Gender and Sexuality

The social conditions of Athenian women have been the subject of much debate, in part because the sources are fragmentary. The available sources suggest that women rarely played notable roles in public affairs, and we know the names of no female poets, artists, or philosophers from classical Athens. However, we do know that the status of a free woman was strictly protected by law, and that only the sons of a citizen woman could be citizens. Only she was in charge of the household and the family’s possessions, yet the law gave her these rights primarily to protect her husband’s interests. Women in Athens and elsewhere in Greece, like those in Mesopotamia, brought dowries to their husbands upon marriage, which went back to their fathers in cases of divorce.

In ancient Athens the main function of women from citizen families was to bear and raise children. Childbirth could be dangerous for both mother and infant, so pregnant women usually made sacrifices or visited temples to ask help from the gods. Women relied on their relatives, on friends, and on midwives to assist in the delivery.

The ideal for Athenian citizen women was apparently a secluded life in which the only men they saw were relatives and tradesmen. In a treatise describing the ideal household, the writer Xenophon has a husband say to his wife: “It would be ridiculous if you were not here at home to take care of everything that I bring in from the outside.”6 The husband describes these gender roles as divinely created: “Now we know, dear, what duties have been assigned to us by God. We must try, each of us, to accomplish them as best as we can. The law approves of them, for it joins man and woman together. And God makes them partners in their children, and law likewise makes them partners in the home. The law also proclaims these duties to be noble.”7 The extent to which this ideal was actually a reality is impossible to know, but women in wealthier citizen families probably spent most of their time at home in the gynaeceum, leaving the house only to attend some religious festivals, and perhaps occasionally plays. (See “Individuals in Society: Aspasia.”)

In the gynaeceum women oversaw domestic slaves and hired labor, and together with servants and friends worked wool into cloth. Women personally cared for slaves who became ill and nursed them back to health, and cared for the family’s material possessions as well. Women from noncitizen families lived freer lives than citizen women, although they worked harder and had fewer material comforts. They performed manual labor in the fields or sold goods or services in the agora, going about their affairs much as men did.

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Young Man and Hetaera In this scene painted on the inside of a drinking cup, a hetaera holds the head of a young man who has clearly had too much to drink. Sexual and comic scenes were common on Greek pottery, particularly on objects that would have been used at a private dinner party hosted by a citizen, known as a symposium. Wives did not attend symposia, but hetaerae and entertainers were often hired to perform for the male guests. (© Martin von Wagner Museum of Universität Wurzburg, Photo: P. Neckermann, respectively E. Oehrlein)

Among the services that some women and men sold was sex. Women who sold sexual services ranged from poor streetwalkers known as pornai to middle-status hired mistresses known as palakai to sophisticated courtesans known as hetaerae, who added intellectual accomplishments to physical beauty. Hetaerae accompanied men at dinner parties and in public settings where their wives would not have been welcome, serving men as social as well as sexual partners.

Same-sex relations were generally accepted in all of ancient Greece, not simply in Sparta. In classical Athens part of a male adolescent citizen’s training might entail a hierarchical sexual and tutorial relationship with an adult man, who most likely was married and may have had female sexual partners as well. These relationships between young men and older men were often celebrated in literature and art, in part because Athenians regarded perfection as possible only in the male. Women were generally seen as inferior to men, dominated by their bodies rather than their minds. The perfect body was that of the young male, and perfect love was that between a young man and a slightly older man, not that between a man and a woman, who was marred by imperfection. The extent to which perfect love was sexual or spiritual was debated among the ancient Greeks. In one of his dialogues, the philosopher Plato (see page 88) argues that the best kind of love is one in which contemplation of the beloved leads to contemplation of the divine, an intellectualized love that came to be known as “platonic.” Plato was suspicious of the power of sexual passion because it distracted men from reason and the search for knowledge.

Along with praise of intellectualized love, Greek authors also celebrated physical sex and desire. The soldier-poet Archilochus (d. 652 B.C.E.) preferred “to light upon the flesh of a maid and ram belly to belly and thigh to thigh.”8 The lyric poet Sappho, who lived on the island of Lesbos in the northern Aegean Sea in the sixth century B.C.E., wrote often of powerful desire. One of her poems describes her reaction on seeing her beloved talking to someone else:

He appears to me, that one, equal to the gods,

the man who, facing you,

is seated and, up close, that sweet voice of yours

he listens to

And how you laugh your charming laugh. Why it

makes my heart flutter within my breast,

because the moment I look at you, right then, for me,

to make any sound at all won’t work any more.

My tongue has a breakdown and a delicate

— all of a sudden — fire rushes under my skin.

With my eyes I see not a thing, and there is a roar

that my ears make.

Sweat pours down me and a trembling

seizes all of me; paler than grass

am I, and a little short of death

do I appear to me.9

Sappho’s description of the physical reactions caused by love — and jealousy — reaches across the centuries. The Hellenic and even more the Hellenistic Greeks regarded her as a great lyric poet, although because some of her poetry is directed toward women, over the last century she has become better known for her sexuality than her writing. Today the English word lesbian is derived from Sappho’s home island of Lesbos.

Same-sex relations did not mean that people did not marry, for Athenians saw the continuation of the family line as essential. Sappho, for example, appears to have been married and had a daughter. Sexual desire and procreation were both important aspects of life, but ancient Greeks did not necessarily link them.