Gender Roles

Renaissance people would not have understood the word gender to refer to categories of people, but they would have easily grasped the concept. Toward the end of the fourteenth century learned men (and a few women) began what was termed the debate about women (querelle des femmes), an argument about women’s character and nature that would last for centuries. Misogynist critiques of women from both clerical and secular authors denounced females as devious, domineering, and demanding. In response, several authors compiled long lists of famous and praiseworthy women exemplary for their loyalty, bravery, and morality. Some writers, including a few women who had gained a humanist education, were interested not only in defending women but also in exploring the reasons behind women’s secondary status — that is, why the great philosophers, statesmen, and poets had generally been men. In this they were anticipating more recent discussions about the “social construction of gender” by six hundred years.

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Picturing the PastLaura de Dianti, 1523 The Venetian artist Titian portrays a young Italian woman with a gorgeous blue dress and an elaborate pearl and feather headdress accompanied by a young black page with a gold earring. Slaves from Africa and the Ottoman Empire were common in wealthy Venetian households. (Photographer: Human Bios International AG, CH-8280, Kreuzlingen, www.humanbios.com)ANALYZING THE IMAGE How does the artist convey the message that this woman comes from a wealthy family? How does he use the skin color of the slave to highlight the woman’s fair skin, which was one of the Renaissance ideals of female beauty?CONNECTIONS Household slaves worked at various tasks, but they were also symbols of the exotic. What other elements does Titian include in the painting to represent foreign places and the wealth brought to Venice by overseas trade? What does this painting suggest about Venetian attitudes toward slaves, who were part of that trade?

Beginning in the sixteenth century the debate about women also became a debate about female rulers, because in Spain, England, France, and Scotland women served as advisers to child-kings or ruled in their own right. There were no successful rebellions against female rulers simply because they were women, but in part this was because female rulers, especially Queen Elizabeth I of England, emphasized qualities regarded as masculine — physical bravery, stamina, wisdom, duty — whenever they appeared in public.

The dominant notion of the “true” man was that of the married head of household, so men whose class and age would have normally conferred political power but who remained unmarried were sometimes excluded from ruling positions. Actual marriage patterns in Europe left many women unmarried until late in life, but this did not lead to greater equality. Women who worked for wages, as was typical, earned about half to two-thirds of what men did even for the same work. Regulations for German vineyard workers in the early sixteenth century, for example, specified:

Men who work in the vineyards, doing work that is skilled, are to be paid 16 pence per day; in addition, they are to receive soup and wine in the morning, at midday beer, vegetables and meat, and in the evening soup, vegetables and wine. Young boys are to be paid 10 pence per day. Women who work as haymakers are to be given 6 pence a day. If the employer wants to have them doing other work, he may make an agreement with them to pay them 7 or 8 pence. He may also give them soup and vegetables to eat in the morning — but no wine — milk and bread at midday, but nothing in the evening.2

Of all the ways in which Renaissance society was hierarchically arranged — by class, age, level of education, rank, race, occupation — gender was regarded as the most “natural” distinction and therefore the most important one to defend.

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Italian City Scene In this detail from a fresco, the Italian painter Lorenzo Lotto captures the mixing of social groups in a Renaissance Italian city. The crowd of men in the left foreground includes wealthy merchants in elaborate hats and colorful coats. Two mercenary soldiers (carrying a sword and a pike) wear short doublets and tight hose stylishly slit to reveal colored undergarments, while boys play with toy weapons at their feet. Clothing like that of the soldiers, which emphasized the masculine form, was frequently criticized for its expense and its “indecency.” At the right, women sell vegetables and bread, which would have been a common sight at any city marketplace.(Scala/Art Resource, NY)