7.1 INTRODUCTION: Thinking, Language, and Intelligence

KEY THEME

Thinking is a broad term that refers to how we use knowledge to analyze situations, solve problems, and make decisions.

KEY QUESTIONS

Cognition is a general term that refers to the mental activities involved in acquiring, retaining, and using knowledge. In previous chapters, we’ve looked at fundamental cognitive processes such as perception, learning, and memory. These processes are critical in order for us to acquire and retain new knowledge.

cognition

The mental activities involved in acquiring, retaining, and using knowledge.

In this chapter, we will focus on how we use that knowledge to analyze situations, solve problems, make decisions, and use language. As you’ll see, such cognitive abilities are widely regarded as key dimensions of intelligence—a concept that we will also explore.

The Building Blocks of Thought: MENTAL IMAGERY AND CONCEPTS

In the most general sense, thinking is involved in all conscious mental activity, whether it is acquiring new knowledge, reasoning, planning ahead, or daydreaming. More narrowly, we can say that thinking involves manipulating mental representations of information in order to draw inferences and conclusions. Thinking, then, involves active mental processes and is often directed toward some goal, purpose, or conclusion.

thinking

The manipulation of mental representations of information in order to draw inferences and conclusions.

What exactly is it that we think with? Two important forms of mental representations are mental images and concepts. We’ll look first at mental images.

MENTAL IMAGES

When you read the Prologue, did you form a mental image of the view from the deck of a cabin perched above a river valley? Or of a steep hiking trail, lined with wildflowers and butterflies? Or Sandy and Tom sitting in front of their computers and exchanging instant messages? The stories we tell in our prologues typically lend themselves to the creation of mental images. Formally, a mental image is a mental representation of objects or events that are not physically present. Does the brain process mental images in the same way that it processes physical perceptions? We discuss this question in the Focus on Neuroscience on page 274, “Seeing Faces and Places in the Mind’s Eye.”

mental image

A mental representation of objects or events that are not physically present.

We often rely on mental images to accomplish some cognitive task. For example, try reciting the letters of the alphabet that consist of only curved lines. To accomplish this task, you have to mentally visualize and then inspect an image of each letter of the alphabet.

Typically, the term mental images refers to visual “pictures.” However, people can also form mental representations that involve senses other than vision (Cattaneo & Vecchi, 2008; Palmiero & others, 2009). For example, you can probably easily create a mental representation for the taste of a chocolate milk shake, the smell of freshly popped popcorn, or the feel of cold, wet clothing sticking to your skin. Nonetheless, most research on mental images has looked at how we manipulate visual images, and we’ll focus on visual images in our discussion here.

Thinking What types of cognitive activities might be required to plan and implement a new clothing line? South African actress and award-winning fashion designer Nkhensani Nkosi, shown here, is highly creative. But she must also be able to draw on existing knowledge, analyze new information, effectively solve problems, and make good decisions.
Per-Anders Pettersson/Getty Images

FOCUS ON NEUROSCIENCE

Seeing Faces and Places in the Mind’s Eye

Until the advent of sophisticated brain-scanning techniques, studying mental imagery relied on cognitive tasks, such as measuring how long participants reported it took to scan a mental image (see Kosslyn & others, 2001). Today, however, psychologists are using brain-imaging techniques to study mental imagery. One important issue is whether mental images activate the same brain areas that are involved in perception. Remember, perception takes place when the brain registers information that is received directly from sensory organs.

Previously, researchers found that perceiving certain types of scenes or objects activates specific brain areas. For example, when we look at faces, specific brain areas such as the fusiform facial area (FFA) are activated (Epstein & Kanwisher, 1998; Pitcher & others, 2011). When we look at pictures of places, a different brain area, called the parahippocampal place area, or PPA, is activated (Cant & Goodale, 2011; Kanwisher, 2001). Given these findings, the critical question is this: If we simply imagine faces or places, will the same brain areas be activated?

To answer that question, psychologists Kathleen O’Craven and Nancy Kanwisher (2000) used functional magnetic resonance imaging (fMRI) to compare brain activity during perception and imagery. Study participants underwent fMRI scans while they looked at photographs of familiar faces and places (scenes from their college campus). Next, the participants were asked to close their eyes and form a vivid mental image of each of the photographs they had just viewed.

Three key findings emerged from the study. First, as you can see from the fMRI scans of two participants shown here, imagining a face or place activated the same brain region that is activated when perceiving a face or a place. More specifically, forming a mental image of a place activated the parahippocampal place area. And, forming a mental image of a face activated the fusiform facial area.

Second, compared to imagining a face or place, actually perceiving a face or place evoked a stronger brain response, as indicated by the slightly larger red and yellow areas in the perception fMRIs (upper row). Third, because the brain responses between the two conditions were so distinctive, O’Craven and Kanwisher could determine what the participants were imagining—faces or places—simply from looking at the fMRI scans.

Other neuroscientists have confirmed that there is considerable overlap in the brain areas involved in visual perception and mental images (Ganis & others, 2004). Clearly, perception and imagination share common brain mechanisms. So, at least as far as the brain is concerned, “the next best thing to being there” might just be closing your eyes … and going there in your mind’s eye.

Brain Activation During Perception and Mental Imagery Shown here are the fMRIs of two participants in O’Craven and Kanwisher’s (2000) study. Notice that the same brain areas are activated while perceiving or imagining a familiar face. Likewise, the same brain areas are activated while perceiving or imagining a familiar place. Also notice that the brain activation is slightly stronger in the perception condition than in the mental imagery condition.
Courtesy of O’Craven and Kanwisher

Do people manipulate mental images in the same way that they manipulate their visual images of actual objects? Suppose we gave you a map of the United States and asked you to visually locate San Francisco. Then suppose we asked you to fix your gaze on another city. If the other city was far away from San Francisco (like New York), it would take you longer to visually locate it than if it was close by (like Los Angeles). If you were scanning a mental image rather than an actual map, would it also take you longer to scan across a greater distance?

In a classic study by Stephen Kosslyn and his colleagues (1978), participants first viewed and memorized a map of a fictitious island with distinct locations, such as a lake, a hut, a rock, and grass (see FIGURE 7.1). After the map was removed, participants were asked to imagine a specific location on the island, such as the sandy beach. Then a second location, such as the rock, was named. The participants mentally scanned across their mental image of the map and pushed a button when they reached the rock.

Figure 7.1: FIGURE 7.1 Mentally Scanning Images This is a reduced version of the map used by Stephen Kosslyn and his colleagues (1978) to study the scanning of mental images. After subjects memorized the map, the map was removed. Subjects then mentally visualized the map and scanned from one location to another. As you can see by the average scanning times, it took subjects longer to scan greater distances on their mental images of the map, just as it takes longer to scan greater distances on an actual map.
Source: Data from Kosslyn & others (1978).

The researchers found that the amount of time it took to mentally scan to the new location was directly related to the distance between the two points. The greater the distance between the two points, the longer it took to scan the mental image of the map (Kosslyn & others, 1978). It seems, then, that we tend to scan a mental image in much the same way that we visually scan an actual image (Kosslyn & Thompson, 2000).

However, we don’t simply look at mental images in our minds. Sometimes thinking involves the manipulation of mental images. For example, try the problem in FIGURE 7.2 at the bottom of the page, and then continue reading.

Figure 7.2: FIGURE 7.2 Manipulating Mental Images Two of these threes are backward. Which ones?

It probably took you longer to determine that the 3 in the middle was backward than to determine that the 3 on the far left was backward. Determining which 3s were backward required you to mentally rotate each one to an upright position. Just as it takes time to rotate a physical object, it takes time to mentally rotate an image. Furthermore, the greater the degree of rotation required, the longer it takes you to rotate the image mentally (Wohlschläger & Wohlschläger, 1998). Thus, it probably took you longer to mentally rotate the 3 in the middle, which you had to rotate 180 degrees, than it did to mentally rotate the 3 on the far left, which you had to rotate only 60 degrees.

Collectively, research seems to indicate that we manipulate mental images in much the same way we manipulate the actual objects they represent (Gardony & others, 2014; Rosenbaum & others, 2001). However, mental images are not perfect duplicates of our actual sensory experience. The mental images we use in thinking have some features in common with actual visual images, but they are not like photographs. Instead, they are memories of visual images. And, like other memories, visual images are actively constructed and potentially subject to error (Cattaneo & Vecchi, 2008).

CONCEPTS

Along with mental images, thinking also involves the use of concepts. A concept is a mental category we have formed to group objects, events, or situations that share similar features or characteristics. Concepts provide a kind of mental shorthand, economizing the cognitive effort required for thinking and communicating.

concept

A mental category of objects or ideas based on properties they share.

Using concepts makes it easier to communicate with others, remember information, and learn new information. For example, the concept “food” might include anything from a sardine to a rutabaga. Although very different, we can still group rutabagas and sardines together because they share the central feature of being edible. If someone introduces us to a new delicacy and tells us it is food, we immediately know that it is something to eat—even if it is something we’ve never seen before.

Adding to the efficiency of our thinking is our tendency to organize the concepts we hold into orderly hierarchies composed of main categories and subcategories (Markman & Gentner, 2001). Thus, a very general concept, such as “furniture,” can be mentally divided into a variety of subcategories: tables, chairs, lamps, and so forth. As we learn the key properties that define general concepts, we also learn how members of the concept are related to one another.

How are concepts formed? When we form a concept by learning the rule or features that define the particular concept, it is called a formal concept. Children are taught the specific rules or features that define many simple formal concepts, such as geometric shapes. These defining rules or features can be simple or complex. In either case, the rules are logical but rigid. If the defining features, or attributes, are present, then the object is included as a member or example of that concept. For some formal concepts, this rigid all-or-nothing categorization procedure works well. For example, a substance can be categorized as a solid, liquid, or gas. The rules defining these formal concepts are very clear-cut.

formal concept

A mental category that is formed by learning the rules or features that define it.

Are These Mammals? The more closely an item matches the prototype of a concept, the more quickly we can identify the item as being an example of that concept. Because bats, walruses, and the rather peculiar-looking African long-tailed pangolin don’t fit our prototype for a mammal, it takes us longer to decide whether they belong to the category “mammal” than it does to classify animals that are closer to the prototype.
(l) George Steinmetz/Corbis
(c) Michael Krabs/age fotostock
(r) Bryan and Cherry Alexander/Science Source

However, as psychologist Eleanor Rosch (1973) pointed out, the features that define categories of natural objects and events in everyday life are seldom as clear-cut as the features that define formal concepts. A natural concept is a concept formed as a result of everyday experience rather than by logically determining whether an object or event fits a specific set of rules. Rosch suggested that, unlike formal concepts, natural concepts have “fuzzy boundaries.” That is, the rules or attributes that define natural concepts are not always sharply defined.

natural concept

A mental category that is formed as a result of everyday experience.

Because natural concepts have fuzzy boundaries, it’s often easier to classify some members of natural concepts than others (Rosch & Mervis, 1975). To illustrate this point, think about the defining features or rules that you usually associate with the natural concept “vehicle.” With virtually no hesitation, you can say that a car, truck, and bus are all examples of this natural concept. How about a sled? A wheelbarrow? A raft? An elevator? It probably took you a few seconds to determine whether these objects were also vehicles. Why are some members of natural concepts easier to classify than others?

According to Rosch (1978), some members are better representatives of a natural concept than are others. The “best,” or most typical, instance of a particular concept is called a prototype (Mervis & Rosch, 1981; Rosch, 1978). According to prototype theories of classification, we tend to determine whether an object is an instance of a natural concept by comparing it to the prototype we have developed rather than by logically evaluating whether the defining features are present or absent (Minda & Smith, 2001, 2011).

prototype

The most typical instance of a particular concept.

The more closely an item matches the prototype, the more quickly we can identify it as being an example of that concept (Rosch & Mervis, 1975). For example, it usually takes us longer to identify an olive or a coconut as being a fruit because they are so dissimilar from our prototype of a typical fruit, like an apple or an orange (see TABLE 7.1).

The first items listed under each general concept are the ones most people tend to think of as the prototype examples of that concept. As you move down the list, the items become progressively less similar to the prototype examples.

Table : TABLE 7.1
From Prototypes to Atypical Examples
Vehicles Fruit
car orange
truck apple
bus banana
motorcycle peach
train pear
trolley car apricot
bicycle plum
airplane grape
boat strawberry
tractor grapefruit
cart pineapple
wheelchair blueberry
tank lemon
raft watermelon
sled honeydew
horse pomegranate
blimp date
skates coconut
wheelbarrow tomato
elevator olive
Source: Reprinted from Cognitive Psychology, Vol 7, Rosch, Eleanor H.; & Mervis, Carolyn B., Family resemblances: Studies in the internal structure of categories, 573–605, Copyright 1975, with permission from Elsevier.

Some researchers believe that we don’t classify a new instance by comparing it to a single “best example” or prototype. Instead, they believe that we store memories of individual instances, called exemplars, of a concept (Nosofsky & Zaki, 2002; Voorspoels & others, 2008). Then, when we encounter a new object, we compare it to the exemplars that we have stored in memory to determine whether it belongs to that category (Nosofsky & others, 2011). So, if you’re trying to decide whether a coconut is a fruit, you compare it to your memories of other items that you know to be fruits. Is it like an apple? An orange? How about a peach? Or a cantaloupe?

exemplars

Individual instances of a concept or category, held in memory.

Concepts, Exemplars, and Humor What makes this cartoon funny? One source of humor is incongruity—the juxtaposition of two concepts, especially when an unexpected similarity between the concepts is revealed (Martin, 2007). Here, the joke relies on the juxtaposition of cats and the familiar exemplar for a barbershop—the striped pole outside the door, plate glass window, and chairs and magazines for clients waiting their turn. Exemplars are often used in cartoons to communicate a situation or concept to the audience. If you didn’t share the exemplar for barbershop, you probably wouldn’t find the joke to be very funny.
Bizarro © Dan Piraro. King Feature Syndicate

As the two building blocks of thinking, mental images and concepts help us impose order on the phenomena we encounter and think about. We often rely on this knowledge when we engage in complex cognitive tasks, such as solving problems and making decisions, which we’ll consider next.