Instructor's Notes
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Ann Friedman
Can We Just, Like, Get Over the Way Women Talk?
Freelance journalist Ann Friedman writes about gender, media, technology, and culture, and she has contributed to such publications as the Los Angeles Times, the Gentlewoman, the New Republic, the New York Times Book Review, ELLE, the Guardian, and Los Angeles magazine. She also cohosts a podcast, Call Your Girlfriend, with a good friend, Aminatou Sow. Following is a column that Friedman wrote for nymag.com. In it, she pushes back against criticisms of “the problems inherent in women’s speech.”
AS YOU READ: Which words or vocal characteristics are often criticized when they are part of women’s speech?
1
Like, have you ever noticed that women apologize too much? Sorry, but just humor me for a second here. What if, um, how we’re speaking is actually part of what’s undermining° us in the workplace, in politics, and anywhere in the public sphere where we want to be taken seriously? I think it could be time for us all to assess how we’re talking. Does that make sense to you, too?
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2
It makes sense to tech-industry veteran Ellen Leanse, who explains that women overuse the word just, which sends “a subtle message of subordination.”° Essayist Sloane Crosley and comedian Amy Schumer tell us not to say “sorry” so often. A career coach warns the readers of Goop° that women use too many qualifiers (“I’m no expert, but . . .”), which undermine their opinions. Radio listeners complain of “vocal fry”° that makes it impossible to listen to women. And according to a Hofstra University professor, women who suffer from upspeak—also known as “Valley Girl lift”?—reveal “an unexplainable lack of confidence” in their opinions when they turn declarative sentences into questions.
3
As someone who’s never been shy about opening her mouth and telling you exactly what she thinks, this barrage of information about the problems inherent° in women’s speech has me questioning my own voice. Here I am, thinking that I’m speaking normally and sharing my thoughts on campaign-finance reform or the Greek debt crisis or the politics of marriage, when apparently the only thing that other people are hearing is a passive-aggressive, creaky mash-up of Cher Horowitz,° Romy and Michele,° and the Plastics.° I’m as much a fan of these fictional heroines as the next woman, but I want people to hear what I’m saying and take me seriously.
4
At first blush, all of this speaking advice sounds like empowerment. Stop sugarcoating everything, ladies! Don’t hedge your requests! Refuse to water down your opinions! But are women the ones who need to change? If I’m saying something intelligent and all a listener can hear is the way I’m saying it, whose problem is that?
5
“All the discussion is about what we think we hear,” the feminist linguist Robin Lakoff tells me. Lakoff is a professor emerita° at the University of California, Berkeley, and, forty years ago, pioneered the study of language and gender.“With men, we listen for what they’re saying, their point, their assertions. Which is what all of us want others to do when we speak,” Lakoff says.“With women, we tend to listen to how they’re talking, the words they use, what they emphasize, whether they smile.”
6
Men also use the word just. Men engage in upspeak. Men have vocal fry. Men pepper their sentences with unnecessary “likes” and “sorrys.” I haven’t read any articles encouraging them to change this behavior. The supposed distinctions between men’s and women’s ways of talking are, often, not that distinct.“Forty years after Lakoff’s groundbreaking work, we’ve learned that all such generalizations are overgeneralizations: none of them are true for every woman in every context (or even most women in most contexts),” writes feminist linguist and blogger Debbie Cameron.“We’ve also learned that some of the most enduring beliefs about the way women talk are not just overgeneralizations, they are—to put it bluntly—lies.” Maybe we don’t sound like a pack of Cher Horowitzes after all.
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7
Still, I care about good diction°—I want to be heard and understood. When I’m writing, it’s easy to do a control-F for “I think” and delete all of the wishy-washy words that are diluting my opinions. When I’m speaking, it’s much harder to notice which linguistic tics° I exhibit. And until I started cohosting a podcast, I was fairly oblivious to my own vocal patterns. Then the e-mails and tweets started rolling in, advising me and my cohost that we would sound a lot smarter if we could just pay a bit more attention to our speech. The list of complaints mirrors the advice-driven articles I’ve seen scattered over the internet lately.“Fingernails on a chalkboard,” wrote one reviewer on iTunes.“One has up-talk, the other has vocal fry and both use the word like every frigging third word. . . .These are the ladies Amy Schumer goofs on.”
8
It quickly became apparent that if we were to take the advice of all of our detractors—carefully enunciating,° limiting our likes, moderating our tone to avoid vocal fry—our podcast would sound very different. It would be stripped of its cadence° and its meaning; it would lose the casual, friendly tone we wanted it to have and its special feeling of intimacy. It wouldn’t be ours anymore.“This stuff is just one more way of telling powerful women to shut up you bitch,” says Lakoff.“It makes women self-conscious and makes women feel incompetent and unable to figure out the right way to talk.” She adds, “There is no right way.” Especially if you want to sound like yourself, and not some weird, stilted° robot.
9
Indeed, as with salary negotiations in which women are damned if they don’t ask for a raise and penalized for being overly aggressive if they do, tweaking speech to be more direct and less deferential° comes with its own consequences.“When women talk in ways that are common among women, and are seen as ineffective or underestimated, they’re told it’s their fault for talking that way,” the linguist Deborah Tannen, who’s written several best-selling books about gender and language, told me.“But if they talk in ways that are associated with authority, and are seen as too aggressive, then that, too, is their fault when people react negatively.” Asking women to modify their speech is just another way we are asked to internalize and compensate for sexist bias in the world. We can’t win by eliminating just from our e-mails and like from our conversations.
10
Lakoff argues that the very things career coaches advise women to cut out of their speech are actually signs of highly evolved communication. When we use words like so, I guess, like, actually, and I mean, we are sending signals to the listener to help them figure out what’s new, what’s important, or what’s funny. We’re connecting with them.“Rather than being weakeners or signs of fuzziness of mind, as is often said, they create cohesion and coherence between what speaker and hearer together need to accomplish—understanding and sharing,” Lakoff says.“This is the major job of an articulate social species. If women use these forms more, it is because we are better at being human.”
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11
Language is not always about making an argument or conveying information in the cleanest, simplest way possible. It’s often about building relationships. It’s about making yourself understood and trying to understand someone else. As anyone who’s ever shared an inside joke knows, it’s fun. This can be true even at work or in public—places where women are most likely to be dismissed because of the way they speak. To assume that our verbal tics are always negative is to assume that the goal of all speech is the same. Which of course is patently° ridiculous.
12
Maybe women are undermining themselves a bit when they, like, speak in a way they find more natural. But only in the sense that they are seeking to articulate their thoughts more authentically and connect more directly with the people listening to them. Next time I read some advice from a podcast listener or from some self-styled expert on the internet about how women are too creaky-voiced, too apologetic, or using a word too much, I know exactly how I’ll respond: As if.
Questions to Start You Thinking
Considering Meaning: What, according to Friedman, are common criticisms of women’s speech? Why does she find these criticisms problematic?
Identifying Writing Strategies: Notice how Friedman opens her essay, paying special attention to word choice and punctuation. Why might she have begun her argument in this way? Do you find this opening effective? Why, or why not?
Reading Critically: In paragraph 7, Friedman shares a criticism leveled at her speaking style, and at that of her cohost, in a podcast. How fair do you think this criticism is? How does Friedman respond to it?
Expanding Vocabulary: What does Friedman mean by “upspeak” (paragraphs 2 and 6)? Give an example of a perceived problem with upspeak.
Making Connections: In “The New Literacy,” Clive Thompson describes as a “myth” the view that texted abbreviations and smileys are “defiling serious academic writing” (paragraph 7). How might Thompson respond to Friedman’s view of language: that it’s “often about building relationships. It’s about making yourself understood and trying to understand someone else. As anyone who’s ever shared an inside joke knows, it’s fun” (paragraph 11)? In general, do Thompson’s and Friedman’s views seem aligned or contradictory? Why?
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Journal Prompts
Do you find that you frequently use any of the expressions that Friedman refers to (like, so, I guess, actually, I mean, and so on) in your speech? When and why do you think you use these expressions?
Have you ever been criticized for the way that you speak? Alternatively, have you ever judged others based on their style of speaking? What were the reasons for the criticisms? Has the experience had any lasting effects on you? If so, discuss its impact.
Suggestions for Writing
According to Friedman, feminist linguist Robin Lakoff argues that “the very things career coaches advise women to cut out of their speech are actually signs of highly evolved communication” (paragraph 10). Argue for or against Lakoff’s assertion, drawing on your own observations and referring to specific examples.
Listen to a podcast or radio program, making notes about the host’s use of language and his or her vocal style. For example, does the host use or avoid words and phrases such as like, I mean, I guess, or other expressions that sound casual or tentative? Do you notice upspeak, or does the host speak in a more level tone? What adjectives would you use to describe the host’s style (e.g., authoritative, friendly, confident, aggressive, humorous)? Based on your notes, write about aspects of the host’s speaking style that made listening to the podcast a positive or negative experience, or something in between. Also, carefully reflect on your reactions, keeping Friedman’s points in mind: Do you think gender bias played any role in your judgment of the host’s speaking style? Why, or why not?