Actors and Performance in Do the Right Thing (excerpt)
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An Editing Tutorial in Man with a Movie Camera
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Avant-Garde Visions in Meshes of the Afternoon
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Blocking in Do the Right Thing (excerpt)
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Cinematography: Framing and Offscreen Space in M (excerpt)
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Cinematography: Good Vs. Evil in M (excerpt)
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Cinematography: Meaning through Images in M
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Cinematography: The Spiral Image in M (excerpt)
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Costumes and Props in Do the Right Thing (excerpt)
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Distance and Angles in Vertigo (excerpt)
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Formal Play in Ballet Mécanique
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Frames and Framing in Vertigo (excerpt)
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Framing, Camera Angles, and Special Effects in Vertigo
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Mise-en-scene in Do the Right Thing
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Mise-en-scene in Fantastic Mr. Fox
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Montage in Battleship Potemkin and The Untouchables
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Patterns of Editing in Bonnie and Clyde (1967)
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Plot and Narration in Apocalypse Now
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Props in Fantastic Mr. Fox (exceprt)
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Reshaping Genre in Chinatown
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Sets and Settings in Do the Right Thing (excerpt)
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Special Effects & Animation in Vertigo (excerpt)
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The Climatic Sequence in Do the Right Thing (excerpt)
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The Contemporary Documentary: Exit through the Gift Shop
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The Handcrafted Details in Fantastic Mr. Fox (excerpt)
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The Western and Genre Revisionism: Comparing True Grit (1969) and True Grit (2010)
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The Vertigo Effect: Zooms and Tracks (excerpt)
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Taxi Driver and New Hollywood
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