FileTitleManuscript Id
Chapter 4 Resourceslisten8e_ch4_1.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_1_dlap.xml54075d58757a2e7b57000000
Listening Quiz for Chapter 4listen8e_ch4_2.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_2_dlap.xml54075d58757a2e7b57000000
Reading Quiz for Chapter 4listen8e_ch4_3.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_3_dlap.xml54075d58757a2e7b57000000
Ludwig van Beethoven, “Joy Theme” from Symphony No. 9, IVlisten8e_ch4_4.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_4_dlap.xml54075d58757a2e7b57000000
Igor Stravinsky, Symphony of Psalms, II (excerpt)listen8e_ch4_5.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_5_dlap.xml54075d58757a2e7b57000000
Franz Schubert, String Quartet in A Minor, No. 13, D.804, I (excerpt)listen8e_ch4_6.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_6_dlap.xml54075d58757a2e7b57000000
Ludwig van Beethoven, Piano Concerto No. 5 (“Emperor”), III (excerpt)listen8e_ch4_7.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_7_dlap.xml54075d58757a2e7b57000000
Harmony, Texture, Tonality, and Modelisten8e_ch4_8.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_8_dlap.xml54075d58757a2e7b57000000
1 | Harmonylisten8e_ch4_9.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_9_dlap.xml54075d58757a2e7b57000000
Consonance and Dissonancelisten8e_ch4_10.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_10_dlap.xml54075d58757a2e7b57000000
2 | Texturelisten8e_ch4_11.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_11_dlap.xml54075d58757a2e7b57000000
Monophonylisten8e_ch4_12.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_12_dlap.xml54075d58757a2e7b57000000
Homophony and Polyphonylisten8e_ch4_13.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_13_dlap.xml54075d58757a2e7b57000000
Imitationlisten8e_ch4_14.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_14_dlap.xml54075d58757a2e7b57000000
Listening Exercise 6 Texturelisten8e_ch4_15.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_15_dlap.xml54075d58757a2e7b57000000
3 | Tonality and Modelisten8e_ch4_16.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_16_dlap.xml54075d58757a2e7b57000000
Tonalitylisten8e_ch4_17.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_17_dlap.xml54075d58757a2e7b57000000
Major and Minor Modeslisten8e_ch4_18.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_18_dlap.xml54075d58757a2e7b57000000
Keyslisten8e_ch4_19.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_19_dlap.xml54075d58757a2e7b57000000
Listening for the Major and Minor Modeslisten8e_ch4_20.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_20_dlap.xml54075d58757a2e7b57000000
Listening for Keys and Modulationlisten8e_ch4_21.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_21_dlap.xml54075d58757a2e7b57000000
Listening Exercise 7 Mode and Keylisten8e_ch4_22.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_22_dlap.xml54075d58757a2e7b57000000
Goals for Reviewlisten8e_ch4_23.html54075d58757a2e7b57000000
DLAP questionslisten8e_ch4_23_dlap.xml54075d58757a2e7b57000000