen from the Snow White story at the beginning of this chapter, and about the two different ways that people define their identities: as they see themselves, and as others see them. In this narrative, does Krakauer seem more concerned about how other people view him and his climb or how he views himself? Use direct evidence from the text to support your argument.

  3. There are many places where Krakauer faces serious peril in his climb. Should he have stopped or gone forward? What evidence from the text, and your own reasoning, can you use to support your argument?

  4. Krakauer writes, “Because I wanted to climb the mountain so badly, because I had thought about the Thumb so intensely for so long, it seemed beyond the realm of possibility that some minor obstacle like the weather or crevasses or rime-covered rock might ultimately thwart my will” (par. 65). In other words, because he thought about it so much, his success should automatically happen. This is an example of what is often referred to as “magical thinking,” belief that thinking about something can make it happen. A common example of magical thinking is when viewers of a sporting event think they can influence the outcome of the game by what they wear or the foods they eat during a game. Research the topic of magical thinking, identify and explain other instances in the narrative where Krakauer engages in this process, and connect one of these instances to another example from outside the text, perhaps even from your own life.

  5. In paragraph 65, Krakauer admits, “I knew that people sometimes died climbing mountains. But at the age of twenty-three personal mortality — the idea of my own death — was still largely out of my conceptual grasp. . . .” Here, Krakauer addresses a significant concern that has been the subject of a lot of research: adolescents often take part in risky behaviors that can lead to injury and death because of a number of factors. Research one or more factors — including brain development — that can lead adolescents to be unconcerned about “personal mortality” and apply that factor to Krakauer’s actions in this narrative.

  6. Look over these famous lines from Ralph Waldo Emerson, an American writer who popularized what was called the Transcendentalist Movement during the middle of the nineteenth century. Transcendentalists believed in the beauty of nature, the power of the individual, and the importance of freedom. Based upon your reading of his narrative, explain why Krakauer might agree or disagree with each and describe your own thoughts about the lines.

    1. “Do not be too timid and squeamish about your actions. All life is an experiment. The more experiments you make the better.”

    2. “There is a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion.”

    3. “Trust thyself: every heart vibrates to that iron string. Accept the place the divine providence has found for you, the society of your contemporaries, the connection of events. Great men have always done so.”

    4. “Whoso would be a man must be a nonconformist.”