Reading Quiz for Chapter 8

Read Chapter 8 in your book and check your comprehension by answering the following questions. Then “submit” your work.

  1. Question

    KNyGqwBvdHsuh/OT8qGHfaXPH2k5qWmdoPBesfzRxAufkElcqFKip/QSHDCi0yIhxGGA9a4TjcKyX0KINgFOEK3AOgJpNoLIdY0QC6zw2xVy8y3A+F/rxdKFOwfXTz5PbIPip1MAVTOzh4jsAsZ/QNFiCEs=
    Where was early Baroque style first developed?
    Correct.
    Incorrect. See the opening of Chapter 8.

  2. Question

    pEB50z9bICdC2Umx6mJGkhE6uQ68CcWws+0b4MTJ32av/5nuh5RfKaxhNYrxS4/bbLp3jHrDAVJomLF9MGZd4yZNad7dCPF+UlZMQALGoNswsE4CXdc0QFvQB0bJr6z/4ZYwot4bYw1LHZYqTXDV5FgddklkbXvYRYStKOX4y1TRfvWpErhbPaGUuDP3SjWO9PhR+6JhHdun5cvE1i04Tmc6JdRES9fG
    Which of the following was an important innovation of the early Baroque era?
    Correct.
    Incorrect. See From Renaissance to Baroque in Chapter 8.

  3. Question

    vXBlztLuENnInghn0BOAdIUNahV78YwhgSIDmCXdnBZ4OLkuTlwMUrvg1bnuXvzEdoCbb25Y4FGN3vEyjDGInXz07L5AzBumnp3WDTqa5BDG83fYLGaExbtdiOxCxJa9Rq2qMQyR0nyH4z5XcaNT8+Z1QNc=
    Gabrieli’s “O magnum mysterium” is
    Correct.
    Incorrect. See Giovanni Gabrieli, Motet, “O magnum mysterium” in Chapter 8.

  4. Question

    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
    What happened to rhythm and meter in the early Baroque period?
    Correct.
    Incorrect. See Rhythm and Meter in Chapter 8.

  5. Question

    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
    What is the basso continuo, or just continuo, in Baroque music?
    Correct.
    Incorrect. See Texture: Basso Continuo in Chapter 8.

  6. Question

    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
    In the Baroque ground-bass form, how is music constructed?
    Correct.
    Incorrect. See Texture: Basso Continuo in Chapter 8.

  7. Question

    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
    What is functional harmony?
    Correct.
    Incorrect. See Functional Harmony in Chapter 8.

  8. Question

    c2SIeneeWrYh5TlCZ4GsHMo+/B8nrwnWKRZ2ixkPu6FC5H3RVarSjUgqYpVaEZnQUVYGpFUzgHw2MslYckZgrgObfdH5wRdIjiL1o3hzMxjtbaZby8KOpsoQd4U1O7OBs8Q4YPvy+SfE8JA1lHht4Wegbst+t2AV2AfQ+zemtVgjs8CGqrx56IXoo4DR5sSs0Ga2oAmMpFplpp1QXL0wd/LBY1p6aFYcayk9Jzm9Q3x0m5V94olsuqeatxtP8O/6nU30BppwTCp1V1jY//JeDA==
    The earliest operas were
    Correct.
    Incorrect. See Opera in Chapter 8.

  9. Question

    J7APgChrNlTMkJ9J45+x/vNdYTkzvZ3G5FcspaLqPSQqAKq4uj94X8yiPCocECfZetgliWja1lCC7YyuAIclzrNnfuN2cI5RS9l5my20gSXOA4ydE/gZWYW/wbB+QBzERlp+l+4/DkB26rKWprlo/Lsh8WLUmBfxvrHgt8sqc5UirFmvfxsBEl0kIJkrM+D+LjYrELm67K6dNe4kk70Hk4EvpUKeSCTKBs0Ok7XBBNFsSWDprLRqzEevYm9JTdsdXwsAGlZyG13D1AhtUkuMSLedIgzLPTF4nq8+QayQAU9U47etbGksstvInbSn+y5EjA/nD+7M4XGFsA45f2yTUrjGPYXYrhRmToj5Q4C5iisRXwr9kmQ1tolejkxjlBvv8UCLuQ==
    In a recitative, the composer tries to have the singing voice
    Correct.
    Incorrect. See Recitative and Aria in Chapter 8.

  10. Question

    +UgV6oHQqgUmPzQCuyo685wJOgR4mvmdOovpO6273aOovWxnWXV5zi5lLeQ7aIMoZvwkrvm8y0/mZt3mZtc92QaDpjZbip33e/B2niQWpmf5MCR09aRRJ+e10Xl1bgZLUElrNQg9zt5IW5pCQmnn28C8eaMIMwIk3m/WhcT4NqgF0+4POeE3Ay7SLQTzTwOa9CRELTy7AoIBz7BvVdSS2+3rPh9FXlBvOfIcHE4iBVViF9YfMdTzhfTjDfYWHAS6qJJGccnFUNnuRp47tmlsdqNM7s0ZQMRx0gyUd60+bvikKxJ2Zdo0yEfqkik=
    What is an aria?
    Correct.
    Incorrect. See Recitative and Aria in Chapter 8.

  11. Question

    9W76CJOsDKbCoLcZki8EkH7FFop0m2mClRW46wa3pvKkyCHAzDiWv0kMeJg3S359HXtDbL2zADjGSJuNp/AABaFadxpN4f/5zSI8WPS+EOe1oP1Gw+WdRvI+tmJ4QE+/pK2MLJ0qVHzg9oFh/k9ZBf+xb1+9bqN5wNvAjOTcb9NYTgmqC6KcYzmcjcJC2heFmUv9khFk58pduMb94mM8ywgwqqZT/NQTwRdC2Y1JpOf9Nm4hf1n7l6zPPhA=
    Who composed the operas Orfeo and The Coronation of Poppea?
    Correct.
    Incorrect. See Claudio Monteverdi in Chapter 8.

  12. Question

    vOdLA0pg1r9XQydjbGffSARXsOMKnbzcNmvG17OCVQksaQR4c5PSyXe6kHgTraQtln8Up2gyRgrpcl+NXP75KxvLPQgdaeX0mZWRVyAHV4m2uIUkIYdLf7b4WzScTRezZAQtvGcpO61nIr/nM9kq8wRJXo847dgpnP4OqQ0nUROl+6laJ6oKXONobLEHhP/WuG8L4DvJ2xRjtYcgWSb0YFWOpGE7kYo4Mu/Z6eL7BYNnm9JDnwp2GxtysZxQzio+j+WPr/k4gJR89LCraE8asAFVJ8rt/XnXwDdrElhl1r61jfSSGuCtv6iwAbfXlBc9O2AG+FQ3p+Z44E5mwc+hRRxbM6kRpRTdcbvQtFIZwo4TbMNVnnq7XfH2Hk22/EQ+
    In Dido and Aeneas, what is Dido doing as she sings the aria “Dido’s Lament”?
    Correct.
    Incorrect. See Henry Purcell, Dido and Aeneas in Chapter 8.

  13. Question

    c78/wP168Ux8v9w1vnqaDvqnA1hMJNxjm0PLLyZL7v8ZdiT6kGxYxftzthaXfz7jf7sVXb0xJcvi5dtfVG54Nu8eLcCe0Qu2FrAgw0gHYun5mVCHs+uaIZWqtCYNRhfilnAt2OeqeNSJctPCbbLYLbjh6Sypoy6uJrhH19blXSzglCWt/M/nbrro1rmp4qb6yPwjVzcKHJTiAMhfB7X+Weq/uySG5HGnFax6npwG5TVnq/59RPpX3687L5eKySc/WcHesCJoXBFwUfZVunAimqNMXmd9GJxEIcRUCMnOEAxdcVvH1bVpBtMbx6J5h9yAAkAT8G144X9dEThD1nKiZLcwSkfcs/yn1a1jr33JYCZIMGbCRu42eWvXVomg6uDSAQVBEIbIeqXMPezIkyzROn9M14/1Yldot7u5m3oNcDutbQp5cdgxaHByLETTQZr81/ZKaAwtqZ0XIHK2QL9/xYRj3pQ=
    What three things does Chapter 8 describe as sources for the development of instrumental music in the early Baroque era?
    Correct.
    Incorrect. See The Rise of Instrumental Music in Chapter 8.

  14. Question

    4qRj1RgwebXnwuB2lqraMZuZK09G2h5ttog+GiZY2cZnc8KGXi0aOz7ktu5j5zMAu3MeSx6t+T2pWJrn28qXvPB8S8zAX4fkj3avKpGGJjYS9G8Jq1Bc56t04v5JvkBIcmumUFrpc0x1JwTp/pKqtidOR+KXJgEZXa9Q+C5d/9t90P274yhJapISfAQ2gVMuR0nQmxJ3mtRd2AS0LTKyxchsZfrcMpxyd+hZu7W/uUcKvg96W91hoeidzgzBGy1DxPm2tOr8FB7JZwUlewi1qj8O1U8wJh4oNf+/OoeSg5F9QBSEOTOqrpnpIfhoPc0ATqXAUPmWbxoebtqLGNN6i335M/pzqG9LmUSFHN1CgW0DJgWI
    What is a dance suite?
    Correct.
    Incorrect. See The Rise of Instrumental Music in Chapter 8.

  15. Question

    AAVmaDPRsWbK4jkp/lhJDpWt6FId4oasIVR1snEgsr62XswTgc8mVcRzGnpzTsAbQ3a0OY5Bssmy2CETjDuxx7ZArTmzdRLzE87ILXBOUOQLFzHAaOHdrs29iSuKuWfDZ4GVLQrbEl2EPLfl6lyVNGRVNjmWkTm4yZD4BkgFTG7EuzjdGYkZ+SFbta5xEx5wpRbw4grdb7fLJGA1GjNM0/GwLrcnCT5K
    During the early Baroque period, Girolamo Frescobaldi was the foremost
    Correct.
    Incorrect. See Girolamo Frescobaldi in Chapter 8.