Introduction: Becoming a College Writer

Introduction: A letter from the author

“To become a college writer, practice, practice, practice. Just start writing. You will learn from the mistakes you make.”

Maxime Duijist, student, University of the District of Columbia

“Don’t be afraid to write about something new, something you don’t understand.”

Amy Fortuna, student, Brigham Young University

Dear Students:

Welcome to The Bedford Handbook—your handbook. Think of it as your guide to writing in college and beyond. Writing well helps you succeed in college courses and prepares you for the world of work. Becoming a confident writer, though, doesn’t happen—for anyone—in a single course or semester. The students who are quoted throughout the handbook, your peers, are learning that it happens over time, in steps and in stages. You’ll find that your confidence as a writer grows as you embrace new expectations—and as you “practice, practice, practice” being a college writer.

College offers many opportunities to write and to learn from the process of writing and revising. As you write, you will read and respond to what others have written, use evidence to support your ideas, and develop your ability to think carefully and creatively—no matter what discipline. In a sociology class, you might be asked to write a field report; in a nursing class, a case study; and in a literature class, a critical analysis. By writing in these disciplines, you contribute your ideas and join thinkers and writers who share interests, ideas, and ways of communicating with one another. The Bedford Handbook is designed to help you make the most of all your college writing experiences and to show you how to write successful college papers.

When college students are asked to reflect on why writing is important to them, many claim that writing helps them learn. One of my former students told me, “Once you write a paper, you begin to see so much more about the subject.” Another student explained, “When you are not writing papers in a course, you take more of a tourist’s view of a subject because you don’t have to think in depth about any of the material.” It is in the process of writing—of working in depth with your own thinking—that you find what’s interesting in a subject and why you care about it. And it is through this process that you learn to figure out not just what you think, but why you think it.

Developing academic habits

Before developing the ninth edition of The Bedford Handbook, I wanted to figure out what the handbook needed and why it needed it. So I surveyed more than one thousand first-year students at thirty-five colleges and universities to learn more about the habits of effective college writers. I asked students how they planned, drafted, and revised their papers and what advice they would offer other writers to help them succeed. The students offered practical, doable advice that came to them through their own trial and error—advice such as “write drafts and ask people to give you feedback” and “the more you can take from a reading, the more you have to give as a writer.” Their responses suggested that developing curiosity, engagement, responsibility, and reflection—in other words, good academic habits—makes good writers. These habits, often called habits of mind, develop over time, take practice and persistence, and require a willingness to learn from both successes and mistakes. This handbook will give you practice in developing these four key habits.

Throughout The Bedford Handbook, you will see several “Becoming a college writer” pages, which offer insights and advice from the college writers surveyed.

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Curiosity All good college writing starts with curiosity. What problems or issues intrigue you? What questions need to be explored? How could you solve a problem in a new way? Writing is much more interesting and rewarding when you explore questions you don’t have answers to. Think of college writing not as a process of putting down on paper what you already know but as a way of discovering answers to what you can’t explain.

“Don’t be afraid to ask questions. And make sure the questions you are asking are ones you and your readers care about.”

Dario Foroutan, student, University of Arizona

BECOMING A CURIOUS WRITER

Engagement Writing is a social activity that brings you into conversations with scholars, instructors, classmates, and peers. Reading actively allows you to engage with other writers. Participating in classroom or online discussions deepens your thinking and gives you opportunities to engage with your instructors and classmates. Seeking feedback from and reaching out to others on campus who might support your learning allows you to engage with a wider learning community. Effective college writers have learned that active approaches to learning work much better than passive ones.

“Find a purpose in your writing assignments. And try to write what you would sincerely be interested in reading.”

Nicole Zimmer, student, Bristol Community College

BECOMING AN ENGAGED WRITER

Responsibility Engaging with the ideas of other writers and thinkers requires responsibility—to represent their ideas accurately and honestly and to acknowledge their contributions to your work. By giving credit to your sources, you write with integrity, showing yourself as a responsible writer who should be taken seriously. And you show your readers the boundaries between your own ideas and those of your sources, acknowledging contributions to your thinking.

Being responsible also means being accountable to collaborators in team or group projects. Such projects often mirror real-world writing situations, and the practice you get working toward a common goal with peers is valuable.

“Use your sources reliably without warping the original meanings of the words.”

James Thermitus, student, Miami Dade College

BECOMING A RESPONSIBLE WRITER

Reflection Reflection involves questioning experiences to learn from them. Being reflective in a writing class often means stopping to think about your own writing habits or approaches to writing tasks. By examining your decisions, successes, and challenges, you’ll be able to figure out what’s working and what’s not, evaluate your writing process, participate in your own learning, and transfer skills from one writing assignment to the next.

“Be passionate about learning to write. The more you learn about who you are as a writer, the easier it is to write successfully.”

Lorda Laurent, student, Palm Beach State College

BECOMING A REFLECTIVE WRITER

Best wishes for a successful year,

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As you write: Practicing academic habits

The e-Pages for The Bedford Handbook include writing prompts that will help you apply the handbook’s advice to your own writing. References to the e-Pages occur throughout the book; they look like this:

hackerhandbooks.com/bedhandbook

  • The writing process > As you write: Exploring a subject

The following writing prompt, the only one that appears here in the print book, gives you an opportunity to practice academic habits—curiosity, engagement, responsibility, and reflection. Spend time viewing the image on page 8, a photograph by David Sacks. Since the photograph doesn’t speak for itself, you need to examine it closely to discover possible interpretations. Start by listing the details you notice (see 1b).

Be curious What details do you notice? What intrigues you about the image? What does or does not make sense? Brainstorm questions about the photograph. Select the question that seems most promising and write a paragraph response. Use your paragraph to offer a possible interpretation of the photograph.

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Tororo School, Uganda

Be engaged Discuss your questions and interpretation with two classmates. How are their questions and interpretations similar to or different from yours? As you listen to one another’s interpretation of the photograph, ask questions and challenge classmates to explain their interpretations.

Be responsible Summarize the views and interpretations of your classmates. Ask them if you have stated their positions fairly.

Be reflective Reflect on the process. What did you learn from thinking about a photograph with several possible interpretations? What did you learn from listening to your classmates and engaging with their ideas? What was challenging about this exercise?