Chapter 8 - Chancellor Séguier at the Entry of Louis XIV into Paris in 1660 - Exploring the Text: In a review of one of Wiley’s shows, an art critic asks, “Do his big, flashy pictures of young African-American men recast as the kings, dandies, prophets, and saints of European portraiture subvert the timeworn ruses of Western art and its hierarchies of race, class and sex?” Based on these two paintings, how would you answer that question? To expand your response, you might look at other paintings by Wiley on his Web site, www.kehindewiley.com.