Reading Quiz for Chapter 20

Read Chapter 20 in your book and check your comprehension by answering the following questions. Then “submit” your work.

  1. Question

    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
    In music, what do the terms modernism and modernist refer to?
    Correct.
    Incorrect. See Varieties of Modernism in Chapter 20.

  2. Question

    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
    The first phase of avant-garde modernism peaked during what time?
    Correct.
    Incorrect. See Varieties of Modernism in Chapter 20.

  3. Question

    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
    What developments led people of the late nineteenth and early twentieth centuries to question their most basic assumptions about life?
    Correct.
    Incorrect. See Progress and Uncertainty in Chapter 20.

  4. Question

    7/TrYlZnOdFav6/TfLTw4z+mwAcrqO25dcW4TwVBUnu+W4gRH8q/3sQ5mmsG9bdS5gKN1Qfn68VE2ihPbo4GT3ww6omIpNGdcpb0h8tCfPC/mQ3WsAt7H4+JOQ3BdK1870JRHYiD4WG1B8N8VSo9Noc5rg6MVyu2y2JBGOccD8uBLj5w4+obeFIHKQGrHM3SG0oEUmnu+zjVQxuha8mRoG8mCyqMpMBDRQkX/HeuJSic6rptCPaqAmT3fbHvX2HXAK41kM7LKIe9oxcYw+yZT1f41e8Riy34X8/gdJwxPJqkluD0TCIKPhlG+wBhmYYoCaM3azcYsgZ1wV9k+pTXs5hrg9i0ha/sl80dsXrzeQvD/9kGvQTLg1A8jVgDocyIy0j7l1TLj+k2Ty434+a0DbqF4nXde2wIuW+EWyb76FqiOjH9QIxGILv9mU/BCs1eN63qmZdSCM3kFWodad/V/mkoI7L5Rs7cD0B5SZslpuk=
    Modernism’s response to the anxieties and uncertainties of the late nineteenth and early twentieth centuries was to
    Correct.
    Incorrect. See The Response of Modernism in Chapter 20.

  5. Question

    tMpjHUayVBfXKts0M7sGLMVrrGjOZilq3cZ4JZpyGgC6pDBCuU7vGKpzb2EnJ88gMxXROqrXEXFfcpeEJ7CDxEaxXIacdyMIhfYtuU19BVNLqvNl2XLRt2NqVMVrO+ocWu8xwGpHJbIeFRoHX6fxGThw5p4zI3aNNq7KadF4gc9d3w52VDUTaN/RFKV3F0N6E2nKcj2bxXAMGKTyX4VZPj4q75PSAndYFEm5tLlqwHZ+Ev3ElZ9spcK+iNivgr9mOwRO/bon3o2mGmzpa5uo4dphLbNJgFKM
    Which was a new and radical development in the visual arts in the early twentieth century?
    Correct.
    Incorrect. See The Response of Modernism in Chapter 20.

  6. Question

    IrzSAwADjZZnWX/7cUBD8Oe+8fzCsqXxUzH3fNyWXFzI+3I3EHLNkZkLEZdycZXupFIJB/+L+rG2iGFT9ssRMEmVYIFj74JfGw52t5vmGNkR0iC1XkoHEijln2QAs3g2wmFy9xzht4dqRvk0ipf+1q48nze97O6GFlF4sr3MVw0lECT9GMNaK2DpWPzpjbvvWlaQ8QMq3pFrdYsnykSut6CDAwWrbzNVnZmiQ8sPOam8mPCDp8Y3HHDqJGfDPrKqcqHwO6TfPovdfMMAet/UchsWMNdrkmigDT9/xPPqA4tb4FCmroWD4J0Ns2OGgFQR2mj8BmugxY/omRRgg80+bxb66pulaMIzP7ACHA==
    Which modernist movement in poetry wanted words to perform their signifying functions freely, without being limited to exact definitions or having to fit into phrases and sentences?
    Correct.
    Incorrect. See Impressionists and Symbolists in Chapter 20.

  7. Question

    WbvEMExAfA36A8smw5V0RrouefPcJJh/IPy7tThPXxXqoZBHIByotwIw5ygeyCO3QYe3AQMGKe+o/hZ/4q4vchJiKnQ9i4DLX0FcBz4Y4RpVxLeNMtoKLlKODjNeyX8NIgR82WjeNugZNSHhJRpnxhmwHV6iU62JYjgYahLQfApN6srz9DWQBI7wwrEIl7rPjNHPnG8l03G1rYA8mFlp02GDLrrD8yBJ3mI27pjmJwKFTrB/4fLUhXSu9HehJoY9fiAaO5gvmGBH3RId9+Nsiw==
    Which modernist movement in painting attempted to capture the actual, perceived quality of light using patches of color?
    Correct.
    Incorrect. See Impressionists and Symbolists in Chapter 20.

  8. Question

    2RHBsSZDTfENbQT5ApXjIDD31tDl2sxbRpWsX6kMq+mA6UG/DsjNfXUSuUYn6lLBKTMy39u9XvFsvzAHthPNUisxm54uMTAHlr3kyy0PYBdpPXYpHHOvOYji2hbQ9p2e6fFPWcDgqqedtFtuBKQ8sy5/5R2jmdUUhfIeqEqiR1gHlJ5pOFRTmQtI8fZB/3RQI/UvsIsJZuxcQyNNHaVE62mpcA/AYl+uJFrCyhuAYxC4qoysKKVICeuU3uut+PiP
    Which modernist movement in the arts sought to express the most extreme human feelings in abstract ways?
    Correct.
    Incorrect. See Expressionists and Fauves in Chapter 20.

  9. Question

    fYTDT0aKC+iqF1PodLhYiY2v5i9/uDt6CsZKz5KMBk7eI08UOKdHQ2QDwYZJmSL3c4VkKIOXwCP5fx6URYAfsbD6hiVf3MZDq0VlNlftRLH9U1KJrL0Tprbyz0nT0I5mAaSnR3pdBl/rlwa2NTsaZ0A3CryKrFv7wQa8H5qnkWypPjPS8NH3r7I0WV2SK/6DZD+r39Mv0ENjcoEn31sXOTkMwCylWBFZn5AMmTGt7PYUZY6nhq1u11OPhYjoz9ypUhstDqi3B8w=
    The symbolists were fascinated with the music dramas of Richard Wagner because of his use of
    Correct.
    Incorrect. See Impressionists and Symbolists in Chapter 20.

  10. Question

    GJPtTEW3qGnEjdh4tVNhIWoPfPVLI3bB6eOP2yFJXtUxzyUIk9j2RsJHEXWTEQ6YG7qoKLB+bdNF7LI9uSuv5p4q3wOYI+da5IOnnZVqjVFC210pZTnRD9EAVSWrmwdhvCosj3kdbcs9CWRi3uagXSZd/ekEjer5rrAgo7WIQU6FPSWOy0wf31gujFFK6CG1oGoYyXDgpbh39FUO+CtoPfSYb/6ktG3FkcxtjaczX4CJZHpOoGDnxo074PbMw2mReuPFL+RTr0uj4M6yCRylVn0F30SLgpwLgqlmd9tvzF1pHvSkHB0IDl6CIWS2GFF0q26MwCmeWcto9jiFBdEuNnGNteNV4pyYvKVRi7EAGmZvgYSCezrHNksF3hKwlkjz2wa5uh9hPSsNU2wb9IKzQw==
    The first phase of avant-garde modernist composers, in the period before World War I, focused on experimentation with which aspect(s) of music?
    Correct.
    Incorrect. See Modernist Music before World War I in Chapter 20.

  11. Question

    2cEA+yUTZw2aoy/s+DriNoiBLik3qEVNtMfQlB33PArHcGsz2L3yzW5Jx7TJ9xyulf4GIFdkV5gNBNn4B6VytJ0QTnWZmeG1txiv1sOLoGxtrZgYHdLobf1V/mFZATecj4OPb7mPvpdgOj4M2M3d8Q+XWBzpm0IiTtejyNPg5YFbrrqyaxGSAQ==
    Which composer invented serialism?
    Correct.
    Incorrect. See New Horizons, New Scales in Chapter 20.

  12. Question

    5jviopaCh5IRyAhJh4ebUmAN1N3OshhVeFYPCDLZkcgzxGfz+OI/y9+k59OoqamZjljT1xWolECakD9sSTc+DfC3MOTY3GKpSh7CISQ7Yv7LyK9QiEeM8dekrUgKPOmQDVlBHfoKxRr7/BXOc/o8mraCl2miSiyUbLTtoym2Z9l3RpqhfdT+B2nYp6634YOEKrO1I6n1i5UOkSztp4zRunP6Lxf8XddUe8lMRBsnO2hZieazO7xaaWbi/Op1A35zgKZyxe5mp8+NHc4dfIs2noYZoxesC6LRucz8Ft8ch2LFyNlA/ZBB0hg69g1jzxXwEB2LrVai9CCSpwk/1JBBhIdm7ZC5mrMzhiiPiXHGkft39s/nfRLwWTb06xp8UROh
    The five-note scale that can be played using the black keys of a piano is called the
    Correct.
    Incorrect. See New Horizons, New Scales in Chapter 20.

  13. Question

    I64d4Dv/bhtte7N0aZH4gWcTCMQM4jRJbj0SEbK6aToE1u0Aluh/sxpRVR6zWGgm6jd/xxDICsOb6P6Gj1ShlWv8zyqvzJMUaLVe1Ez/qeNzEx8rbAf8FCS918MiwdQvelcI8Fp2aWmaIotJ5BtsXZ4NwVwhyLbDgVJJucxPfyCL+JE05P1PP2dL/Hgm66ycBp44ONIU0/d9od7h3GU9FY4jOH5Fn5p/JAhSzwrLXB8ciyPyjLxBqRhZZ8vaopE5R00jK49VLs8O1AB0tOuC6kNGnvzeKiRdl+PEa28ryaiZ3HH17ox9FXtQ5JgMgrQGR7CW2RIQAQDrzXB9KP8PwGlUQKH94fjuZ5kzC+7ThtTdpMTMgsii4g==
    The six-note scale that divides an octave into six equal parts is called the
    Correct.
    Incorrect. See New Horizons, New Scales in Chapter 20.

  14. Question

    sQM+Oy8DJ+1XHCOOm02mU1R8HzbQiGS65mOWR2bmH/3Q5TDN1lZNMiqT0fPWzw97eUHN5JQcQbUxjjfADe8CfpvSIWXREz+EINR6P8S0PXjl4xQ2ot0Jir+1FDsVporKfiw0SDnRfiAZjurIVsZfj2cYFHSGNgd60xVXdtv1Tj2O7AkiGoyHW0cH3DehwrgJGcurVaCqeMD30pd7
    Music that lacks any feeling of having a central or homing pitch is called
    Correct.
    Incorrect. See “The Emancipation of Dissonance” in Chapter 20.

  15. Question

    Rhe1Tj/sHhnEYyyEdkYYZX4FQLXaEytN7e24h/vxde7ggTcQnmm7bIh0QKNHfAuy7534voTF33xxiSmoXIBUiGupw9Gl574UERDUflRdS8Aczw1+Ck4g2BEhwQlkZpmwB59uTvmK9ZsXscg/bxVWT/K7hMZvucFAtnEj5/lJePuCiFMaHk9HDJ/+rL28nwgHy40DCAYK+lk1CJAij0iM0T/oK/7oywxPOr/Q6UgTfBziFxHjCBCtyCwAtYQsIoZnqEkgOOzr5kTxXYlkb8sgT8yF9pUP4JUMtnJUbyU0+8v7alEOxk4SKV3FIL8=
    Which composer famously spoke of “the emancipation of dissonance,” meaning freedom from the need to resolve to a consonant chord?
    Correct.
    Incorrect. See “The Emancipation of Dissonance” in Chapter 20.