ACKNOWLEDGMENTS

ACKNOWLEDGMENTS

Page A-1

Text Credits

Box 1.2: The National Communication Association, “Credo for Ethical Communication.” Copyright © 1999 by the National Communication Association. Reprinted by permission. Figure 2.4: Dan O’Hair, et al., “Assessing Our Perceptions of Self.” From Competent Communication, Second Edition. Copyright © 2007 by Bedford/St. Martin’s. Used by permission of Bedford/St. Martin’s. Page 46: Mark Snyder, “Self-Monitoring Test” adapted from “Self-monitoring and expressive behavior” in Journal of Personality and Social Psychology 30 (1974): 526–537. Reprinted by permission. Figure 4.1: DanO’Hair et al., “The Abstraction Ladder.” Adapted from Dan O’Hair et al., Competent Communication, 2/e. Copyright © 1997. Adapted with the permission of Bedford/St. Martin’s. Table 5.1: Dale Leathers, “The Power of Eye Contact” from Successful Nonverbal Communication: Principles and Applications, 3/e, by Dale Leathers, copyright © 1997. Adapted by permission of Pearson Education, Inc., Upper Saddle River, NJ. Figure 5.2: Dan O’Hair et al., “Zones of Personal Space.” From Competent Communication, 2/e, copyright © 1997 by Bedford/St. Martin’s. Adapted with the permission of Bedford/St. Martin’s. Table 6.1: Dan O’Hair et al., “Listening Goals” from Competent Communication, second edition. Copyright © 1997 by Bedford/St. Martin’s. Adapted with the permission of Bedford/St. Martin’s. Page 132: Lawrence R. Wheeless. “An investigation of receiver apprehension and social context dimensions of communication apprehension.” Communication Education, January 9, 1975: 261–268. Copyright © 1975. Adapted with permission of Taylor & Francis, Ltd., www.informaworld.com. Table 7.1: John Caughlin, excerpt from “Family Communication Standards: What counts as excellent family communication, and how are such standards associated with family satisfaction?” from Human Communication Research 29 (2003): 5–40. Reprinted with the permission of John Wiley and Sons. Table 7.4: D. J. Canary and M. J. Cody, “Romantic Relational Termination Strategies.” From Interpersonal Communication: A Goals-Based Approach. Copyright © 1994 by Bedford/St. Martin’s Press. Adapted with the permission of Bedford/St. Martin’s. Page 182: Dominic A. Infante, “Self-Assessment: Hitting Above and Below the Belt” from Arguing Constructively (Long Grove, IL: Waveland Press, 1988). Reprinted by permission of Waveland Press. All rights reserved. Figure 9.1: Dan O’Hair et al., “Complexity of Group Relationships.” From Competent Communication, Second Edition. Copyright © 2007 by Bedford/St. Martin’s. Used by permission of Bedford/St. Martin’s. Figure 9.2: “Group Communication Networks” from Organizations: Rational, Natural, and Open Systems by W. Richard Scott, copyright © 1981. Adapted by permission of Pearson Education, Inc., Upper Saddle River, NJ. Page 206: James McCroskey, “How Well Do You Interact in a Group Setting?” from An Introduction to Rhetorical Communication, 9/e, by James C. McCroskey, copyright © 2006. Adapted by permission of Pearson Education, Inc., Upper Saddle River, NJ. Page 237: Ricky Martin, Speech presented at the Vienna Forum. Used by permission of Ricky Martin, President and Founder of Ricky Martin Foundation. Figure 11.1: Dan O’Hair et al., “An Example of the Web of Associations Produced by Clustering.” Adapted from D. O’Hair, R. Stewart, and H. Rubenstein, Competent Communication, 2/e. Copyright © 1997 by Bedford/St. Martin’s. Adapted with the permission of Bedford/St. Martin’s. Table 12.1: Dan O’Hair et al., “Useful Signposts.” From D. O’Hair, R. Stewart, and H. Rubenstein, A Speaker’s Guidebook, Third Edition. Copyright © 2007 by Bedford/St. Martin’s Press. Reprinted with the permission of Bedford/St. Martin’s. Table 14.2: Dan O’Hair et al., “Types of Informative Speeches, Sample Topics, Informational Strategies, and Organizational Patterns.” From D. O’Hair, R. Stewart, and H. Rubenstein, A Speaker’s Guidebook, Third Edition. Copyright © 2007 by Bedford/St. Martin’s Press. Adapted with the permission of Bedford/St. Martin’s.

Photo Credits

Cover: Young couple in photo booth, photo by Siri Stafford, © Getty Images; mixed breed dog, close-up, photo by Chris Whitehead, © Getty Images; couple laughing and pulling faces, photo by Ken Fisher, © Getty Images; young man in photo booth, photo by Siri Stafford, © Getty Images; couple in photo booth, photo by Jessica Peterson, © Getty Images; Kleponis/Zuma/Corbis; 296: CALVIN AND HOBBES copyright 1990 Bill Watterson. Reprinted with permission of Universal Uclick. All rights reserved.; 298: REUTERS/Jason Reed/Landov; 299: Fernando Castillo/LatinContent/Getty Images; 300: Susana Gonzalez/AFP/Getty Images; 308: Bryan Bedder/Getty Images; 311: iStockphoto; 314: (grid, L-R) Archive Photos/Getty Images, © Buena Vista Pictures/courtesy Everett Collection, TOSHIFUMI KITAMURA/AFP/Getty Images, imago stock&people/Newscom; 315: (L) Digital Vision/Photolibrary; (R) NASA-KSC; 318: Image Source/Getty Images; 321: (grid, L-R) Mathew Imaging/WireImage/Getty Images, Sire Records/Getty Images, Kevin Winter/Getty Images; 325: (grid, L-R) Courtesy Everett Collection, © Warner Bros./Courtesy Everett Collection, Justin Sullivan/Getty Images; 334: Gustavo Caballero/Getty Images; 337: Stephen Vaughan/© Warner Bros./Courtesy Everett Collection; 340: © Bettmann/Corbis; 342: (grid, L-R) Getty Images, Josephine Soughan & Simon Pentleton/PYMCA, David Emmite/Getty Images, AFP/Getty Images; 345: © The Meth Project; 348: RL Productions/Getty Images; 349: Central Press/Getty Images; 360: © Comedy Central/courtesy Everett Collection; 363: (grid, L-R) Roth Stock/Everett Collection/Everett Collection, © The CW/courtesy Everett Collection, ERproductions Ltd./Getty Images, Creatas/JupiterImages/Alamy; 364: THE KOBAL COLLECTION/Art Resource, NY; 365: © Comedy Central/Photofest; 367: AP Photo/The News-Gazette, Robin Scholz; 369: iStockphoto; 373: (L) Simon Watson/Getty Images, (R) © Spencer Grant/PhotoEdit; 374: © 20th Century Fox Film Corp. All rights reserved./courtesy Everett Collection; 378: John Lund/Tiffany Schoepp/Getty Images; 386: Pixtal/Superstock; 390: (L) Jaimie Trueblood/© Universal Pictures/Courtesy Everett Collection, (R) © Universal Pictures/Courtesy Everett Collection; © Universal Pictures/Courtesy Everett Collection; 393: Photofest; 394: (L) AP Photo/Fox News Channel, Shealah Craighead, (R) Kevan Brooks/AdMedia/Newscom; 398: Kevan Brooks/AdMedia/Newscom; 401: © Batchelder/Alamy.