NameFileManuscript
Chapter 1: Introductionfilmmaking1e_ch1_1.html551c9c5b757a2e8b46000000
DLAP questionsfilmmaking1e_ch1_1_dlap.xml551c9c5b757a2e8b46000000
Why Make a Film?filmmaking1e_ch1_2.html551c9c5b757a2e8b46000000
DLAP questionsfilmmaking1e_ch1_2_dlap.xml551c9c5b757a2e8b46000000
Three Filmmaking Principlesfilmmaking1e_ch1_3.html551c9c5b757a2e8b46000000
DLAP questionsfilmmaking1e_ch1_3_dlap.xml551c9c5b757a2e8b46000000
Six Filmmaking Viewpointsfilmmaking1e_ch1_4.html551c9c5b757a2e8b46000000
DLAP questionsfilmmaking1e_ch1_4_dlap.xml551c9c5b757a2e8b46000000
The Filmmaking Pathfilmmaking1e_ch1_5.html551c9c5b757a2e8b46000000
DLAP questionsfilmmaking1e_ch1_5_dlap.xml551c9c5b757a2e8b46000000
How Do I...filmmaking1e_ch1_6.html551c9c5b757a2e8b46000000
DLAP questionsfilmmaking1e_ch1_6_dlap.xml551c9c5b757a2e8b46000000
CHAPTER 1 ESSENTIALSfilmmaking1e_ch1_7.html551c9c5b757a2e8b46000000
DLAP questionsfilmmaking1e_ch1_7_dlap.xml551c9c5b757a2e8b46000000
Case Study: The Four Viewpointsfilmmaking1e_ch1_8.html551c9c5b757a2e8b46000000
DLAP questionsfilmmaking1e_ch1_8_dlap.xml551c9c5b757a2e8b46000000
Case Study: Deadlines—Emphasis on “Dead”!filmmaking1e_ch1_9.html551c9c5b757a2e8b46000000
DLAP questionsfilmmaking1e_ch1_9_dlap.xml551c9c5b757a2e8b46000000
Bonus Video: Producer Smartsfilmmaking1e_ch1_10.html551c9c5b757a2e8b46000000
DLAP questionsfilmmaking1e_ch1_10_dlap.xml551c9c5b757a2e8b46000000
Must-See Moviesfilmmaking1e_ch1_11.html551c9c5b757a2e8b46000000
DLAP questionsfilmmaking1e_ch1_11_dlap.xml551c9c5b757a2e8b46000000
Chapter 2: Introductionfilmmaking1e_ch2_1.html55287ec8757a2e6c2f000000
DLAP questionsfilmmaking1e_ch2_1_dlap.xml55287ec8757a2e6c2f000000
Where Do Ideas Come From?filmmaking1e_ch2_2.html55287ec8757a2e6c2f000000
DLAP questionsfilmmaking1e_ch2_2_dlap.xml55287ec8757a2e6c2f000000
Original Ideasfilmmaking1e_ch2_3.html55287ec8757a2e6c2f000000
DLAP questionsfilmmaking1e_ch2_3_dlap.xml55287ec8757a2e6c2f000000
Theme, Story, and Characterfilmmaking1e_ch2_4.html55287ec8757a2e6c2f000000
DLAP questionsfilmmaking1e_ch2_4_dlap.xml55287ec8757a2e6c2f000000
Structurefilmmaking1e_ch2_5.html55287ec8757a2e6c2f000000
DLAP questionsfilmmaking1e_ch2_5_dlap.xml55287ec8757a2e6c2f000000
Writing and Screenplay Formatsfilmmaking1e_ch2_6.html55287ec8757a2e6c2f000000
DLAP questionsfilmmaking1e_ch2_6_dlap.xml55287ec8757a2e6c2f000000
Developmentfilmmaking1e_ch2_7.html55287ec8757a2e6c2f000000
DLAP questionsfilmmaking1e_ch2_7_dlap.xml55287ec8757a2e6c2f000000
CHAPTER 2 ESSENTIALSfilmmaking1e_ch2_8.html55287ec8757a2e6c2f000000
DLAP questionsfilmmaking1e_ch2_8_dlap.xml55287ec8757a2e6c2f000000
How Do I...filmmaking1e_ch2_9.html55287ec8757a2e6c2f000000
DLAP questionsfilmmaking1e_ch2_9_dlap.xml55287ec8757a2e6c2f000000
Case Study: How I Got My Foot in the Doorfilmmaking1e_ch2_10.html55287ec8757a2e6c2f000000
DLAP questionsfilmmaking1e_ch2_10_dlap.xml55287ec8757a2e6c2f000000
Case Study: How I Writefilmmaking1e_ch2_11.html55287ec8757a2e6c2f000000
DLAP questionsfilmmaking1e_ch2_11_dlap.xml55287ec8757a2e6c2f000000
Case Study: Studio Developmentfilmmaking1e_ch2_12.html55287ec8757a2e6c2f000000
DLAP questionsfilmmaking1e_ch2_12_dlap.xml55287ec8757a2e6c2f000000
Chapter 3: Introductionfilmmaking1e_ch3_1.html556e5719757a2efa0f000014
DLAP questionsfilmmaking1e_ch3_1_dlap.xml556e5719757a2efa0f000014
The Director’s Rolefilmmaking1e_ch3_2.html556e5719757a2efa0f000014
DLAP questionsfilmmaking1e_ch3_2_dlap.xml556e5719757a2efa0f000014
Seeing Your Project through a Director’s Eyesfilmmaking1e_ch3_3.html556e5719757a2efa0f000014
DLAP questionsfilmmaking1e_ch3_3_dlap.xml556e5719757a2efa0f000014
Planning and Visualizing the Shootfilmmaking1e_ch3_4.html556e5719757a2efa0f000014
DLAP questionsfilmmaking1e_ch3_4_dlap.xml556e5719757a2efa0f000014
Working the Movie You Just Shotfilmmaking1e_ch3_5.html556e5719757a2efa0f000014
DLAP questionsfilmmaking1e_ch3_5_dlap.xml556e5719757a2efa0f000014
CHAPTER 3 ESSENTIALSfilmmaking1e_ch3_6.html556e5719757a2efa0f000014
DLAP questionsfilmmaking1e_ch3_6_dlap.xml556e5719757a2efa0f000014
How Do I...filmmaking1e_ch3_7.html556e5719757a2efa0f000014
DLAP questionsfilmmaking1e_ch3_7_dlap.xml556e5719757a2efa0f000014
TV vs. Movies: Who Has the Power?filmmaking1e_ch3_8.html556e5719757a2efa0f000014
DLAP questionsfilmmaking1e_ch3_8_dlap.xml556e5719757a2efa0f000014
Chapter 4: Introductionfilmmaking1e_ch4_1.html556e58a4757a2ecf15000002
DLAP questionsfilmmaking1e_ch4_1_dlap.xml556e58a4757a2ecf15000002
The Principles of Designfilmmaking1e_ch4_2.html556e58a4757a2ecf15000002
DLAP questionsfilmmaking1e_ch4_2_dlap.xml556e58a4757a2ecf15000002
Design Planfilmmaking1e_ch4_3.html556e58a4757a2ecf15000002
DLAP questionsfilmmaking1e_ch4_3_dlap.xml556e58a4757a2ecf15000002
Previsualizationfilmmaking1e_ch4_4.html556e58a4757a2ecf15000002
DLAP questionsfilmmaking1e_ch4_4_dlap.xml556e58a4757a2ecf15000002
CHAPTER 4 ESSENTIALSfilmmaking1e_ch4_5.html556e58a4757a2ecf15000002
DLAP questionsfilmmaking1e_ch4_5_dlap.xml556e58a4757a2ecf15000002
How Do I...filmmaking1e_ch4_6.html556e58a4757a2ecf15000002
DLAP questionsfilmmaking1e_ch4_6_dlap.xml556e58a4757a2ecf15000002
Chapter 5: Introductionfilmmaking1e_ch5_1.html556e5973757a2e0813000003
DLAP questionsfilmmaking1e_ch5_1_dlap.xml556e5973757a2e0813000003
Management Overviewfilmmaking1e_ch5_2.html556e5973757a2e0813000003
DLAP questionsfilmmaking1e_ch5_2_dlap.xml556e5973757a2e0813000003
Schedulingfilmmaking1e_ch5_3.html556e5973757a2e0813000003
DLAP questionsfilmmaking1e_ch5_3_dlap.xml556e5973757a2e0813000003
Budgetingfilmmaking1e_ch5_4.html556e5973757a2e0813000003
DLAP questionsfilmmaking1e_ch5_4_dlap.xml556e5973757a2e0813000003
How Do I...filmmaking1e_ch5_5.html556e5973757a2e0813000003
DLAP questionsfilmmaking1e_ch5_5_dlap.xml556e5973757a2e0813000003
CHAPTER 5 ESSENTIALSfilmmaking1e_ch5_6.html556e5973757a2e0813000003
DLAP questionsfilmmaking1e_ch5_6_dlap.xml556e5973757a2e0813000003
Chapter 6: Introductionfilmmaking1e_ch6_1.html5574e937757a2e3c2f000001
DLAP questionsfilmmaking1e_ch6_1_dlap.xml5574e937757a2e3c2f000001
Your Screen Is Your Canvasfilmmaking1e_ch6_2.html5574e937757a2e3c2f000001
DLAP questionsfilmmaking1e_ch6_2_dlap.xml5574e937757a2e3c2f000001
Image Capture Media and Machinesfilmmaking1e_ch6_3.html5574e937757a2e3c2f000001
DLAP questionsfilmmaking1e_ch6_3_dlap.xml5574e937757a2e3c2f000001
Digital Camerasfilmmaking1e_ch6_4.html5574e937757a2e3c2f000001
DLAP questionsfilmmaking1e_ch6_4_dlap.xml5574e937757a2e3c2f000001
Filmfilmmaking1e_ch6_5.html5574e937757a2e3c2f000001
DLAP questionsfilmmaking1e_ch6_5_dlap.xml5574e937757a2e3c2f000001
Lensesfilmmaking1e_ch6_6.html5574e937757a2e3c2f000001
DLAP questionsfilmmaking1e_ch6_6_dlap.xml5574e937757a2e3c2f000001
Supporting and Moving the Camerafilmmaking1e_ch6_7.html5574e937757a2e3c2f000001
DLAP questionsfilmmaking1e_ch6_7_dlap.xml5574e937757a2e3c2f000001
How Do I...filmmaking1e_ch6_8.html5574e937757a2e3c2f000001
DLAP questionsfilmmaking1e_ch6_8_dlap.xml5574e937757a2e3c2f000001
CHAPTER 6 ESSENTIALSfilmmaking1e_ch6_9.html5574e937757a2e3c2f000001
DLAP questionsfilmmaking1e_ch6_9_dlap.xml5574e937757a2e3c2f000001
Bonus Video: Camera Prepfilmmaking1e_ch6_10.html5574e937757a2e3c2f000001
DLAP questionsfilmmaking1e_ch6_10_dlap.xml5574e937757a2e3c2f000001
Notes on Format: 48 FPS, Digital, 3D, and IMAXfilmmaking1e_ch6_11.html5574e937757a2e3c2f000001
DLAP questionsfilmmaking1e_ch6_11_dlap.xml5574e937757a2e3c2f000001
Case Study: Why I Love Digitalfilmmaking1e_ch6_12.html5574e937757a2e3c2f000001
DLAP questionsfilmmaking1e_ch6_12_dlap.xml5574e937757a2e3c2f000001
Case Study: Why I Love Filmfilmmaking1e_ch6_13.html5574e937757a2e3c2f000001
DLAP questionsfilmmaking1e_ch6_13_dlap.xml5574e937757a2e3c2f000001
Chapter 7: Introductionfilmmaking1e_ch7_1.html557623fe757a2e4837000000
DLAP questionsfilmmaking1e_ch7_1_dlap.xml557623fe757a2e4837000000
Basic Shotsfilmmaking1e_ch7_2.html557623fe757a2e4837000000
DLAP questionsfilmmaking1e_ch7_2_dlap.xml557623fe757a2e4837000000
Camera Angles: How You View the Scenefilmmaking1e_ch7_3.html557623fe757a2e4837000000
DLAP questionsfilmmaking1e_ch7_3_dlap.xml557623fe757a2e4837000000
Compositionfilmmaking1e_ch7_4.html557623fe757a2e4837000000
DLAP questionsfilmmaking1e_ch7_4_dlap.xml557623fe757a2e4837000000
Creating Images for Continuityfilmmaking1e_ch7_5.html557623fe757a2e4837000000
DLAP questionsfilmmaking1e_ch7_5_dlap.xml557623fe757a2e4837000000
How Do I...filmmaking1e_ch7_6.html557623fe757a2e4837000000
DLAP questionsfilmmaking1e_ch7_6_dlap.xml557623fe757a2e4837000000
CHAPTER 7 ESSENTIALSfilmmaking1e_ch7_7.html557623fe757a2e4837000000
DLAP questionsfilmmaking1e_ch7_7_dlap.xml557623fe757a2e4837000000
Case Study: DP Yoga and Staying Flexiblefilmmaking1e_ch7_8.html557623fe757a2e4837000000
DLAP questionsfilmmaking1e_ch7_8_dlap.xml557623fe757a2e4837000000
Case Study: It’s All in How You Say Itfilmmaking1e_ch7_9.html557623fe757a2e4837000000
DLAP questionsfilmmaking1e_ch7_9_dlap.xml557623fe757a2e4837000000
Chapter 8: Introductionfilmmaking1e_ch8_1.html55764b9b757a2e8c46000000
DLAP questionsfilmmaking1e_ch8_1_dlap.xml55764b9b757a2e8c46000000
Qualities of Lightfilmmaking1e_ch8_2.html55764b9b757a2e8c46000000
DLAP questionsfilmmaking1e_ch8_2_dlap.xml55764b9b757a2e8c46000000
Exposurefilmmaking1e_ch8_3.html55764b9b757a2e8c46000000
DLAP questionsfilmmaking1e_ch8_3_dlap.xml55764b9b757a2e8c46000000
Colorfilmmaking1e_ch8_4.html55764b9b757a2e8c46000000
DLAP questionsfilmmaking1e_ch8_4_dlap.xml55764b9b757a2e8c46000000
Lighting Gearfilmmaking1e_ch8_5.html55764b9b757a2e8c46000000
DLAP questionsfilmmaking1e_ch8_5_dlap.xml55764b9b757a2e8c46000000
How Do I...filmmaking1e_ch8_6.html55764b9b757a2e8c46000000
DLAP questionsfilmmaking1e_ch8_6_dlap.xml55764b9b757a2e8c46000000
CHAPTER 8 ESSENTIALSfilmmaking1e_ch8_7.html55764b9b757a2e8c46000000
DLAP questionsfilmmaking1e_ch8_7_dlap.xml55764b9b757a2e8c46000000
Bonus Video: Lighting Like Vermeerfilmmaking1e_ch8_8.html55764b9b757a2e8c46000000
DLAP questionsfilmmaking1e_ch8_8_dlap.xml55764b9b757a2e8c46000000
Case Study: Using Contrastfilmmaking1e_ch8_9.html55764b9b757a2e8c46000000
DLAP questionsfilmmaking1e_ch8_9_dlap.xml55764b9b757a2e8c46000000
Chapter 9: Introductionfilmmaking1e_ch9_1.html5578ee40757a2ec351000006
DLAP questionsfilmmaking1e_ch9_1_dlap.xml5578ee40757a2ec351000006
Style, Planning, and Preparationfilmmaking1e_ch9_2.html5578ee40757a2ec351000006
DLAP questionsfilmmaking1e_ch9_2_dlap.xml5578ee40757a2ec351000006
Outdoor Lightingfilmmaking1e_ch9_3.html5578ee40757a2ec351000006
DLAP questionsfilmmaking1e_ch9_3_dlap.xml5578ee40757a2ec351000006
Indoor Lightingfilmmaking1e_ch9_4.html5578ee40757a2ec351000006
DLAP questionsfilmmaking1e_ch9_4_dlap.xml5578ee40757a2ec351000006
Special Lighting Situationsfilmmaking1e_ch9_5.html5578ee40757a2ec351000006
DLAP questionsfilmmaking1e_ch9_5_dlap.xml5578ee40757a2ec351000006
How Do I...filmmaking1e_ch9_6.html5578ee40757a2ec351000006
DLAP questionsfilmmaking1e_ch9_6_dlap.xml5578ee40757a2ec351000006
CHAPTER 9 ESSENTIALSfilmmaking1e_ch9_7.html5578ee40757a2ec351000006
DLAP questionsfilmmaking1e_ch9_7_dlap.xml5578ee40757a2ec351000006
Case Study: Shooting Outdoors in the Rainfilmmaking1e_ch9_8.html5578ee40757a2ec351000006
DLAP questionsfilmmaking1e_ch9_8_dlap.xml5578ee40757a2ec351000006
Case Study: Color-Grading Texas Killing Fieldsfilmmaking1e_ch9_9.html5578ee40757a2ec351000006
DLAP questionsfilmmaking1e_ch9_9_dlap.xml5578ee40757a2ec351000006
Case Study: The One-Person Armyfilmmaking1e_ch9_10.html5578ee40757a2ec351000006
DLAP questionsfilmmaking1e_ch9_10_dlap.xml5578ee40757a2ec351000006
Chapter 10: Introductionfilmmaking1e_ch10_1.html5578fb5c757a2ec351000007
DLAP questionsfilmmaking1e_ch10_1_dlap.xml5578fb5c757a2ec351000007
Principles of Sound Designfilmmaking1e_ch10_2.html5578fb5c757a2ec351000007
DLAP questionsfilmmaking1e_ch10_2_dlap.xml5578fb5c757a2ec351000007
Planning Sound Designfilmmaking1e_ch10_3.html5578fb5c757a2ec351000007
DLAP questionsfilmmaking1e_ch10_3_dlap.xml5578fb5c757a2ec351000007
Sound Recordingfilmmaking1e_ch10_4.html5578fb5c757a2ec351000007
DLAP questionsfilmmaking1e_ch10_4_dlap.xml5578fb5c757a2ec351000007
Postproduction Soundfilmmaking1e_ch10_5.html5578fb5c757a2ec351000007
DLAP questionsfilmmaking1e_ch10_5_dlap.xml5578fb5c757a2ec351000007
How Do I...filmmaking1e_ch10_6.html5578fb5c757a2ec351000007
DLAP questionsfilmmaking1e_ch10_6_dlap.xml5578fb5c757a2ec351000007
CHAPTER 10 ESSENTIALSfilmmaking1e_ch10_7.html5578fb5c757a2ec351000007
DLAP questionsfilmmaking1e_ch10_7_dlap.xml5578fb5c757a2ec351000007
Case Study: Conversation about Sound with Walter Murchfilmmaking1e_ch10_8.html5578fb5c757a2ec351000007
DLAP questionsfilmmaking1e_ch10_8_dlap.xml5578fb5c757a2ec351000007
Chapter 11: Introductionfilmmaking1e_ch11_1.html557a2658757a2e6d5c000002
DLAP questionsfilmmaking1e_ch11_1_dlap.xml557a2658757a2e6d5c000002
Getting Startedfilmmaking1e_ch11_2.html557a2658757a2e6d5c000002
DLAP questionsfilmmaking1e_ch11_2_dlap.xml557a2658757a2e6d5c000002
Organize the Assemblyfilmmaking1e_ch11_3.html557a2658757a2e6d5c000002
DLAP questionsfilmmaking1e_ch11_3_dlap.xml557a2658757a2e6d5c000002
Finishingfilmmaking1e_ch11_4.html557a2658757a2e6d5c000002
DLAP questionsfilmmaking1e_ch11_4_dlap.xml557a2658757a2e6d5c000002
How Do I...filmmaking1e_ch11_5.html557a2658757a2e6d5c000002
DLAP questionsfilmmaking1e_ch11_5_dlap.xml557a2658757a2e6d5c000002
CHAPTER 11 ESSENTIALSfilmmaking1e_ch11_6.html557a2658757a2e6d5c000002
DLAP questionsfilmmaking1e_ch11_6_dlap.xml557a2658757a2e6d5c000002
Chapter 12: Introductionfilmmaking1e_ch12_1.html557a2661757a2e6d5c000003
DLAP questionsfilmmaking1e_ch12_1_dlap.xml557a2661757a2e6d5c000003
The Phases of Editingfilmmaking1e_ch12_2.html557a2661757a2e6d5c000003
DLAP questionsfilmmaking1e_ch12_2_dlap.xml557a2661757a2e6d5c000003
Find the Rhythmfilmmaking1e_ch12_3.html557a2661757a2e6d5c000003
DLAP questionsfilmmaking1e_ch12_3_dlap.xml557a2661757a2e6d5c000003
Editing Basicsfilmmaking1e_ch12_4.html557a2661757a2e6d5c000003
DLAP questionsfilmmaking1e_ch12_4_dlap.xml557a2661757a2e6d5c000003
Transitions and Cutsfilmmaking1e_ch12_5.html557a2661757a2e6d5c000003
DLAP questionsfilmmaking1e_ch12_5_dlap.xml557a2661757a2e6d5c000003
How Do I...filmmaking1e_ch12_6.html557a2661757a2e6d5c000003
DLAP questionsfilmmaking1e_ch12_6_dlap.xml557a2661757a2e6d5c000003
CHAPTER 12 ESSENTIALSfilmmaking1e_ch12_7.html557a2661757a2e6d5c000003
DLAP questionsfilmmaking1e_ch12_7_dlap.xml557a2661757a2e6d5c000003
Chapter 13: Introductionfilmmaking1e_ch13_1.html557a266f757a2e6d5c000004
DLAP questionsfilmmaking1e_ch13_1_dlap.xml557a266f757a2e6d5c000004
VFX Overviewfilmmaking1e_ch13_2.html557a266f757a2e6d5c000004
DLAP questionsfilmmaking1e_ch13_2_dlap.xml557a266f757a2e6d5c000004
Special Effectsfilmmaking1e_ch13_3.html557a266f757a2e6d5c000004
DLAP questionsfilmmaking1e_ch13_3_dlap.xml557a266f757a2e6d5c000004
Computer-Generated Imageryfilmmaking1e_ch13_4.html557a266f757a2e6d5c000004
DLAP questionsfilmmaking1e_ch13_4_dlap.xml557a266f757a2e6d5c000004
Character Animationfilmmaking1e_ch13_5.html557a266f757a2e6d5c000004
DLAP questionsfilmmaking1e_ch13_5_dlap.xml557a266f757a2e6d5c000004
Managing Datafilmmaking1e_ch13_6.html557a266f757a2e6d5c000004
DLAP questionsfilmmaking1e_ch13_6_dlap.xml557a266f757a2e6d5c000004
How Do I...filmmaking1e_ch13_7.html557a266f757a2e6d5c000004
DLAP questionsfilmmaking1e_ch13_7_dlap.xml557a266f757a2e6d5c000004
CHAPTER 13 ESSENTIALSfilmmaking1e_ch13_8.html557a266f757a2e6d5c000004
DLAP questionsfilmmaking1e_ch13_8_dlap.xml557a266f757a2e6d5c000004
Case Study: Tiling Backgroundsfilmmaking1e_ch13_9.html557a266f757a2e6d5c000004
DLAP questionsfilmmaking1e_ch13_9_dlap.xml557a266f757a2e6d5c000004
Chapter 14: Introductionfilmmaking1e_ch14_1.html557a267d757a2e6d5c000005
DLAP questionsfilmmaking1e_ch14_1_dlap.xml557a267d757a2e6d5c000005
Defining the Audiencefilmmaking1e_ch14_2.html557a267d757a2e6d5c000005
DLAP questionsfilmmaking1e_ch14_2_dlap.xml557a267d757a2e6d5c000005
Reaching Your Audiencefilmmaking1e_ch14_3.html557a267d757a2e6d5c000005
DLAP questionsfilmmaking1e_ch14_3_dlap.xml557a267d757a2e6d5c000005
Distributing Your Filmfilmmaking1e_ch14_4.html557a267d757a2e6d5c000005
DLAP questionsfilmmaking1e_ch14_4_dlap.xml557a267d757a2e6d5c000005
Studio (Theatrical) Distributionfilmmaking1e_ch14_5.html557a267d757a2e6d5c000005
DLAP questionsfilmmaking1e_ch14_5_dlap.xml557a267d757a2e6d5c000005
How Do I...filmmaking1e_ch14_6.html557a267d757a2e6d5c000005
DLAP questionsfilmmaking1e_ch14_6_dlap.xml557a267d757a2e6d5c000005
CHAPTER 14 ESSENTIALSfilmmaking1e_ch14_7.html557a267d757a2e6d5c000005
DLAP questionsfilmmaking1e_ch14_7_dlap.xml557a267d757a2e6d5c000005
Case Study: Stephanie and Alec’s journey with The Red Machinefilmmaking1e_ch14_8.html557a267d757a2e6d5c000005
DLAP questionsfilmmaking1e_ch14_8_dlap.xml557a267d757a2e6d5c000005
Bonus Video: Marketing Winter's Bonefilmmaking1e_ch14_9.html557a267d757a2e6d5c000005
DLAP questionsfilmmaking1e_ch14_9_dlap.xml557a267d757a2e6d5c000005
Chapter 15: Introductionfilmmaking1e_ch15_1.html557a268b757a2e6d5c000006
DLAP questionsfilmmaking1e_ch15_1_dlap.xml557a268b757a2e6d5c000006
Analyzing the Credit Rollfilmmaking1e_ch15_2.html557a268b757a2e6d5c000006
DLAP questionsfilmmaking1e_ch15_2_dlap.xml557a268b757a2e6d5c000006
Navigating the Industryfilmmaking1e_ch15_3.html557a268b757a2e6d5c000006
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Helping Yourselffilmmaking1e_ch15_4.html557a268b757a2e6d5c000006
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CHAPTER 15 ESSENTIALSfilmmaking1e_ch15_6.html557a268b757a2e6d5c000006
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Bonus Video: More Advice from Hollywood Professionalsfilmmaking1e_ch15_7.html557a268b757a2e6d5c000006
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Bonus Video: My First Jobfilmmaking1e_ch15_8.html557a268b757a2e6d5c000006
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Film and Television Industry Resourcesfilmmaking1e_ch15_9.html557a268b757a2e6d5c000006
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PART 1: CONCEPT AND PREPARATIONfilmmaking1e_ch301_1.html55862a35757a2e5007000034
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PART 2: IMAGE AND SOUNDfilmmaking1e_ch301_2.html55862a35757a2e5007000034
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PART 3: PRODUCTION GLUEfilmmaking1e_ch301_3.html55862a35757a2e5007000034
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PART 4: FILMMAKING AND BEYONDfilmmaking1e_ch301_4.html55862a35757a2e5007000034
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